La madre di Fanny Price la invia da bambina a vivere con i ricchi parenti di Mansfield Park, gli zii Sir Thomas e Lady Bertram, insieme ai suoi quattro figli: Tom, Edmund, Maria e Julia. Ma ... Leggi tuttoLa madre di Fanny Price la invia da bambina a vivere con i ricchi parenti di Mansfield Park, gli zii Sir Thomas e Lady Bertram, insieme ai suoi quattro figli: Tom, Edmund, Maria e Julia. Ma l'unico cugino a mostrarle gentilezza è Edmund.La madre di Fanny Price la invia da bambina a vivere con i ricchi parenti di Mansfield Park, gli zii Sir Thomas e Lady Bertram, insieme ai suoi quattro figli: Tom, Edmund, Maria e Julia. Ma l'unico cugino a mostrarle gentilezza è Edmund.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 candidature totali
Recensioni in evidenza
With so many storylines to choose from in the book, I wonder why new ones were added, such as the slave trade and opium use? It is a shame that Sir Thomas didn't have the character arc seen in the book, that has him appreciate Fanny more and show her greater kindness when he returns from Antigua. In the film he is just always a big, mean bully. Jonny Lee Miller's Edmund is not nearly pious and conflicted enough. He is meant to be joining the clergy.
I am sure I would have thought it was an average film if I didn't know the original source, but it was a big disappointment.
MANSFIELD was always my favourite of Austen's six novels. Many modern critics, while not denying its basic greatness, have problems with the book. Many find FANNY PRICE unlikeable, many find her judgemental, and feel that her Stoic, Augustan approach is hard to relate to. Stand-by, do nothing, and eventually he'll see the error of his ways and come to love you. Not very modern, is it?
OK, so if you don't like the main character, if you don't like what she has to say, then what do you do? Look for other aspects of the story you can relate to. In recent years some critics have chosen to see MANSFIELD PARK in Post-Imperial terms, as a critique of Slavery. After all, the family's wealth is based on plantations in Antiga, which were run by slaves. Is that what the book's about? Is it? I don't know. I think the evidence is a little slim, but who am I to deny the possibility? Maybe it plays a part in the subtext of the novel.
So, I'm a modern script-writer who doesn't like the novel, it's pre-occupations or even Fanny Price. What do I do? I completely re-write the story to take a possible minor sub-text (slavery) and turn it in to the driving narrative force. I then take smart as a whippet, stubborn yet passive Fanny and turn her into a ballsy version of Bridget Jones. With an attitude. I then string together a couple of scenes from the book with a few invented bridging scenes to advance the romance. Et Voila! I have a completely different story!
I don't know what this film is, but it isn't Mansfield Park. Enjoy it on its own terms, but don't ever get the idea that your watching Austen on the screen. But, jeeze. I think that if you're going to adapt a novel for the screen, you ought to at least like the source material; Otherwise, what's the point? If you don't like the main character, you shouldn't be able to completely re-invent her. Or if you do, you should have the decency to be a little ashamed.
I began to feel sick early on. To me, the character of Fanny Price and other major characters bore as much resemblance to Jane Austen's heroine as Danny Devito bore to Arnold Schwarzenegger in "Twins." The entire invention of Fanny as a budding writer, the deletion of her younger brother who was so important in the plot concerning Henry Crawford, the image of Fanny as somewhat outspoken and rebellious, the depiction of Fanny's aunt as an opium addict and her uncle as a brutish, raping slaveowner.... The list goes on and on. Henry and Maria being caught by Fanny in the house, Fanny voluntarily kissing Henry and agreeing to marry him and then retracting. Ugh!
I really detest writers who want to mold everything in the modern vein. Fanny Price was not a modern heroine, but she fit her time. There was far too much PC propaganda and feminist hogwash which you might expect in a movie about our society but is ridiculous set against Fanny's time. She was devout, loyal, quiet, humble, stubborn only in her keen perception of others' character as measured against her conviction of what was good and what was not, possessing an innate strength of character which did not rely on others' perception of her and which she refused to compromise. Jane Austen would not have approved of this new Fanny for precisely this reason: her Fanny did not care about the "new" conventions of moral thought and permissiveness in her own society. The movie downplayed the seriously flawed characters of Henry Crawford and his sister. It portrayed him far too sympathetically, made it appear that he truly and deeply loved Fanny and seemed to blame Fanny's (non-existent) double-mindedness for his downfall.
All in all, this is an extremely disappointing film if one cares about what was really written in Mansfield Park. I think "Clueless" as a modern version of "Emma" (and which I also enjoyed) is more true to Austen than this let-down of a movie.
If the story wasn't what they wanted to produce, maybe they could have called it "Fanny Price - Based On Jane Austen's Mansfield Park". Then maybe I wouldn't have felt deceived.
Jane Austen was a spectacular author. In this book she was able to take the loan of a gold chain and turn it into the biggest dilemma of the century. It's a storyline that really shows Fanny's character and it really stood out to me in the book, but it was left out of this movie.
The character of the uncle was extremely changed. It was quite annoying.
The actors and actresses all did a tremendous job in this movie. That's why I gave it a 7. I wish I could have seen them all in Mansfield Park.
Lo sapevi?
- QuizThe various stories Fanny Price writes are actually Jane Austen's Juvenilia, written when she was a teenager.
- BlooperWhen Fanny is undressing after being caught in the rain, she undoes her corset by unhooking a metal busk at the front, this style of busk was not invented until the mid 19th century, and the film is set in 1806. Her busk instead should have been wooden or whalebone, and if it unfastened in front it would have been laced.
- Citazioni
Fanny Price: Life seems nothing more than a quick succession of busy nothings.
- Versioni alternativeOne sex scene was cut from the US version in order to obtain a PG rating.
- Colonne sonoreDjongna (Slavery)
Written and Performed by Salif Keïta
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Менсфілд Парк
- Luoghi delle riprese
- Kirby Hall, Corby, Northamptonshire, Inghilterra, Regno Unito(Mansfield Park)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 4.775.847 USD
- Fine settimana di apertura Stati Uniti e Canada
- 85.608 USD
- 21 nov 1999
- Lordo in tutto il mondo
- 4.775.847 USD
- Tempo di esecuzione
- 1h 52min(112 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1