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7,4/10
9828
LA TUA VALUTAZIONE
Antonia, vedova, subito dopo la guerra, ritorna con sua figlia Danielle nel suo paese natale, dando così vita a una comunità agricola che tiene insieme storie, vite e anime attraverso il tem... Leggi tuttoAntonia, vedova, subito dopo la guerra, ritorna con sua figlia Danielle nel suo paese natale, dando così vita a una comunità agricola che tiene insieme storie, vite e anime attraverso il tempo e le generazioni.Antonia, vedova, subito dopo la guerra, ritorna con sua figlia Danielle nel suo paese natale, dando così vita a una comunità agricola che tiene insieme storie, vite e anime attraverso il tempo e le generazioni.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 8 vittorie e 10 candidature totali
Recensioni in evidenza
This film is a beautiful presentation of European feminism, which, unlike its American counterpart, is about exploring and celebrating femininity rather than just kicking men in the balls. It is also a film that, judging by the other user comments, appeals to men just as strongly as to women. Literary, beautifully filmed and emotionally gripping, "Antonia's Line" is (pardon the cliche) a film unlike any other.
For the intelligent and reflective movie-goer, there is much to appreciate about this film. To begin with, the opening narration, although fantastic, is just about the best opening line to any story out there. It immediately draws one into the world of these weird, wonderful people. And that fantastic aspect is maintained throughout the film, like a fairy tale that provides a surprise around every corner. It is a pleasure to be taken into this kind of world for the 100+ minutes of the film.
I strongly disagree with the comments, which the IMDb is currently (as of March 13/04) displaying as being "representative," which states:
"If you hold dear the innocence of children, respect God and those who serve Him, and hold dear what is beautiful in a spiritual sense, you will probably dislike this film."
That's one seriously narrow-minded opinion the IMDb people have selected as being representative. There was a time when the IMDb was more discriminating in what they allowed through to the site. That they allowed *this* posting through *and* chose it to represent the average response to the film is bad a sign; the ship is sailing but there's nobody at the wheel. Reading those comments, one could easily conclude that there are a great deal of sadly unimaginative people out there who just don't get this film.
It isn't surprising that someone with the kind of insular view of the world as expressed in those "representative" comments wouldn't enjoy this film. I never thought of it this way, but I suppose "Antonia's Line" is not for the polite, ultra-conservative, easily-offendable religious folks out there who, it seems, are more apt to feel threatened by fantastic stories like this than to appreciate them for what they are. "Antonia's Line" is the kind of story that give us permission to *imagine* how things might be if they were just slightly eschew. This film is not a picture of the real world, but, like a good fairy tale, provides one an opportunity to reflect on a variety of human conditions and experiences that everyone in some way can relate to.
In this regard, "Antonia's Line" is a wonderfully rich and rewarding film, and a beautifully well-told story.
It should not be dismissed so easily. (And the IMDb ought to get their act together.)
I strongly disagree with the comments, which the IMDb is currently (as of March 13/04) displaying as being "representative," which states:
"If you hold dear the innocence of children, respect God and those who serve Him, and hold dear what is beautiful in a spiritual sense, you will probably dislike this film."
That's one seriously narrow-minded opinion the IMDb people have selected as being representative. There was a time when the IMDb was more discriminating in what they allowed through to the site. That they allowed *this* posting through *and* chose it to represent the average response to the film is bad a sign; the ship is sailing but there's nobody at the wheel. Reading those comments, one could easily conclude that there are a great deal of sadly unimaginative people out there who just don't get this film.
It isn't surprising that someone with the kind of insular view of the world as expressed in those "representative" comments wouldn't enjoy this film. I never thought of it this way, but I suppose "Antonia's Line" is not for the polite, ultra-conservative, easily-offendable religious folks out there who, it seems, are more apt to feel threatened by fantastic stories like this than to appreciate them for what they are. "Antonia's Line" is the kind of story that give us permission to *imagine* how things might be if they were just slightly eschew. This film is not a picture of the real world, but, like a good fairy tale, provides one an opportunity to reflect on a variety of human conditions and experiences that everyone in some way can relate to.
In this regard, "Antonia's Line" is a wonderfully rich and rewarding film, and a beautifully well-told story.
It should not be dismissed so easily. (And the IMDb ought to get their act together.)
I found Antonia's Line to be a wonderful expression of what is endearing and enduring in the human spirit. It was a truly lovely story, clever character development, warmly delivered. I can understand how some may not understand or enjoy this film. It flies in the face of convention, but that is its beauty. Some would fear the freedoms this film demonstrates.
Love and acceptance abound, in a timeless manor. I like the way it offered a different definition of family, one where diversity is an asset, guarded by respect.
This is one of the greatest stories to come across the screen.
Love and acceptance abound, in a timeless manor. I like the way it offered a different definition of family, one where diversity is an asset, guarded by respect.
This is one of the greatest stories to come across the screen.
I have to disagree with those who claim that this film is ULTRA feminist. Though Marleen Gorris' feminism is indeed apparent is indisputable. But people who are not necessarily part of the feminist movement will still appreciate this film. It is a more modern view of the independent woman, but I didn't see the political agenda of Gorris overpowering the film. It can be enjoyed as a simple "fairy-tale" (as declared by Gorris herself). The portrayal of women as independent and strong is definitely refreshing, but those who claim this film makes a statement against religion and family aren't necessarily accurate. the film covers these issues, showing women's strength in dealing with religious hypocrites and single motherhood, but I personally didn't feel the film was encouraging all women to leave the church or raise up families independently. It's a marvelous story of women's strengths and vulnerabilities, and the love that the women in one family share. ALL people will enjoy this film.
This film was like taking a trip to an alternate universe and being given the gift of living a full, rich, and rewarding life there. For the most part, everyone is redeemed &/or fulfilled, although no one escapes tragedy, and some definitely have it worse than most. There was a line from the narrator, something to the effect of how "timed flowed into itself and wanted nothing more than to do so," (I am paraphrasing), and that, to me summed up the lovely slow pace of this film. The characters were real and quite sympathetic. I didn't find it to be agenda-driven like the previous commenter did. I simply thought it was a movie about Antonia, a kind and realistic woman, and those whom she loved.
Lo sapevi?
- QuizThe film winning the Academy Award for Best Foreign Language Film was somewhat serendipitous. The film's reception in its native Netherlands had been somewhat lukewarm, and most of the attention had gone to Zusje (1995) (which had also beaten L'albero di Antonia (1995) as Best Picture at the Dutch Film Festival that year). However, since Zusje (1995) had not been officially released in theaters at the time, it couldn't qualify as the Dutch submission for the Oscars. Fortunately, L'albero di Antonia (1995) enjoyed much more critical success abroad, and especially the positive reception in the USA was felt to have contributed to the film winning the Oscar.
- Colonne sonoreMy Blue Heaven
Written by George Whiting and Walter Donaldson
Performed by Dora van der Groen and Centrum Nieuwe Koormuziek
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- Antonia's Line
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Botteghino
- Budget
- 1.500.000 £ (previsto)
- Lordo Stati Uniti e Canada
- 4.228.275 USD
- Fine settimana di apertura Stati Uniti e Canada
- 45.051 USD
- 4 feb 1996
- Lordo in tutto il mondo
- 4.249.321 USD
- Tempo di esecuzione1 ora 42 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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