Anna and the King

Great show from 1972 with only 13 episodes à 25 min.

No singing or dancing but a lot of acting and 13 stories.

Each episode has an ending, but the show overall has an open ending. Wished, there would have been more episodes, because the show is very lovely done, has nice production values and a great cast.

Yul Brynner in his most famous role: He's the king of Siam.

Samantha Eggar does the role of Anna very very well.

If you like to be entertained with a great nice show, some historic setting, a lot of loveable charakters and all without violence or rude language then this show is for you.

Highly recommended.

I remember this sitcom with great nostalgia, since unfortunately it has not been broadcast in repetitions like so many others. The premise turns into a series the story of the King of Siam played by Yull Briner and a widowed American governess with a young son played by Samantha Eggar, who arrives at the Palace to educate the crown prince. The King and Anna feel a peculiar attraction although they always face each other due to the difference in customs and idiosyncrasies. The scripts of the 13 episodes are very entertaining, well acted and with an important production in terms of sets and exteriors. Perhaps the costs were too high for a sitcom that at the time did not excel audience. In any case, it is still an excellent show to be entertained, much more fun and creative than other sitcoms that are repeated ad nauseam.

This television series marked the surrender of Yul Brynner to the role that made him. Even though the television show was not a success it marked for Brynner the fact he would never escape being King Mongkut of Siam. For the rest of his life Brynner would be the King of Siam be it here or in various revivals of The King And I.

Watching the pilot I noted that no real mention of The King And I was made. That the title was Anna And The King is noteworthy as the fact that not a note of Rodgers&Hammerstein's music is heard.

The King And I is a favorite Broadway show of mine and this TV series was a let down. I suspect for Yul Brynner as well, he was probably just as happy it went for 13 episodes and he could get back to the big screen and for stock company revivals of The King And I. I have to say it was jarring to hear a laugh track on this show. Not unusual for a television comedy, but almost sacrilegious for one of Broadway's most prestigious shows.

I would also love to know whose idea it was to make the Anna Leonowens character an American. And then hire Samantha Eggar an English actress to play her. That truly does not compute.

Poor Keye Luke who played the Kralahome must have also been grateful the series was canceled. In The King And I and in Anna And The King Of Siam which was a dramatic version of the Margaret Landon book that starred Irene Dunne and Rex Harrison. The Kralahome is a fierce character and an antagonist of the schoolteacher. Here Keye Luke looks and sounds like a blithering idiot.

This might have made an interesting series, but it certainly was done all wrong here.

while a bit dated, this film is more watchable than the extravagant musical with Deborah Kerr. This film is a pleasant history lesson for children who need to learn and respect other cultures.

If you saw the Broadway show, the elaborate costumes and customs of the culture at the time were unique and intriguing.

This film was made into a TV series for younger audiences in the mid 1970's. It was thought-provoking and different, and would be worth finding, if there are any tapes available.

Perhaps someone has recorded this, if they have, please post where a copy could be obtained.

This TV series was theoretically based on "Anna and the King of Siam" rather than the musical "The King and I." Very little music, and the already-ill Yul Brynner trying to limit his screen time as much as possible. Actually, in the tone and attitude, it could have been a remake of "Family Affair," with its slowness, its deliberate moralizing, and Keye Luke playing a prime minister the way Sebastian Cabot played Mr. French. At a time when "M*A*S*H" was redefining TV comedy and drama, and showing Asians as fully-rounded individuals of all types, this show seemed to have fallen through a time warp from the late 50's.