'Hukkunud Alpinisti' hotell

I like quite a lot the book which movie is based on, one of Strugatski's best (it's a bit too short tho). Strugatski's wrote also movie script, but it's much weaker. Some details are changed, some left out, and the changes just don't make much sense. Any way, even if I don't like movie much, most of the cast is good, and helps visualizing characters when reading the book. Maybe except Mrs. Moses... and du Barnstocre who simply isn't in movie. Glebsky also looks a bit fake at times, partly maybe because of dubbed voice. Also, was it that hard to make something that looks like alien robot power source, so they could actually show it? That and some other scenes look quite cheap...

The Dead Mountaineer's Hotel is constructed like a classic murder mystery. You take an odd group of characters, confine them together in a remote location, one of them shows up dead, and then a detective must unravel what happened. I quite like the way it is presented visually. Somehow they manage to make this hotel feel large and spacious in one scene and then confined and claustrophobic in another. Not to mention the overall strange and other-worldly look of the place. They also did a great job of making it seem like there was someone watching our protagonist, around every single corner. There are a number of minutes where The Dead Mountaineer's Hotel is a tad slow, and I felt like the story wasn't progressing. However, I was always drawn back into the movie, because I was waiting to discover the identity of the murderer. Sadly, I think the ending was the worst part for me. It takes a turn that simply didn't work and left me scratching my head. I feel like the intent was to make a bit of social commentary with that ending, but it didn't work effectively based on how the film was set up. I wanted a more grounded and logical conclusion. I doubt I'll be seeking The Dead Mountaineer's Hotel for a second viewing, but it was at least intriguing enough to keep me engaged throughout its runtime.

"Dead Mountaineer's Hotel" is an effectively oneiric adaptation of a 1970 science fiction detective novel written by Arkady and Boris Strugatsky.Inspector Peter Glebsky goes to a small resort located in a secluded valley in the Alps to investigate murder case.He meets some bizarre hotel guests in Dead's Mountaineer's Hotel.Soon an avalanche blocks the entrance to the valley and one of the guests named Olaf mysteriously dies.Glebsky realizes that the guests are not who they appear to be.Very interesting and stylish hybrid of crime drama,science-fiction and neo-noir.The mood is very phantasmagorical and there is some impressive use of colors in the vein of "Suspiria".I enjoyed electro soundtrack of "Dead Mountaineer's Hotel" too.Often written comparisons to "Blade Runner" are quite thruthful.8 dead mountaineers out of 10.

Film is based on the novel by Strugatsky brothers. Police inspector is called to a mountain hotel, but there's no crime. When snow avalanche blocks hotel from the rest of the world, strange things start to happen.. Brilliant soundtrack from Sven Grünberg.

I basically hate sci-fi, but I was still fascinated by the design of lighting and shadows in this film. The high-key, high-contrast exterior of the snowy mountains acts obviously opposite to the low-key, low-contrast interior of the hotel. The lighting of the interior scenes can be described as "dazzling," not dazzling brightness, but dazzling colour and weirdness. The director seemed to deliberately avoid any establishing shots; thus, the audience would still be confused about the internal structure of the hotel until the end of the film.

There are the typical blinds of film noir, but they don't cast the classic shadow of the blinds onto the characters, despite the shadows from other frames and obstacles being abundant in this film. Also, there is a noir-style narration of the protagonist throughout the film. The narration begins in the past tense of memories, while slowly turning into the immersive present tense. After arriving at the hotel, the protagonist enters his room for the first time, and there are several typical splitting reflections of him in mirrors, which craftily foreshadow that he would be the one who will eventually encounter a dilemma, morally.

The film ends with the protagonist questioning himself against the fourth wall - should individuals within the institution and authorities carry out duties diligently, or should they hold their sympathy high for the objects?