Circus

If you've seen any other sort of halfway decent crime movie, your patience might be put to the test by "Circus". If you are more than halfway sober or awake, its little derivative winks of 'intelligence' might actually appear half-assed and grating. I'm a fan of both John Hannah and Eddie Izzard, but neither actor can rescue this made-for-TV-grade formulaic crap-pile. And the 'intelligent' bit of that formula is the one that most grates on me: when the films throws out references to Tarantino, musical theatre, The Sweet Smell of Success, etc.(naming a character Elmo Somerset? Good lord), it's insulting. And when the twists are revealed, I hardly feel that the makers of Circus are knowing masterminds. They blindly stumbled through this movie, hoping that they could pull this foolish scam of a movie off.

"Circus" was barely released in cinemas even in Britain and, from what I understand, skipped US cinemas despite its Columbia backing. It's an okay watch for cable at 3 a.m. (which, interestingly enough, is when I watched it), but that's about it.

The movie's scuppered by the ludicrous casting of comedian Brian Conley as a gangster who we see taking a bite of a man's ear in the beginning; he comes off as too playground-villainous to take seriously, and the rest of the movie is just as plausible (tip: do not go and attack and/or threaten people when there are witnesses around, a piece of advice ignored TWICE in the course of the movie). David Logan's script needed some stronger direction and a bit of restraint, instead of piling double-cross upon double-cross until it's soon hard to tell just what the hell's going on, culminating in an "Oh-for-God's-sake!" ending.

"Circus" is diverting enough, but a waste of John Hannah, a bigger waste of Fred Ward, something of a waste of Amanda Donohoe, and an absolutely criminal waste of Famke Janssen (who is not only super-fit but, unlike Conley, actually CAN be convincingly tough - it's impossible to believe she appeared in both this and "X-Men" in 2000 ... then again, she did do "House on Haunted Hill"). What she was doing in this movie we can only speculate; did she fancy a trip to Brighton? Or is she a secret fan of "Rebus"? Or "The Brian Conley Show"?

And one more piece of advice - don't go mentioning "The Sweet Smell Of Success" in your movie, unless you really want to draw unfair comparisons. Mind you, it's preferable to actually going to a circus; I never liked the things.

I've read with interest everyone's opinions on this movie, and am surprised at the diversity. Some reviews state it is the worst British move in ages, some compare it to the likes of Trainspotting and Lock, Stock, and Two Smoking Barrels. I'm somewhere in between.

'Circus' is very refreshing, I'll give it that. But I feel like Austin Powers, contemplating time-travel, for I too have 'gone cross-eyed.' I rented this (thank God I didn't see it in the theatre) and found myself rewinding because I was so confused! Sure, they really don't want you to guess the ending, but at the same time, they turn you around so many times try understanding it!

The acting is wonderful. I actually thought Eddie Izzard was great, as was everyone else. I cease to be surprised by John Hannah, who does drama and comedy equally wonderfully. Famke Janssen was interesting enough, and her hick boyfriend was entertaining, as was the little nerdy guy, though his character sort of annoyed me.

I think that this film certainly could've been a lot better...this film-maker had the actors, they just needed to work with the story a little more. Had they taken away some of the twists and turns, they might've gotten a better film.

By the way, these are not all English actors. John Hannah is Scottish. And another thing, I certainly wouldn't compare this to Trainspotting, as Trainspotting was pure brilliance, and this is rather blemished.

My American Girlfriend and I (2 of the 8 people in the cinema, watched this film after a 2 hour wait, and were impressed with what we saw. The film itself is constructed with the same narrative as Pulp Fiction, with the comedy stylings of Shallow Grave. The comedy within the film are subtle and not the laughing out loud that many expect of a comedy. Twists and turns that evolve into a plot that make the film worth watching from start to end. As for the acting, John Hannah is great as the sneaky Leo, and as for THE Eddie Izzard, the man never fails to make me laugh, even when he is playing a villain. Eddie has taken a lot of flak from this film but he manages to keep a nasty dark edge to his character, and it annoys me that people expect Eddie to make them laugh every time he is in a film, when acting he is NOT a stand-up comic, he is an actor, and whether bad or good should be viewed as that, but I think he was great in this film, as he was in Mystery Men, and The Secret Agent as Vladimir. Overall the film is enjoyable and entertaining, for those who have not seen it yet, indulge yourselves!!!!

This under-rated British film was unfairly slammed by critics, when it could have been a lot worse. It could have been better also, but it satisfies as a roaring bit of gangster fun and a subtle satire on the British "Lock, Stock..." genre.

John Hannah stars with Ms Janssen as a pair of crooks who are out to rip off Brian Conley for one last time. Along the way, everyone double crosses everyone, and the final scenes make one's head spin!

Brian Conley plays a rather good bad guy, given the quality of his British television shows, and great support is given by the various cast members, with special mention to Eddie Izzard who plays money lender Troy. His habit of paraphrasing songs and singing them to Leo ("R E P A Y M E - You know what it means to me" to the tune of Franklin's "Respect"), and the scene at the beach make for hilarious viewing.

One to be recommended for those with enough tongue in their cheek!