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Anna and the King

  • 1999
  • T
  • 2h 28min
VALUTAZIONE IMDb
6,7/10
39.868
LA TUA VALUTAZIONE
Jodie Foster and Chow Yun-Fat in Anna and the King (1999)
Home Video Trailer from 20th Century Fox Home Entertainment
Riproduci trailer1: 21
1 video
26 foto
Period DramaDramaHistoryRomance

La storia d'amore tra il re del Siam e la maestra britannica vedova, Anna Leonowens, durante gli anni sessanta del XIX secolo.La storia d'amore tra il re del Siam e la maestra britannica vedova, Anna Leonowens, durante gli anni sessanta del XIX secolo.La storia d'amore tra il re del Siam e la maestra britannica vedova, Anna Leonowens, durante gli anni sessanta del XIX secolo.

  • Regia
    • Andy Tennant
  • Sceneggiatura
    • Anna Leonowens
    • Steve Meerson
    • Peter Krikes
  • Star
    • Jodie Foster
    • Chow Yun-Fat
    • Bai Ling
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    39.868
    LA TUA VALUTAZIONE
    • Regia
      • Andy Tennant
    • Sceneggiatura
      • Anna Leonowens
      • Steve Meerson
      • Peter Krikes
    • Star
      • Jodie Foster
      • Chow Yun-Fat
      • Bai Ling
    • 229Recensioni degli utenti
    • 42Recensioni della critica
    • 56Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 2 Oscar
      • 14 candidature totali

    Video1

    Anna and the King
    Trailer 1:21
    Anna and the King

    Foto26

    Visualizza poster
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    Visualizza poster
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    + 20
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    Interpreti principali43

    Modifica
    Jodie Foster
    Jodie Foster
    • Anna
    Chow Yun-Fat
    Chow Yun-Fat
    • King Mongkut
    Bai Ling
    Bai Ling
    • Tuptim
    Tom Felton
    Tom Felton
    • Louis
    Syed Alwi
    • The Kralahome
    Randall Duk Kim
    Randall Duk Kim
    • General Alak
    Lim Kay Siu
    • Prince Chowfa
    Melissa Campbell
    • Princess Fa-Ying
    Keith Chin
    • Prince Chulalongkorn
    Mano Maniam
    • Moonshee
    Shanthini Venugopal
    • Beebe
    Deanna Yusoff
    • Lady Thiang
    Geoffrey Palmer
    Geoffrey Palmer
    • Lord John Bradley
    Ann Firbank
    Ann Firbank
    • Lady Bradley
    Bill Stewart
    Bill Stewart
    • Mycroft Kincaid
    Sean Ghazi
    • Khun Phra Balat
    K.K. Moggie
    K.K. Moggie
    • Phim
    Dharma Harun Al-Rashid
    • Noi
    • Regia
      • Andy Tennant
    • Sceneggiatura
      • Anna Leonowens
      • Steve Meerson
      • Peter Krikes
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti229

    6,739.8K
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    Recensioni in evidenza

    9FlickJunkie-2

    A banquet of sensory delight

    This is a masterful piece of filmmaking that over romanticizes a true story to improve its entertainment value. However, the generous use of artistic license can be almost completely forgiven because the final product is so pleasing. Director Andy Tennant weaves together resplendent visual images, wonderfully warm lighting, magnificent set design, breathtaking locations and beautiful costumes to produce a banquet of sensory delight. I'm surprised this film didn't get more technical awards, since it was one of the most exhilarating filmmaking experiences I had all year.

    The story was engaging, though admittedly the characters were overly idealized. This is especially true of King Mongkut, who was far more educated, dashing and genteel than it would have been reasonable to expect. Also, the romantic overtones between him and Anna were a bit much. But the way they were presented enhanced the overall effect so I have difficulty being too critical.

    The story also had some constructive subtleties. In addition to the obvious storylines about the education of the children, the effect Anna was having on the King and the impending war, there was a deeper message. It illustrated the truism that exposure to different peoples and cultures can help us to grow in understanding not only of them, but of ourselves as well. For it was clear that Anna was as much changed by Siam and the King as he and the children were by her.

    I was highly impressed with the performance turned in by Yun-Fat Chow. His English is much improved since my last viewing of him in ‘Replacement Killers' and ‘The Corruptor'. He imbued King Mongkut with dignity and strength without forsaking the human side. The camera just eats him up. It is easy to see why he has been the dominating force in eastern films for years.

