La scala a chiocciola

Give the cast credit where credit is due! Judd Nelson and Nicolette Sheridan spew more electricity than a power station underfoot Godzilla. The scenery and haunting background music make an eerie ambiance which certainly adds to the film's chill factor. I absolutely adored this adaptation. One must admit, it's brimming with humor, though perhaps not intentionally, but for pete's sake, it was made for television! Give it a chance!! It may not quite give you goosebumps but definitely a warm chuckle and fuzzy feeling!!

Builds up slowly. And then it adds up to good entertainment. I cannot understand why reviewers compare with previous works. Each is an independent presentation and to most viewers it is not an academic effort of comparison, one sits on an afternoon or night to be entertained in this make believe celluloid world. In that aspect this movie delivers as a most satisfying experience.

Nicolette Sherdian is breathtakingly gorgeous in this taut thriller based on the classic film. This movie has more twists and turns than the roads in Monte Carlo. The constant state of tension is at times almost unbearable. Judd nelson gives the performance of his career, surpassing even his work in St. Elmo's Fire. I anxiously anticipate this superb work of art's release on DVD, hopefully a collector's edition.

This is easily the most boring and predictable movie I have ever seen. The plot is extremely thin and the direction does little to put any feeling of fear or suspense into the mind of the viewer. The acting also is mediocre. All in all, a waste of time, money and effort.

I agree with DrSatan that this update of the 1946 classic is not well done. Above all, it lacks style and ambience. Beyond that, the plot is seriously weakened by the omission of the doctor's character; the new twist at the end (with its trite motivation sans the Freudian psychological flair of the original); and the hokey camera angles which make the house appear to be listing in a stormy sea. The childish secret passageways and cobweb-covered staircase are out-of-place in a film which otherwise tries too hard to be adult.

Even the pale 1970's remake with gorgeous Jacqueline Bisset is better than this truly missable, misguided project.