Dopo la morte del suo padrone, uno scudiero contadino, alimentato dal suo desiderio di cibo e gloria, si crea una nuova identità come cavaliere.Dopo la morte del suo padrone, uno scudiero contadino, alimentato dal suo desiderio di cibo e gloria, si crea una nuova identità come cavaliere.Dopo la morte del suo padrone, uno scudiero contadino, alimentato dal suo desiderio di cibo e gloria, si crea una nuova identità come cavaliere.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 13 candidature totali
- Christiana
- (as Berenice Bejo)
- Simon the Summoner
- (as Steve O'Donnell)
Recensioni in evidenza
But as soon as I saw Mark Addy and Alan Tudyk I thought: wait a minute... this is going to be fun! And then the we will rock you scene came (which is a brilliant way to set the mood for a movie) and I was a fan.
I loved it and craved more and every second was worth watching. Queen, Bowie, Thin Lizzy, AC/DC... next to Heath, Mark, Paul and Alan they were the main characters of this movie.
I've now seen this film about six times, and though I can't say that I see something new in it every time (it's just not that complicated), I can say that I have enjoyed it each and every time. The characters, though relatively uncomplicated, are very lovable and the casting is quite excellent all around. Before Brokeback Mountain, William Thatcher was Heath Ledger's most memorable role. He's a poor boy from London's Cheapside who wants to change his stars and to become an honored knight. Travelling from tournament to tournament with his fellow indentured servants, his liege passes on, and William seizes the moment - taking his armor and his horse to become Sir Ulrich Von Liechtenstein of the Gelderland.
He is joined by the other now-free indentures, and eventually, by Chaucer and a female Farrier played by the wonderful Laura Fraser. Eventually, William falls in love with a princess and is challenged by a rival for her affections with a lot more experience, money and political clout. The love story, which could have easily become a distracting annoyance, in fact, comes to dominate and drive the story very nicely.
Special kudos to Ledger, Alan Tudyk, Rufus Sewell, Paul Bettany and James Purefoy for their awesome performances. And extra special kudos to Director Brian Helgeland for pulling off an impossible task - taking a fairy tale, making us want to believe it, and yet retaining some wonderful elements of silliness often missing in the fairy tale genre. This would make a wonderful romantic living-room double feature with The Princess Bride.
Recommendation: Definitely worth seeing.
The movie began...
A crowd of peasants are assembled to watch the jousting. And they're singing "We Will Rock You."
My initial response was "God, this is going to be bad."
But as the movie continued, it suddenly dawned on me - I wasn't hating the movie at all! On an intellectual level, I should have been booing and throwing stuff at the screen but there's something about the sheer verve and energy of "A Knight's Tale" that just drags you in on an emotional level.
A clever script with many modern references, a good cast of likeable characters and a fantastic soundtrack (the reveal of "Golden Years" is particularly good) all add up to make "A Knight's Tale" one of the most entertaining mainstream movies I've seen in a long time.
Normally I hate "popcorn" movies - not because I consider them "low brow" or an insult to the intelligence, but because they're shallow, tired and lack soul. Yet "A Knight's Tale" is different. No, it won't change your life and it won't make you ponder your place in the universe. But it will entertain you.
If you're looking for an "old fashioned" good vs. evil movie with a twist, or your copy of "The Princess Bride" is wearing thin, check out "A Knight's Tale."
8/10
The main characters are nicely varied with distinct personalities. Shannon Sossamon, however, was not quite up to leading-lady status and hasn't had a choice role like this since, either. I would have rather seen her "assistant" in this film, or the blacksmith woman, be the lead. Anyway, even though it's a bit long at 132 minutes, it's still entertaining most of the way, with some of the funniest bits at the beginning. However, it's just as much a romance (with Heath Ledger as the male lead) than a comedy.
What also is good is the sound and visuals in here: all high-class. The lance hitting an opponent made an interesting sound each time. The surround sound in here was good, too.
It's a film most people would like, and I recommend seeing it.
This film is funny, fast-paced (certainly didn't *feel* over 2h...), well constructed, hilariously tongue-in-cheek (From the We Will Rock You opening scene to the Nike swooshes on the armor I couldn't stop laughing!) It certainly has its problems (including some *horribly* cheezy lines - most on purpose but that doesn't make them any less horrible! and an evil Hollywood ending - including a Bravheart-like scream of defiance in the final joust that made me cringe...) but those problems are overcome by sharp wit and consistent amusement. The actors were obviously enjoying themselves, and the action was beautifully blended in with the rest of the film. None of the jousting scenes were too long (like, say, the race in Phantom Menace...) and all were shot in such a way as to make them really exciting!
And I have to laud Paul Bettany who was an incredible and incredibly amusing Geoffrey Chaucer...even though he looks eerily similar, IMO, to Thom Yorke...)
Kudos to anyone who recognizes Laura Fraser (the blacksmith) from Man in the Iron Mask...
Overall: A great watch. I went in expecting little and came out extremely satisfied. Not the best film of its kind, but a head above most. And the blending of contemporary style and music and characterization with the medieval story/setting is really well done. It really shouldn't but it does work! 7/10.
Lo sapevi?
- BlooperThis is a satirical romance, not a historical documentary. While nominally set in the middle of the 14th century (when Edward the Black Prince and Geoffrey Chaucer were active), it freely amalgamates the costume, custom and slang of many different centuries to create a unique world. The Chaucer character (who mentions his signature Canterbury Tales) bears almost no resemblance to his historical counterpart. Matte replicas of the London Eye and the Eiffel Tower are included to drive home the anachronistic intentions.
- Citazioni
Chaucer: You're good. You're very good. My lords, my ladies, and everybody else here not sitting on a cushion!
[crowd roars]
Chaucer: Today... today, you find yourselves equals.
[crowd roars]
Chaucer: For you are all equally blessed. For I have the pride, the privilege, nay, the pleasure of introducing to you to a knight, sired by knights. A knight who can trace his lineage back beyond Charlemagne. I first met him atop a mountain near Jerusalem, praying to God, asking his forgiveness for the Saracen blood spilt by his sword. Next, he amazed me still further in Italy when he saved a fatherless beauty from the would-be ravishing of her dreadful Turkish uncle.
[crowd, boo]
Chaucer: In Greece he spent a year in silence just to better understand the sound of a whisper. And so without further gilding the lily and with no more ado, I give to you, the seeker of serenity, the protector of Italian virginity, the enforcer of our Lord God, the one, the only, Sir Ulllrrrich von Lichtenstein!
[crowd roars]
Chaucer: Thank you, thank you, I'll be here all week.
- Curiosità sui creditiAfter the credits finish, Roland, Wat, Kate, and Geoff have a flatulence contest/drinking game. Wat loses, but Kate is the obvious winner.
- Versioni alternativeThere is a slight difference between the UK cinema version and the UK DVD release. In the cinematic release, the queen/Robbie Williams version of We Are The Champions starts playing when William and Jocelyn kiss just before the credits, whereas the DVD release has a different song play. However, We Are The Champions still plays over the last half of the credits.
- ConnessioniFeatured in HBO First Look: The Making of 'A Knight's Tale' (2001)
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Corazón de caballero
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 65.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 56.569.702 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.511.391 USD
- 13 mag 2001
- Lordo in tutto il mondo
- 117.487.657 USD
- Tempo di esecuzione2 ore 12 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1