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La tigre e il dragone

Titolo originale: Wo hu cang long
  • 2000
  • T
  • 2h
VALUTAZIONE IMDb
7,9/10
289.754
LA TUA VALUTAZIONE
POPOLARITÀ
2082
218
La tigre e il dragone (2000)
Trailer for Crouching Tiger, Hidden Dragon
Riproduci trailer2:04
1 video
99+ foto
Arti marzialiAvventuraAvventura epicaAzioneAzione epicaDrammaDrammi storiciEpica romanticaEpicoFantasia

In una terra di infinita bellezza e di leggende, una spada antichissima e preziosa fa incrociare i destini di un guerriero, della donna che lo ama, di un fuorilegge e di una principessa dest... Leggi tuttoIn una terra di infinita bellezza e di leggende, una spada antichissima e preziosa fa incrociare i destini di un guerriero, della donna che lo ama, di un fuorilegge e di una principessa destinata a diventare un guerriero.In una terra di infinita bellezza e di leggende, una spada antichissima e preziosa fa incrociare i destini di un guerriero, della donna che lo ama, di un fuorilegge e di una principessa destinata a diventare un guerriero.

  • Regia
    • Ang Lee
  • Sceneggiatura
    • Hui-Ling Wang
    • James Schamus
    • Kuo Jung Tsai
  • Star
    • Chow Yun-Fat
    • Michelle Yeoh
    • Ziyi Zhang
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,9/10
    289.754
    LA TUA VALUTAZIONE
    POPOLARITÀ
    2082
    218
    • Regia
      • Ang Lee
    • Sceneggiatura
      • Hui-Ling Wang
      • James Schamus
      • Kuo Jung Tsai
    • Star
      • Chow Yun-Fat
      • Michelle Yeoh
      • Ziyi Zhang
    • 1.7KRecensioni degli utenti
    • 172Recensioni della critica
    • 94Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 4 Oscar
      • 101 vittorie e 132 candidature totali

    Video1

    Crouching Tiger, Hidden Dragon
    Trailer 2:04
    Crouching Tiger, Hidden Dragon

    Foto793

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    Interpreti principali31

    Modifica
    Chow Yun-Fat
    Chow Yun-Fat
    • Master Li Mu Bai
    • (as Chow Yun Fat)
    Michelle Yeoh
    Michelle Yeoh
    • Yu Shu Lien
    Ziyi Zhang
    Ziyi Zhang
    • Jen
    • (as Zhang Ziyi)
    Chang Chen
    Chang Chen
    • Lo
    Sihung Lung
    Sihung Lung
    • Sir Te
    Pei-Pei Cheng
    Pei-Pei Cheng
    • Jade Fox
    • (as Cheng Pei-Pei)
    Fazeng Li
    • Governor Yu
    Xian Gao
    • Bo
    Yan Hai
    • Madame Yu
    Deming Wang
    • Tsai
    • (as Wang De Ming)
    Li Li
    Li Li
    • May
    • (as Li Li)
    Suying Huang
    Suying Huang
    • Auntie Wu
    • (as Huang Su Ying)
    Jinting Zhang
    • De Lu
    • (as Zhang Jin Ting)
    Rui Yang
    • Maid
    Kai Li
    • Gou Jun Pei
    Jianhua Feng
    • Gou Jun Sinung
    • (as Feng Jian Hua)
    Zhenxi Du
    • Shop Owner
    • (as Du Zhen Xi)
    Cheng Lin Xu
    • Captain
    • (as Xu Cheng Lin)
    • Regia
      • Ang Lee
    • Sceneggiatura
      • Hui-Ling Wang
      • James Schamus
      • Kuo Jung Tsai
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti1.7K

    7,9289.7K
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    Recensioni in evidenza

    8Drakkhen

    Breathtakingly Beautiful...

    As a film student living in Toronto, I look forward to the Toronto International Film Festival every year. Last year, the highlight of the festival for me was American Beauty. This year, it would have to be (so far) Ang Lee's "Crouching Tiger, Hidden Dragon".

    Being of Asian descent, I've seen my share of wu xia genre movies to last me a life time. However, most of them are so centred on the fighting, that they forget the rest of the elements that are involed. The movie turns into one long scripted fighting scene with maybe a slight hint of story. Crouching Tiger, on the other hand realizes these issues, and builds these oh-so entertaining action sequences into an epic with typical asian themes such as true love and honour.

    Being an epic, one would expect the usual long takes and establishing shots, and boy does it ever look beautiful. Traversing through a myriad of regions spanning the lengh of China (from the deserts to bamboo forests, to mountains high in the clouds), the film soley based on its asthetic properties is nothing short of stunning. The lighting of different landscapes and the exquisitly designed costumes all radiate with stunning colour. And then there's the cinemetography. Wow! The backdrops, establishing shots look absolutely marvelous. If your jaw dropped when you saw Rome and its coliseum in Gladiator, wait until you see ancient Beijing recreated on the screen!

