One More Kiss

I liked this movie. It was sweet, sad and slow.

I wasn't blown away, but I got the message and enjoyed the ride. I thought all the main players were good, but of course Gerard was lovely! He is worth a look anytime. I had no trouble understanding the Scottish dialect and certainly had no need for subtitles, as someone suggested in another review.

I especially liked the music. It was a nice combination of old and new -- and everything in between. I can never get enough of the Scottish scenery, as well.

Was this an Oscar-worthy movie? No. Was this a thoughtful, story about real people with real problems? Yes. I will watch this movie again...with pleasure.

I liked this film because of the fantastic outside, location shooting, mainly of Berwick-upon-Tweed. It is similar to the way Eric Rohmer would film somewhere like Le Mans in his film le Beau Marriage (1982).

Indeed, the dour, granite buildings seem to sum up the awful plight of Sarah (played very ably by Valerie Edmond). She returns to her father's house, right behind the sea wall and the beach in Berwick, which, of course, is not even in Scotland. It's one of those border towns between Scotland and England, the scene of many violent fights to the death over the years. Perhaps there's some symbolism in there somewhere.

James Cosmo is very good as Frank, Sarah's father. Worth watching.

I've seen several movies of this genre before but this one was just unsettling and disturbing for me (I suppose it was realistic and honest, though).

I bought this movie on E-Bay not knowing anything about it but being seduced by the title, the fact that Gerard Butler was in it, and the description from the video jacket. One More Kiss? A definite waste of money. The heroine was a royally selfish pain who left me cold with her plight: I kept wanting to smack her instead of empathize with her. James Cosmo and Gerry Butler in their roles were excellent. Perhaps the heroine was told to play the role as she did but if so, the director should have been shot. It would have helped a lot to those who are hard of hearing and those of us who are not too familiar with Scottish dialects to have had captioning. The only saving grace was looking at the scrumptious Gerard Butler.

Having left her native Scotland to go to New York to pursue her career, Sarah returns home to tell her family and friends that she has cancer and has little time left to live. Specifically she has returned to spend time with her ex-boyfriend Sam, who is now married. His wife Charlotte is not supportive but Sam does it anyway. While the two of them spend time together they start to become a bit closer and recall memories from the past; meanwhile Sarah also tries to mend things with her present but emotionally distant father Frank.

Within five minutes I realised that I had started watching a genre film in a genre that I generally don't like – the "seize the day while at death's door" movie. Generally an excuse for a load of hankies to come out and the audience to be put through the Hollywood emotional mangle, it is not an experience that I enjoy that much. However, despite some clunky and preachy moments, this is actually quite an engaging and raw experience that I found quite enjoyable, well, maybe "enjoyable" is not a good word. The characters and the emotions are well painted and I can forgive the film its soapy, sweeping opening sequence mainly because it does get much closer to reality from then onwards. Of course it is still a genre movie and it does have its fair share of "seize the day" dialogue but it generally avoids the clichés, cheese and moods that you will find in countless television movies cluttering the daytime television schedules.

The cast help this by being pretty convincing and bringing the best out of the good script. Edmond worried me at first but got stronger as it went on; she was convincing in the main and she works well with her support cast. Butler is not quite as good but he works well with Edmond although he could have done better with Gogan, who herself is perhaps weakened by the fact that her character is not all that it could have been. Cosmo is as solid as he always is and I found him to be easy to care about and relate to (perhaps due to him being rather bottled up). Jean's direction is good and generally avoids sentimentality, to the benefit of the material generally.

Overall then this is a genre film but it is one that is worth a look if, like me, you generally don't care for the genre. It is soapy at times (specifically the opening ten minutes is very "genre") but generally it is convincingly raw and all the better for it. The cast bring this out well and director Vadim Jean seems to have little or no interest in manipulating the audience emotionally or drawing out fake emotions and despite my initial concerns, it was certainly one of the better films I have seen albeit in a generally weak genre (in my opinion).