    Jodie Foster, on the other hand, was off her game. She was good as Anna, but frankly, we've come to expect more from her. Foster is a powerful actor who didn't seem quite sure what to do with this character. In some scenes she rose to the occasion and gave us the Anna we hoped for; resolute, defiant, opinionated and principled. At other times she seemed tentative and totally intimidated by the role, just limping through her lines. I give her high marks for her English accent, but her total performance just wasn't up to her capabilities.

    This was one of the most entertaining and delightful films I've seen this year. Yes, liberties were taken but I am inclined to overlook them. It was beautifully filmed and directed; a feast for the senses. I rated it a 9/10. I highly recommend it.
    Hollywood Titan

    Anna rules the King's heart and wins over the audience in this visual masterpiece

    Let the magic of romance and the beauty of Siam sweep and take you away to a world where the king rules the land and a teacher rules the king's heart. There are only two other movies I would consider to be worthy of masterpiece status: "Saving Private Ryan" and "Titanic." Now a third can be added to this list: "Anna And The King." "Anna and The King" is a true masterpiece that is filled with heart & soul, a beautful setting and superb performances.

    I was very impressed with the performance of Chow-Yun Fat because he made the transition from action star to dramatic actor flawlessly. Fat showed his versatility in playing a king. Fat pulled off this role with perfection. He made it so easy for me to enjoy this movie because of his screen presence and believability of the performance as well as the chemistry between Anna and the King.

    This masterpiece can not be completed without the performance Jodie Foster turned in. Foster delivers the type of performance worthy of an oscar. She once again has established herself among the elite that have the special gift of natural talent.

    Foster and Fat come together beautifully to bring the true story of the romance of Anna Leonowens and King Momokut. The chemistry can be felt from a distance and it works from the first minute they come together. I knew Foster and Fat were compatible; however, I failed to realize how much until I viewed the movie.

    "Anna and The King" is visually stunning in so many ways with beautiful settings such as the palace. Also, the costumes are well-made and suited the movie perfectly. "Anna & The King" will take you on a journey that will touch, warm and fill your heart with spirit only a motion picture masterpiece can bring.
    7mick-90

    This is Thai's comment of this film.

    First of all, this movie was banned here in Thailand. Both the filming location and to play here. I have to find DVD to watch. O.K. this was not the fact in our history. Just the movie that follow from the book that contain artificial name, rank and misunderstanding of culture. However, director of this film is done the good job to not insult our king. King Mongut in this film present the great charactor of the leader, the highest father of our country. His role in the movie that played by Chao Yun Fat is acceptable for me. Next, the buildings, equipments and scenes are great. It's look like the same as here in Thailand. That's the neat job. However, the Thai pronounce sometimes are not good. Just few actors can pronounced well. Many times that I can not understand what they said in Thai and have to see the English subtitle. The storyline is O.K., not bad, sometimes boring, sometime there is interesting speech. The rebel at the ending of the movie, I think it's to help movie more interested than just to be normal drama movie. For Thai people, I think this movie is good and not ruin our king image.
    8TheLittleSongbird

    Visual beauty, and a very strong film on the whole

    The story is well known and has been told many times. Topping the film adaptations competition is the 1956 musical 'The King and I', among my favourite film musicals.

    'Anna and the King' is around the same level as 1946's 'Anna and the King of Siam' in terms of rating, and is much better than the limp 1999 animated version of 'The King and I', which saw the musical get the butcher's treatment, and the execrable obscure low-budget animated version from Burbank Animation Studios.

    It does go on a little longer than needed, consequently some parts do drag a little, while the subplot with the rebel general is on the implausible side and doesn't give the amount of tension it had potential to do.

    On the other hand, 'Anna and the King' is stunning to look at with colourful, sumptuous costumes and the exquisite art direction rightfully garnering Oscar nominations, aided by cinematography of a sweeping beauty. George Fenton's music score is rousing, understated and uplifting, and the theme song a nice fit.

    Further good things are a story that has a great mix of epic, poignant drama, dignified and sometimes tense romance and intriguing, if inaccurate, history. The conflicts are somewhat complicated initially but dealt with compellingly without making the film unfocused. The script is thought-provoking, and Andy Tennant (fresh from the previous year's delightful 'Ever After: A Cinderella Story', still a personal favourite) directs assuredly.

    Jodie Foster, apart from occasional tentative performance, gives a performance of great dignity and authoritative strength with an immaculate accent. Chow-Yun Fat's performance as the King is nothing short of superb, a portrayal of many nuances and sweet-natured subtlety. All the cast do well, including a pre-'Harry Potter' Tom Felton.

