Nowhere in Africa

This film was a surprise. It presents us a family that escape the horrors they foresaw coming in Germany to an uncertain future in Africa. The film as directed by Caroline Link, based on a novel by Stephanie Zweig, presents us with a family of survivors who will cling to life by going out of their world into the great unknown and a continent away.

In Germany the Redlich family is upper middle class. The household is filled with people going about their lives in an elegant way. That is until Walter and Jettel Redlich decide to leave it all behind to start a new life in Africa, thus avoiding a certain death.

Walter and Jettel stick out like sore thumbs in the rural part of Kenya where they go. Walter has never done any kind of manual labor, or Jettel, for that matter. Little Regina, who is a sweet and curious girl, feels right at home from the beginning. Children will adapt more easily than grown ups.

The Redlichs are lucky when Owuor arrives. They employ him right away. He is kindness personified; he turns out to be indispensable for all of them. When Walter loses the first post, the family has to relocate to another farm helped by the benevolent Susskind; his attraction to Jettel is evident, but he is too decent to take advantage of the situation.

The many difficulties are overcome because Jettel turns out to be the strongest person in this family. She is played by Juliane Kohler with gusto. She makes us feel she is this woman in the midst of a harsh place fighting all kinds of obstacles in order to survive in the new country.

The setting feels like the Africa of the 30s and 40s when it was a white man's paradise. This is the Africa where genocides will occur later on, as different nations will try to gain independence and some governments will practice what made this family flee Nazi Germany in the first place.

When it comes to films about the Nazi racism, Nowhere in Africa is in a class by itself. Unlike Schindler's List and a plethora of screenplays on the subject, all of which confine the drama to the morality of good and evil, some with didactic overtones, others with pure shock value, or both, this movie illuminates, both with a spotlight, and a microscope, the social origins of racism. Here's the problem: The very institutions that teach right from wrong, that inculcate tribal loyalty, patriotism, and social identity, that teach us to pledge allegiance and follow the golden rule, have also quietly inferred, or noisily demanded, that the `other,' the `alien amongst us' in Biblical terms, is both different, and inferior. Every culture, Herodotus observed, thinks its own system of values superior to the values of others. If this is true (and I think it is), the subtext is clear: `others' are inferior. Which leads one to ask: Is it possible to have a moral, socialized populace without racism, or, at least, ethnocentrism?

Set in Kenya during World War II, the drama devolves around the struggles of an expatriate family of German Jews. Culturally, intellectually, and socially, they are Germans, not Jews, which is both fascinating, and historically accurate. Like many other Jews of their generation, the expatriate family viewed their Jewish heritage with both skepticism, and as a sentimental indulgence. Unable to come to grips with the events in Europe, reeling from and their new social status of being nobodies in the middle of nowhere, they struggle as social nomads, stuck between their privileged position as white overlords of the native Blacks, and their fallen, uncertain status as guests without rights. We watch the internal dynamics of a Jewish expatriate family through the prism of its own internalized assumptions, both as highly cultured Germans, and increasingly as Jews. And what they discover about their own hidden assumptions, their ethnocentrism and European sense of privilege and superiority, becomes as shocking to them as Hitler's Germany.

Like every other archetypal hero, being nobody in the middle of nowhere is the crucible that produces the Hero's special character, where he or she eventually returns home, in the end, bearing gifts, wisdom, and a healing balm. In the end, they emerge with real gem of a prize: they understand, both intellectually and emotionally, the comparative advantage of other cultures and societies.

What I especially loved about this film is its emotional tone. It's an emotionally evocative film, though not with the mawkish, childish paroxysms of a Disney flick. We watch adults dealing with culturally layered adult emotions, unwrapping and examining each layer as one peels an onion. Their collective emotional journey is as rich and textured and subtly presented as any I've seen.

What a great movie! I really don't know what to praise first: The great acting, the music or the cinematography, everything is really done more than very well! Fortunately the tribal life in rural Kenia is neither glorified as the only and true way of living, nor is it shown with the arrogance of the civilized. Like Regina the audience will soon become a friend of Owuor, the lovely cook of the family. There are enough problems shown in this movie and the Redlichs have to deal with the death of their relatives who stayed in Germany, with more than one crisis in their marriage and several other things. Other directors would have turned this movie into a terrible tear-jerker, but Caroline Link tells the story with such a warm humor, it's really great. Although this movie also shows the beauty of Africa it depicts Kenia in a realistic way. There are enough other movies about Kenia that are full of sunsets and elephants, showing Africa like a postcard - this is not one of them. And nevertheless I wanted to go there right after watching it. If you loved "Jenseits der Stille", you'll also love this movie.

Having just watched one of the most visually stunning and beautifully acted pieces of cinema in my long and varied life, I can only find praise for every facet of this fabulous tale. All of the pieces came together with a genuine and sincere feel for the period and the people. No fair-minded lover of the cinema can fault this production, it is simply right in every category and every magical frame. The only film so far this year to earn a 10/10 from me. Highly recommended and a tribute to ALL those involved.

In 1937, the non-orthodox Jewish German lawyer Walter Redlich (Merab Ninidze), aware of the growing of the Nazi movement in Germany and how it would jeopardize the Jews in his country, moves alone to Nairobi, Kenya, to administrate a farm. His only friend is the also Jewish German Süßkind (Matthias Habich) and his African cooker Owuor (Sidede Onyulo). In 1938, his spoiled wife Jettel Redlich (Juliane Köhler) and their young daughter Regina (Lea Kurka / Karoline Eckertz) arrive. Regine easily adapts to her new lifestyle, but Jettel does not adapt to her new condition of poor expatriated woman in Africa. Along the years, bursts the Second World War, and the Redlich family experiences the most different situations until 1947.

Adorable, wonderful, delightful – I do not have enough words to express and describe how beautiful this tale about the life of an expatriated family in times of war is! The running time is 141 minutes, but it could be longer so lovely the Redlich family saga is. There is drama, action, romance, sympathy, love, hate, the most different sensations and feelings are transmitted to the viewer in this stunning movie. A must-see film indicated for the whole family. Congratulations to the writer, director, cast and the whole crew who have developed such a wonderful entertainment. 'Nirgendwo in Afrika' is certainly one of the best movies I have watched in the last years. My vote is ten.

Title (Brazil): 'Lugar Nenhum na África' ('Nowhere in Africa')