    Okay, so it's a good looking movie. What about the story? The complexity of the plot is rather sparse, probably reminiscent of epics such as Braveheart or Gladiator, which is by no means a bad thing. Although both Chow Yun Fat and Michelle Yeo did have major parts, this movie belongs mostly to Zhang Ziyi who IMHO did an amazing job playing a very complex role (one which required her to represent nobily as a princess, naivness, as well as show inner strength). Mainly concentrating on her unwillingness to give in to the ideals of an arranged marriage, the decently written script adds a story of an old warrior trying to retire and a 300+ year old sword.

    All in all, this film blends story, well choreographed action, and a stylistic eye to create a mythilogical piece that not only represents the wu xia genre justly by doing it well, but also contributes to raising the quality of filmmaking usually applied in the making of a similar type of film.
    8Nazi_Fighter_David

    A martial arts movie filmed with great visual brio

    Chinese martial arts films had found a market in the West during the Kung Fu boom initiated by Bruce Lee in the early 1970s… But "Crouching Tiger, Hidden Dragon" represents a new departure, an attempt to produce a sophisticated, big-budget Chinese film that would appeal both to mainstream Western audiences and to audiences in the Far East… Through their quest to find the stolen sword of Green Destiny, warriors Yu Shu Lien (Michelle Yeoh) and Li Mu Bai (Chow Yun-Fat) explore themes of love, loyalty and sacrifice…

    Ang Lee was an astute choice as director… The location shooting was on the Chinese mainland and the actors came from Malaysia, Hong Kong and Taiwan, as well as China… Instead of the Shaolin school of martial arts favored by Bruce Lee, Ang Lee opted for the more spiritual form of Wudan; brute force is replace by scenes of balletic grace as opponents climb up walls or flit through tree-tops…

    The widespread success of the film is a firm indication that Chinese culture is making its mark
    fault

    Important, in a way.

    What people who aren't Chinese and who don't know much about Chinese culture fail to understand, is that the warrior mythology portrayed in films like Crouching Tiger, Hidden Dragon and Hero has its roots in a particular genre of fiction that has been around much longer than television or film.

    Having grown up reading a bunch of these stories of epic fantasy, I remember being surprised when I went to watch CTHD in the theaters, and saw the audience break out in laughter at the flying stunts. I suppose the concept probably does seem ridiculous to foreigners.

    The whole deal with the flying is this:

    In the stories, the world of "Giang Hu" mentioned in CTHD is the unconventional part of society in which the characters that practice high transcendent martial arts exist. "Giang Hu" literally translates to something like "lakes and rivers", which kind of is a cultural allusion to the fact that most of these people wander a whole lot participating in great duels of swordsmanship and all kinds of tragic drama.

    One of the forms of transcendent martial arts is "chin guon", which translates to something like "the art of lightness". It's a skill that these warrior folk develop from a young age using various methods that make it so they can move as if they were light as a feather. I think the idea is that they're trained so that they progressively have less and less of a perception of their own weight, and thus they can run up walls and fly across rooftops in style.

    There's another type of martial art which involves transmitting "chi" (spiritual essence or whatever you want to call it) through your hands or fingertips and into the pressure points of others, either doing them harm, rendering them unable to move, or restoring some of their strength.

    If you don't understand that it's another culture's fiction/mythology and can't get over that it defies known physics and medicine etc., well, too bad.

    At the same time, look at acupuncture. Millions swear by the benefits of acupuncture. Hell, my father had a stroke that paralyzed half his face and went to four separate doctors. They couldn't do a damn thing. He then went to an acupuncturist and after two sessions the paralysis was gone. Conventional medicine still has no idea how acupuncture could possibly work, yet a lot of doctors will accept it as a viable option. Who the hell knows, maybe once upon a time in China people could fly.

    I find Chinese warrior mythology pretty interesting, and the problem is that these novels do not translate well. I'm not sure if anyone has ever tried. A lot of what goes on in them has a lot of cultural relevance and wouldn't be readily understood by certain people who have Western sensibilities. Hong Kong and Taiwan have for a couple of decades produced a lot of television shows that portray these stories, but they're mostly pretty cheesy like American soap operas.

    Which is why CTHD is semi-important as a film. It's the first film to expose a lot Americans to this facet of Chinese mythology, and I hope it's not the last.
    8Xstal

    The Unseen Heart...

    Crouching in the shadows, hiding in the dark, entangled with emotion, an unobtrusive heart, waiting for a moment that may never be revealed, the chance to draw back shades, unlock its passions, remove its seals.

