Aggiungi una trama nella tua linguaAn American entertainer and an Estonian woman are torn apart by hate and prejudice.An American entertainer and an Estonian woman are torn apart by hate and prejudice.An American entertainer and an Estonian woman are torn apart by hate and prejudice.
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Who is this Aleksandr Buravsky who gets all those wonderful actors to work for him?? And not only in this one, also in a couple of other of his ill-conceived movies. The story here starts out quite promising and soon collapses. The characters are not likable, except for tragic Deborah, the historical errors are many, some situations laughable. And I was looking forward to seeing Keith Carradine in a leading role, after how long....Just wasted my time. Why are there so many bad movies lately which dabble in the Holocaust instead of using history's lessons wisely and weave them into a good story??? There are hundreds of good true stories out there - why don't scriptwriters and directors pick them up and use them???
I must admit this - the movie is beautifully made and the chosen locations look really wonderful. That's all. The story is ridiculous and cheap, rather 'soapy'. But what angered me the most was changing the facts. At that time Estonia had already been annexed to SU and Konstantin Päts was no longer a president (because that guy in the car couldn't have been Vares-Barbarus). The tricolor flags were no longer in use. The German army came only later, during the war. etc, etc, etc People might say that this movie at least lets the world know about Estonia, but I don't really see the need for telling pseudo historic lies. Estonia's real history is so much more exciting and touching than that, and as for soapy stories, well, you can fit them in practically anywhere. I gave it 1, but I could have given it a -1 if it had been possible.
10mda
I was impressed how the screenplay of probably fictitious story can be full of really true details of war and Soviet camps. Lots of people lost everything in wars. And all people always should remember it. This movie reminds me "Enemy at the gates".
Even the wonderful little story couldn't save this terrible mess of a film. It's as if the director wanted this film to be a B movie. It's got all the formulaic features of a great straight-to-video B movie: Choppy editing with cheesy music thrown in here and there. Actors sitting in a bright and evenly lit rooms spitting out not-so-clever one liners. And most of all, a street savvy yet sleazy male lead.
I don't understand why the director wanted the main character to be portrayed as a cocky and selfish little bum. He's so unlikable that you never understand why his love interest spend her life away to wait for him.
If I have to come up with one reason to watch this film, I'd say, watch it for Mia Kirshner.
I don't understand why the director wanted the main character to be portrayed as a cocky and selfish little bum. He's so unlikable that you never understand why his love interest spend her life away to wait for him.
If I have to come up with one reason to watch this film, I'd say, watch it for Mia Kirshner.
My name is Irina Ginzburg and I'm professor emeritus at the Undergraduate Department of Film and TV at Queens College. In September I had the great privilege of seeing "Out of the Cold", directed by Sasha Buravsky, at the Montreal Film Festival. All I can say is that it is one of the best, most beautifully realized motion pictures I have seen in a long, long while. The writing, production design, costumes and music are fist rate. But what truly stands out is Sasha Buravsky's masterful direction. A veteran Russian playwright, Mr. Buravsky was able to convey a heartbreaking feel of awe and dread, and using his august sets and the atmosphere of the world gone wrong, he fused art and commerce in such deft, delicate way that all I can say is
"Go west, young man! You'll have a great career in Hollywood!"
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By what name was Out of the Cold (1999) officially released in Canada in English?
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