'Hukkunud Alpinisti' hotell

The Dead Mountaineer's Hotel is constructed like a classic murder mystery. You take an odd group of characters, confine them together in a remote location, one of them shows up dead, and then a detective must unravel what happened. I quite like the way it is presented visually. Somehow they manage to make this hotel feel large and spacious in one scene and then confined and claustrophobic in another. Not to mention the overall strange and other-worldly look of the place. They also did a great job of making it seem like there was someone watching our protagonist, around every single corner. There are a number of minutes where The Dead Mountaineer's Hotel is a tad slow, and I felt like the story wasn't progressing. However, I was always drawn back into the movie, because I was waiting to discover the identity of the murderer. Sadly, I think the ending was the worst part for me. It takes a turn that simply didn't work and left me scratching my head. I feel like the intent was to make a bit of social commentary with that ending, but it didn't work effectively based on how the film was set up. I wanted a more grounded and logical conclusion. I doubt I'll be seeking The Dead Mountaineer's Hotel for a second viewing, but it was at least intriguing enough to keep me engaged throughout its runtime.

The setting - a secluded mountain lodge high in the Alps - contributes a great deal to the appeal of this film. The nominal story centers around a police inspector called upon to investigate a murder and the diverse group of colorful characters he encounters during his stay. Apparently it's based on a novel by the authors of the book from which Andrei Tarkovsky's Stalker was adapted. Even as the plot becomes gradually more bizarre, there were a lot more positives than negatives in my opinion. The absurd tone of the movie reminded me a bit of Godard's Alphaville. Though it perhaps adds up to less than the sum of its parts, the film has a disarming quality about it which charmed me.

I basically hate sci-fi, but I was still fascinated by the design of lighting and shadows in this film. The high-key, high-contrast exterior of the snowy mountains acts obviously opposite to the low-key, low-contrast interior of the hotel. The lighting of the interior scenes can be described as "dazzling," not dazzling brightness, but dazzling colour and weirdness. The director seemed to deliberately avoid any establishing shots; thus, the audience would still be confused about the internal structure of the hotel until the end of the film.

There are the typical blinds of film noir, but they don't cast the classic shadow of the blinds onto the characters, despite the shadows from other frames and obstacles being abundant in this film. Also, there is a noir-style narration of the protagonist throughout the film. The narration begins in the past tense of memories, while slowly turning into the immersive present tense. After arriving at the hotel, the protagonist enters his room for the first time, and there are several typical splitting reflections of him in mirrors, which craftily foreshadow that he would be the one who will eventually encounter a dilemma, morally.

The film ends with the protagonist questioning himself against the fourth wall - should individuals within the institution and authorities carry out duties diligently, or should they hold their sympathy high for the objects?

Unfortunately, some of the other reviews and especially their titles somewhat give away ahead of time what the audience really doesn't come to know until towards the end of the story. So, I guess my first suggestion would be to be careful which reviews you read about this movie.

It is a very unusual film, that sets off being somewhat of a Crime/Mystery story, which it definitely is, but later transforms somewhat into something else. Like I mentioned, I do not want to give anything important away.

I don't think I've ever seen an Estonian film before, it is an interesting language. I expected it to sound more like Russian and Polish, but it didn't really. I wonder what the roots of the Estonian language are?

Especially for the time and I'm assuming by filmmakers that didn't have a ton of experience, I felt it was quite a stylish and sharply written/directed movie that really kept the audience in suspense as to what was actually going on.

There are some really nice Surreal touches that many times in films like this may come across as a bit dated and pretentious, but quite honestly I was rather surprised that the cinematography, sound design, and the editing contributed to a pretty solid atmosphere that I think perfectly blended a Crime/Mystery with more Surreal aspects.

Someone else mentioned the movie 'ALPHAVILLE', and I would say that there are some similarities in the look and mood of the film. But, the eventual reveals are more subtle.

So, a bit on the 'Artsy' side, but for this type of movie done at that time, I think it was put together in an engaging and effective way. It may not appeal to everyone, but to ones who perhaps like movies that are a bit more on the Surreal and somewhat understated side, then you might find this one intriguing...

I gave it a '7' due to its quality and effectiveness, perhaps leaning more towards it's artistic slant. But, maybe considering 'Mass Appeal' some may consider it more of a '6'

Second viewing. An important sci-fi film written by the authors of Tarkovsky's "Stalker" with Juri Jarvet, who starred in Tarkovsky's "Solaris" soon after his superb performance in Kozintsev's "King Lear." But in this film, it is actor Uldis Pucitis who is most impressive as the Police inspector. Important film for fans of Jarvet, the Strugatsky brothers' writings and sci-fi films