VALUTAZIONE IMDb
5,0/10
5111
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAnna is a servant who accepts a post at the St. Ange. She arrives to confront an unsettling lack of orphans, save for one. Then the bizarre sights and sounds begin, which seem to elude detec... Leggi tuttoAnna is a servant who accepts a post at the St. Ange. She arrives to confront an unsettling lack of orphans, save for one. Then the bizarre sights and sounds begin, which seem to elude detection by the other servant or the gloomy director.Anna is a servant who accepts a post at the St. Ange. She arrives to confront an unsettling lack of orphans, save for one. Then the bizarre sights and sounds begin, which seem to elude detection by the other servant or the gloomy director.
Christophe Lemaire
- Un homme des services sociaux
- (non citato nei titoli originali)
Louis Thevenon
- Un déménageur
- (non citato nei titoli originali)
Franck Vestiel
- Man in Black
- (non citato nei titoli originali)
Recensioni in evidenza
I don't usually watch horror movies, but this one had such a good look to it that I thought it might turn out to be a "thinking person's" movie like THE HAUNTING or THE UNINVITED. As it went along, I started thinking more of TURN OF THE SCREW, because there were implications that the visions Anna was having were due to her unexplained previous abuse and her mysterious pregnancy...and she was making others believe in the visions (like the nanny in TURN OF THE SCREW). But how does that account for the boy's death at the beginning? The last third of the movie is a complete letdown because of the introduction of fantasy elements beyond the limits of the movie up to that point. (The elevator is the first clue that we're going off track.) I can't believe how many IMDb posters actually seem to believe that the subterranean scenes are somehow "real." There is no evidence that anything sinister was ever done to the children who came to Saint-Ange during WWII. There are SO many interesting ways this movie could have played out...too bad they chose a dud ending. However, I have to say that Joseph LoDuca (Xena) did a marvelous score, which has to sustain a huge amount of silent action. This is definitely a movie to watch with a fast forward button.
From the tone of these comments you would think this was the worst film ever made (and a few comments say that literally). It wasn't as good as "The Others" and such, but the worst movie ever? Please. It was well shot and the minimalist production design was a welcome break from hyper-stylized films like "Silent Hill". The story did take a long time to develop, but the tension built nicely and it had an Argento feel to me. Not every movie has to be "Transformers", moving at Mach 10 from the first frame. Maybe the more subtle storytelling nature was why everyone reacted so poorly. It certainly didn't beat you over the head with plot points, and did feel like a key scene or two was left out of the final cut (setting up the kittens for example) but overall was a nice, spooky little film. Everyone's opinion is valid if course, and it's nowhere near my favorite film, but I had to defend it for some reason. Maybe it's because there are so many TRULY bad films out there, and I want people to save their venom for the movies that deserve it.
First off, this is supposed to come out as a treat for fans of Fulci's The Beyond (it even features the return of its star Catriona MacColl) and his other gloomy films. So it's got nice locations (romanian studios), pretty minimal as the whole movie takes place in a great mansion supposed to be a WWII orphanage, its narrowing woods and cellars. Cast is pretty top notch with kinky Virginie Ledoyen (L'Eau Froide, La Cérémonie, La fille seule - her only good movies in my opinion - The Beach) and wacko Lou Doillon (Jane Birkin's daughter - one of the most irritating actress to come out of french cinema lately, but physically disturbing and therefore probably appropriate for this movie!).
Beautiful photography, gloomy atmosphere, weird and nasty children (kinda reminiscent of the evil ones in Cronenberg's The Brood, but not really either), derelict locations, potential scream queens, this movie shows good production values but sadly remains pretty lazy storywise. I won't describe the story too much, but after a pretty classy/classic (easy) hour of ghost induced story, the movie goes wacko and tries to become a bit disturbing. Unfortunately, even if the scenery and filming shows you some very weird and dare I say effective clinical & morbid images (the only part giving the movie a little of its own personality), those images bears no real depth and fall flat in utter stupidity! So even though I admire the plastic quality of the last half hour, I remain highly skeptical in its capacity to convey an interesting story falling back on its feet without relying on weirdness because the lazy writer(s?) have no real vision of the story as a whole. Also, the twist revelation about the cats killer's identity is really lame. Sadly, another example of France incapacity to produce thoughtful and provocative fantasy...
Think a mixture of Furie's "The Entity", Robert Wise's "The Haunting" with Fulci's "The Beyond" and Chris Cunningham's clinical imagery.
Just one's opinion.
4/10
Beautiful photography, gloomy atmosphere, weird and nasty children (kinda reminiscent of the evil ones in Cronenberg's The Brood, but not really either), derelict locations, potential scream queens, this movie shows good production values but sadly remains pretty lazy storywise. I won't describe the story too much, but after a pretty classy/classic (easy) hour of ghost induced story, the movie goes wacko and tries to become a bit disturbing. Unfortunately, even if the scenery and filming shows you some very weird and dare I say effective clinical & morbid images (the only part giving the movie a little of its own personality), those images bears no real depth and fall flat in utter stupidity! So even though I admire the plastic quality of the last half hour, I remain highly skeptical in its capacity to convey an interesting story falling back on its feet without relying on weirdness because the lazy writer(s?) have no real vision of the story as a whole. Also, the twist revelation about the cats killer's identity is really lame. Sadly, another example of France incapacity to produce thoughtful and provocative fantasy...
Think a mixture of Furie's "The Entity", Robert Wise's "The Haunting" with Fulci's "The Beyond" and Chris Cunningham's clinical imagery.
Just one's opinion.
4/10
I understand why some people decided to give this movie a low rating, but I do not believe this movie deserves a low rating. If you were looking for a "horror" film in the slasher, in-your-face, gory, bloody sense, then I can see how you were disappointed. But if that is your only definition of a scary movie, I don't think you should be reviewing movies. This movie had many good qualities, and I believe many people could enjoy it if they gave it a chance. Foreign horror movies have a very different approach, and if you can get on board with that, I think you will like this. If Saw IV is your idea of quality horror, don't bother.
Saint Ange starts pretty amazing and sets you in the movie's gloomy mood immediately but the truth is that the movie is bad. The settings for the movie are indeed very good and with a solid storyline and correct flow the movie would have been a great one. The shots, colors, lighting and close ups are truly amazing but it's a shame that the movie starts to bore you after halfway, also there are lots of things that don't really make sense leaving you confused and in the end it's somewhat unbearable so you pray for it to end finally. My 3 rating is only because the film's photography is truly brilliant otherwise i would have sticked to 1.
Lo sapevi?
- QuizShot back to back in two versions, one in French and the other in English.
- Blooper(at around 15 mins) The movie is supposed to take place in 1958, as the opening scenes state. When the children leave the house in the beginning of the movie, one of the cars accompanying the buses full of children is clearly a white Peugeot 404. Peugeot introduced this model in 1960, and made it available to the public a year later.
- ConnessioniReferenced in Viande d'origine française (2009)
- Colonne sonoreI'm in the Mood for Love
Performed by Vera Lynn, Charlie Kunz and the Casani Club Orchestra
Music by Jimmy McHugh
Lyrics by Dorothy Fields
© Famous Music corp. C/o BMG Music Publishing France with BMG Music Vision approval
(P)1983 Decca Records Company ltd with the kind participation of Universal Music Projets Speciaux
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Dettagli
Botteghino
- Budget
- 5.320.000 € (previsto)
- Lordo in tutto il mondo
- 6.782.283 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Saint Ange (2004) officially released in Canada in English?
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