Anne of Green Gables: The Continuing Story

When I learned that there was to be a third installment of the Anne of Green Gables series, I was thrilled. I was even more excited when I learned that Megan Follows and Johnathon Crombie were to return to their roles as Anne and Gilbert. However, the mess that I found myself watching was a total slap in the face for all who love the books and the first two movies. The glaring continuity errors (where did 5 years come from...Gil was already a year in med school in Anne 2), plus the fact that by the time WWI hit, Anne and Gil had tints of grey and 8 children (this was RILLA'S WAR!!!) made it hard to accept it from the start. Not to mention that they completely fluffed over the wedding like we haven't been waiting all these years to see it!

I cannot believe Kevin Sullivan was behind this monstrosity. He directed the first two with such care to the storylines. I would have understood if Marilla was dead, but the rest should have been done with the same respect given to the first two. If that could not have been done, the movie should not have been done at all.

I first fell in love with the story of Anne Shirley and Gilbert Blythe as a seven year old when my family watched Anne of Green Gables on The Disney Channel. I read the books as quickly as I could, and I make an effort to re-read the books every 2 or 3 years. Even at 25, I find myself laughing at the same parts, crying at the same parts, and wishing that Anne would just accept Gilbert's proposal the first time he asks her. Every time I finish Rilla of Ingleside (book 8), I wish that Lucy M. Montgomery had just written one more book so that the story could continue...

The story did continue in 2000 with the third installment of Kevin Sullivan's Anne films. However, this one was a complete departure from the story that I and little girls around the world had grown to love. Where the first two movies were laden with episodes from the books, the third movie had nothing in common with the books at all. Were we supposed to ignore the fact that by the time WWI rolled around, Anne's CHILDREN were old enough to fight? According to Sullivan, while the rest of the world moved ahead about 20 years from the time of the bridge scene to the time the third film opens, Avonlea was stuck in a timewarp.

Sullivan should have realized that the people who would have waited for a third film after 15 years were the ones who truly loved the Anne story. While the movie is able stand on its own as a love story between a woman named Anne and a man named Gilbert, those of us who waited deserved a continuation of the story L. M. Montgomery wrote. Keeping close to the the first four books served Sullivan well when putting together the first two movies. I for one would have loved to have met Captain Jim, Susan, and old Dr. Blythe; to be a part of a wedding that I have imagined from my childhood; and to see Anne and Gil experience the joys and sorrows of their House of Dreams. Sullivan's decision to completely ignore the works of L. M. Montgomery is an insult to her memory, her work, and her fans.

One thing that really got me about this film was the way Sullivan Productions junked what they had (almost) seamlessly meshed in the past: the "Anne" world with the "Road to Avonlea" world.

Anne and Gilbert had already married and had children by the time of Marilla's death, and it was another few years before WWI happened in the "Avonlea" world. However, here Marilla has died and Anne and Gilbert aren't married yet. Mrs. Lynde, Marilla's long-time friend and confidante becomes a minor character, almost a glorified cameo appearance, and doesn't act like it's been years since she last saw Anne. Josie and Moody are just kinda there as 'fanwank' to placate any fans who might be disappointed that this film wanders so far away from the established 'Anne-iverse.'

That aside, this film still is a bit of a mess. Historical accuracy goes right out the window, and I found it hard to get really involved in these "strangers" lives.

Although, comments made on Megan Follows' appearance is unfair. It's been TWENTY YEARS since the first "Anne" so OF COURSE she's older...duh! Megan Follows does a lot to try to save this film. She's as good an actress as ever. Jonathan Crombie did well also. The radical transformation of Diana's character isn't that out of line with what came before, and Schuyler Grant does very well here.

Sadly, a missed opportunity. This might have worked better as a "Road to Avonlea" reunion movie. I mean, WWI actually was on the horizon when the series ended.

I've read all the Anne books! I really dislike it when they take a beloved character, and completely ignore all the written material on said character.

It was Anne's three sons who fought in WW1, and you can find the story in Lucy Maud Montgomery's book entitled "Rilla of Ingleside" The story of the terrible effects of the war is seen through the eyes of Anne's youngest child, Marilla, who is fifteen at the start of the war in 1914.

It is a heart-felt story. One of Anne's younger sons dies in France, but it is also a story of hope and faith and the foibles of a small community facing a situation outside the small island they grew up on.

Why they didn't use that story, or indeed, the previous story where Anne is married and starts a new life on her beloved island with Gilbert I'll never know!It often seems to me that screenwriters don't read, or do research when dealing with literary subjects!

I'm sorry that they didn't give Megan Fellows better material. She is a fine young actress and deserves better. Ps: Diana's husband Fred Wright was a pleasant, down-to-earth farmer in the Anne books.

A big disappointment. The departure from L.M. Montgomery's novels and the creation of an entirely new storyline has sapped all of Anne's vivacity, impishness, and honesty right out of her. The production drags, the actors seeming less like the characters I've known and loved than, well, tired actors. The war story is a good idea, but with every implausible twist and turn it becomes clearer that it just doesn't work to superimpose a simplistic, slapdash storyline on classic, beloved characters like Anne, Gilbert, and Diana. I'm surprised that Kevin Sullivan, who created such beautiful adaptations of the novels in 1985 and 1987, allowed this melodramatic drivel to be produced with his name on it.