    Seamlessly flowing like water over weathered stone, as elegant and enchanting a tale of right verses wrong, good verses bad, learning and forgiving as you'll likely find. The cinematography is sublime, the acting and performances as good as they get, the message as simple as any placed on a screen. Immerse yourself in a truly wonderful piece of cinema that perpetually stands the test of time.
    10jasmine_kung

    My Dream Came True

    As Ang Lee, I grew up reading wuxia novels in Taiwan. Those novels usually mixed engrossing history, thrilling action, enchanting romance. But when these novels were made into movies or TV series, none of them could match my imagination. It's either because of wrong casting, bad acting, tedious costumes, sloppy storytelling, minimal budget (so everything is shot in studio rather than in the grand Chinese landscapes as they were told in books), fake action... I could go on and on. Now Ang Lee finally made a wuxia film that captures my imagination and fulfills my dream of childhood.

    The casting of CTHD is perfect. No disrespect to Jet Li, but Jet Li would not make Li Mu Bai into what he should be: noble, wise but weary. Chow Yun Fat conveys the unspoken feelings of Li Mu Bai in a way I can't imagine anyone else can. But he's known for his acting, Michelle Yeoh was known for her fighting skills. Here in CTHD, she proves herself as an excellent dramatic actress. The secrete longing for Li and the confusion of Li's true feelings were clearly conveyed by her eyes. The scenes between them are heartbreaking. Zhang Zi Yi is a true discovery! What a wonderful talent to steal scenes after scenes from the veterans around her. She ran from looking innocent, haughty, feisty to loving and distraught. She made the complex Jen a real flesh and blood believable human being. Chang Chen made a perfectly sexy and charming bandit.

    The scenery and the photography was beyond belief. The majestic landscapes of China match my imagination when I read all the beautiful Chinese poems of the Tang and Sung dynasties. No wonder those poets could come up with those masterpieces. They sure had the best inspiration. Peter Pau not only captured the landscapes and the settings, he also managed to capture the fast-as-lightening action wonderfully. The shot of Jen gliding over water just lodged in my mind. The soundtrack is also excellent. Tan Dun used different instruments to match the different locales. He mixed in Central Asian music in the desert sequence and Chinese flute in the Southern China scenes. Yo-yo Ma's cello in the main theme makes me want to weep everytime I hear it.

    The storytelling was also done expertly. As a romantic-at-heart, I love the desert romance between Jen and Lo. It's one of the most charming and believable love stories that I can remember. Most people gave credit of the fighting to Yuen Wo Ping. I'd give kudos to Ang Lee. I've seen Yuen's martial art films before, but they're never done in such an imaginative and artistic way. The artistic vision has to come from Ang Lee.

    To sum it up, three cheers for Ang Lee! You not only fulfilled your childhood dream, you fulfilled mine too. It's such a pleasure to finally see a wuxia novel be done right. Thank you! Thank you! Thank you!

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Michelle Yeoh deliberately did not work for a year before filming began so she could concentrate on training and learning Mandarin.
    • Blooper
      (at around 1h 30 mins) During the fight between Yu Shu Lien and Xiou Long, many floor tiles are smashed by Shu Lien. After Shu Lien discards her heavy metal weapon and continues to fight, the tiles appear intact.
    • Citazioni

      Li Mu Bai: I've already wasted my whole life. I want to tell you with my last breath that I have always loved you. I would rather be a ghost, drifting by your side as a condemned soul, than enter heaven without you. Because of your love, I will never be a lonely spirit.

    • Curiosità sui crediti
      The opening title appears in Chinese and English.
    • Versioni alternative
      An English dubbed version was created for the home video market.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Remember the Titans/The Exorcist: The Version You've Never Seen/Under Suspicion (2000)
    • Colonne sonore
      A Love Before Time
      Music Composed by Jorge Calandrelli, Dun Tan

      Lyrics by James Schamus, Elaine Chow (Translation)

      Performed by Coco Lee featuring Cello Solo by Yo-Yo Ma

      Coco Lee appears courtesy of Sony Music Entertainment (Holland) B.V.

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    Domande frequenti24

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    Dettagli

    Modifica
    • Data di uscita
      • 2 febbraio 2001 (Italia)
    • Paesi di origine
      • Cina
      • Taiwan
      • Hong Kong
      • Stati Uniti
    • Sito ufficiale
      • Official Facebook
    • Lingue
      • Mandarino
      • Cinese
    • Celebre anche come
      • El tigre y el dragón
    • Luoghi delle riprese
      • Huangshan region, Anhui Province, Cina
    • Aziende produttrici
      • Sony Pictures Classics
      • Columbia Pictures Film Production Asia
      • Good Machine
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 17.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 128.530.421 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 663.205 USD
      • 10 dic 2000
    • Lordo in tutto il mondo
      • 213.979.405 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 2h(120 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • Dolby Atmos
    • Proporzioni
      • 2.39 : 1

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