VALUTAZIONE IMDb
6,6/10
2925
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn Edmonton, Canada, a failed actor lives with a bookish woman, whom he dated before coming out as a homosexual. While they and their friends each aim to find love and sexual gratification, ... Leggi tuttoIn Edmonton, Canada, a failed actor lives with a bookish woman, whom he dated before coming out as a homosexual. While they and their friends each aim to find love and sexual gratification, a serial killer stalks the city's women.In Edmonton, Canada, a failed actor lives with a bookish woman, whom he dated before coming out as a homosexual. While they and their friends each aim to find love and sexual gratification, a serial killer stalks the city's women.
- Premi
- 1 vittoria e 3 candidature totali
Aidan Devine
- Sal
- (as Aidan Devin)
Recensioni in evidenza
Quirky, brilliant, twisted, dark, inventive, unnerving. This is a wonderful film, extremely well acted and smoothly directed. Moody and atmospheric, death stalks this mixed assortment of oddball lovers, both inside and out. Yet it is not a bleak tale of destruction, but a story of redemption, survival, and finally love. A great job by everybody involved. Top marks!
There is, as many reviews have observed, a strong dark streak to this movie. The director it most recalls to me is John Landis (yeah, go ahead and howl about what a peasant I am). Arcand has the gift of exploring frivolous things in a bleak, gray kind of way, then turning round and exploring the horrors of life with a lighthearted touch.
The cast is, without exception, above average. Thomas Gibson, as David, is outstanding as the moody and self-deceptive center around whom the rest of the characters revolve. He talks a good nihilist, but his actions reflect more love in his character than he is willing to acknowledge. Gibson was already a strong and subtle actor in 1993. It was difficult to look at him and see Greg Montgomery, let alone Agent Hotchner of Criminal Minds.
Perhaps not the best scene, but the one I enjoy most, my "rewind scene," is the section where Candy is expecting a visitor, and one uninvited person after another shows up at the door. As Candy's interpersonal environment swings further and further out of control, David just grows bouncier, perkier, and more enthusiastic, like a gaunt Gen-X "Tigger."
The cast is, without exception, above average. Thomas Gibson, as David, is outstanding as the moody and self-deceptive center around whom the rest of the characters revolve. He talks a good nihilist, but his actions reflect more love in his character than he is willing to acknowledge. Gibson was already a strong and subtle actor in 1993. It was difficult to look at him and see Greg Montgomery, let alone Agent Hotchner of Criminal Minds.
Perhaps not the best scene, but the one I enjoy most, my "rewind scene," is the section where Candy is expecting a visitor, and one uninvited person after another shows up at the door. As Candy's interpersonal environment swings further and further out of control, David just grows bouncier, perkier, and more enthusiastic, like a gaunt Gen-X "Tigger."
Once again, I am amazed that Thomas Gibson did not come to the head of the pack earlier in his career. In this film, Gibson once again demonstrates his ability to grasp a character regardless of sexuality, social status or nationality. Gibson plays a very convincing gay male of the late 20th Century. Tender yet not effeminate, afraid of the basic tenets of love, Gibson's character touches a variety of emotions. Also worthy of praise is Cameron Bancroft's performance. His need to be the heterosexual conqueror as opposed to his best friend's "homosexual conquests" provides dynamics for the relationship that are in many ways unexpected. Bancroft and Gibson's chemistry is apparent from the first scene they appear in together. There are many "panels" in this quilt. From gay relationships to straight relationships; from heterosexual relationships to the exploration of lesbian love; this film travels across the broad spectrum of sexuality while having the story of a serial killer at its core. My only regret is that it took 6 years since its release before I discovered this movie! I look forward to seeing it again and highly recommend it to any fan of Bancroft, Gibson or Director Denys Arcand.
Extremely good cinematic story of gay, embittered former teen star, now waiting tables. The sexual ambiguities are explored here realistically, and with an actual human face. This, and throw in a serial killer on the loose, and you have LOVE AND THE HUMAN REMAINS. A well portrayed drama, a strange sense of humor and a mystery. The screenplay is fluid and believable. The performances are well above average, and the twists in the story are sharp.
This certainly isn't everyone's ideal notion of a movie, but for those who appreciate something different and slickly written, it's very much worthy of your time. Highly recommended.
This certainly isn't everyone's ideal notion of a movie, but for those who appreciate something different and slickly written, it's very much worthy of your time. Highly recommended.
I bought this film from my local blockbuster for 99p an it's been sitting in my video bookcase for at least a year now. Then tonight I decided to see it, the film was quite different to what I had expected and I didn't find any humour in it all I saw was that it was a bleak look at people dealing with love relationships and sexual orientation and I didn't really see the psycho killer plot really having a point except to add tension to the end of the film. I felt that the person playing the lesbian woman did a great job. I was following her emotions and what happened around her. Some people would probably have seen some of the stuff that she does as funny but I could really put myself in her place, loving someone but them rejecting you at every turn no matter how hard you try. I thought it was a very moving film and dealt with all the different sexualities well. I was expecting something like Bound & Gagged : A love story, but this is a very different film. Not for bigots.
Lo sapevi?
- QuizBased on the play entitled "unidentified human remains and the true nature of love"
- Curiosità sui creditiCredits scroll from right to left.
- Versioni alternativeOriginally rated "NC-17", some sex was trimmed to be re-rated "R".
- ConnessioniFeatures Qualcuno volò sul nido del cuculo (1975)
- Colonne sonoreCan't Help Falling In Love
Written by Hugo Peretti, Luigi Creatore and George David Weiss
Performed by Karen Young
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Amor y restos humanos
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 542.985 USD
- Fine settimana di apertura Stati Uniti e Canada
- 28.280 USD
- 4 giu 1995
- Lordo in tutto il mondo
- 542.985 USD
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