    On the whole, a very strong film with a few faults. 8/10 Bethany Cox
    lillitheph

    MAGNUM-MAGNIFICENT MONGKUT

    Lush, epic, sweeping, entrancing. It's all here. If there's any "justice" in Hollywood, this one should be Oscar bait for at least cinematography, costuming, musical score and the magnum-magnificent presence of some dude I never heard of before I saw AATK -- Chow Yun Fat. Now, I have been informed that he is the Coolest Actor in the World (according to L.A. Times). I can see this dark, cool elegance in his breathtaking performance as a real and fascinating historic figure, King Mongkut, who in actuality learned Latin, astronomy and memorized major parts of both Bible and Koran while a Buddhist monk. Contrary to the buffoonery of Yul Brynner's overblown portrayal, Chow opens for us an entirely new cultural door, brushing for the eager audience a portrait of a monarch of absolutely power who wields it so well that he is unafraid of gentleness, hugging his enchanting, on-screen children without reserve and finding himself mystifyingly in love with a foreign woman he cannot tame or bed because of the constraint of the times. The betrayal, revolution and barbarity of l9th century Thailand (Siam) become pale watercolor in comparison to the bold red and orange of unresolved love and religious and cultural interplay represented by Foster and Chow. We fear that more of these mesmerizing moments between the two lie on the editing room floor. However, Chow's sensitive face and body language reflect this inner evolution and bittersweet turmoil far better than does Jodie Foster's rather wooden performance accompanied by a troubling British accent. I respect Foster's talent immensely, though it shone through only intermittently, blossoming only when she softens to the King's patient (sometimes stormy) friendship. The indelible etching of the film comes during a non-speaking sequence involving the disposition of Tuptim and Balat which sub-plot likely was originally meant to be a subtle reflection of the untenable love affair between Anna and Mongkut. This is so well-edited and scored that it's going to be hard to forget. When the King kneels in agonized prayer before his talismanic Emerald Buddha, one is compelled to conclude that he is in anguish -- not only over what's happening to his concubine and his throne -- but the fact that his actions necessitated by politics will also probably forever separate him from his tea-tray-tossing Anna and all she believes in and has worked for in his country. Okay, so I cried in several places (something I nearly never do) -- the mark of a film which has accomplished its goal, i.e., the moving of hearts. I was fascinated with this movie. It made me read and research a part of the world I've generally ignored, and whole new palace gates have opened. Sumptuous and rich it is; and award-winning it should be, but the sun-star opulence of this new guy, Chow, is the stellar pin on that film curtain. Thanks, Mr. Tennant. And thank you, Mr. Chow.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The real King Mongkut was paralyzed on one side of his face.This fact is completely omitted from the film.
    • Blooper
      Upon introducing his queens and concubines to Anna, Mongkut states that his concubines are not as numerous as those of the Emperor of China.

      Emperor Tongzhi was 5 years old at his ascension. Tongzhi married Empress Xiaozheyi and two official concubines in 1872 at the age of 16. He later married two more Official Concubines before his death from smallpox at age 18 in 1872, which is four Concubines. Tongzhi preferred the company of his wife, Empress Xiaozheyi, to that of any of his four Concubines.
    • Citazioni

      [last lines]

      King Chulalongkorn: It is always surprising how small a part of life is taken up by meaningful moments. Most often they are over before they start, although they cast a light on the future and make the person who originated them unforgettable. Anna had shined such a light on Siam.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Magnolia/Stuart Little/Anna and the King/Bicentennial Man/Topsy-Turvy (1999)
    • Colonne sonore
      Jade Cong
      Written by Simon Rowland-Jones

      Courtesy of Zomba/Firstcom/Chappell Music

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    Domande frequenti33

    • How long is Anna and the King?Powered by Alexa
    • What is 'Anna and the King' about?
    • Is "Anna and the King" based on a book?
    • Where is Siam?

    Dettagli

    Modifica
    • Data di uscita
      • 14 gennaio 2000 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Tailandese
      • Francese
    • Celebre anche come
      • Anna
    • Luoghi delle riprese
      • Perak, Malesia
    • Aziende produttrici
      • Fox 2000 Pictures
      • Lawrence Bender Productions
      • A Band Apart
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 92.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 39.263.420 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 5.223.416 USD
      • 19 dic 1999
    • Lordo in tutto il mondo
      • 113.996.937 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 28 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • SDDS
      • DTS
    • Proporzioni
      • 2.39 : 1

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