Seul contre tous

This is Gaspar Noe's deliberately disturbing film of one man's resentment of his own life. It's a highly cinematic monologue of malevolence by a volatile, middle-aged protagonist. The film's brilliance comes from the daring moralism it projects right up to it's startling conclusion. Without giving anything away, this is a mean-spirited, convincingly fiendish love story that sadistically gives it's audience a 30 second chance to leave the theater before things get resolved. A absolutely terrific monster movie for mature audiences only!

Gaspar Noë's first full-length film seeks to provide, and sometimes achieves, an elegantly bleak picture of the world through the eyes of a French butcher whose life has been devolving from day one. The film begins as a kind of quick documentary life, narrated over still photos with the voice-over of the butcher, played by Philippe Nahon. From here forward the voice never leaves us, moving relentlessly forward with its declarations of gloom and anger. The narrator's negativism commands our attention and even our respect because of its intensity and clarity. Perhaps this man is just a depressive, a hopeless loser. But his anger and his articulateness command attention and create an irresistible and memorable voice -- a voice quite reminiscent of the writings of Louis-Ferdinand Céline ("Journey to the End of the Night," "Death on the Installment Plan"), who like Noë's protagonist was a nihilist, fascist, and anti-Semite, and likewise shocked with his bluntness of expression. Set in 1980, the story of "I Stand Alone"/"Seul contre tous" may also be meant to reflect the thinking of a certain French underclass of that time whose desperation and resentment toward growing minorities in the country and toward the rich and the liberal bourgeoisie led them to rally behind the far right political leader Jean-Marie Le Pen.

Philippe Nahon is strong in the central role. Indeed one can hardly imagine anybody else playing it. But all the characters Nahon interacts with tend to be little more than static cameos. There are even moments when we are not sure they exist, or when his declarations seem like fantasies, and this uncertainty undermines the otherwise forceful narrative. Unfortunately also the film tends to disintegrate into excess verbiage and alternative finales in its last chapters. The nonstop narration has seemed to work well up to then, but when Noë resorts to an overlapping second voice and approaches the father's sexual violation of his daughter through panning off into the street, the voice-over becomes a wall preventing us from experiencing what's been dealt with and the hitherto blunt manner -- the obscene slangy language and the gun-shot blast divisions of images and the boldly declarative intertitles (Noë is of the nothing-succeeds-like-excess school of film-making) -- comes to seem a bit of a facade. As in the later "Irréversible" it seems as though the director's desire to shock and exploit ingenious and attention-getting cinematic techniques is greater than his willingness to develop a story and characters in depth. Nonetheless there are strong signs of a bold and original talent on display here, and of an independent point of view.

The respected critic Jonathan Rosenbaum went overboard when he classified "I Stand Alone" as a "masterpiece." Noë strives so hard to achieve profundity he dupes himself into the certain conviction that he has achieved it. Whether "I Stand Alone" will stand the test of time is a question only time, not Noë or Rosenbaum, can decide.

The film is not particularly well served by a Strand Leasing DVD providing a slightly blurry print and no extras. The Menu design however is rather handsome.

Watched on Netflix DVD November 2005.

Following the life of the most disaffected, disillusioned, alienated, resentful, hostile and unbalanced middle aged man that has ever carried an image on a screen - but is he alone, and can all the factors he believes brought him to this nadir of all nadirs actually be correct, that there was little or nothing to be done, with the cards he was dealt as a child, the hands he had to play during his formative years, set in stone, to fatefully be performed in only one way, as unsatisfying an existence that could ever have walked this earth, beaten by the state, society, its structures and its rules.

You won't come away with a smile on your face, or at least not until you realise that there's always someone worse off than yourself. A painful watch at times, but it comes with the director's territory.

Man, that movie was intense. I saw Irreverisible a while back and just discovered this film. As I tried to rate it I have to admit that if a film effects you in the way this movie just did then there is something to it. I know many people who would be disgusted by this film and simply say they did not like it, it was a "bad movie." The reality is that every movie doesn't have to be uplifting and make you feel good. All I know is that I feel extremely alone and weird at the moment, independent of anything going on in my life. In that way, I think the film did its job. To an extent, the main character is so sick and jaded that one doesn't exactly relate to him or identify with the character. At the same time however, for those of us that don't experience life as rosy and joyous all the time, there is an element of utter pessimism that one can relate to. In a traditional sense, not that much actually happens in this movie. The majority of it is filled with an inner dialogue and scenes of people just sitting around.

I suppose it's odd for me to say that I like this film, but as I said, I think it did its job. The soundtrack was well done and the acting was thoroughly convincing. If you can deal with "depressing" and disturbing movies, I'd give I Stand Alone a shot. If not, rent Big and go to bed feeling nostalgic and hopeful about the future.

A brilliantly disturbing film, unlike anything I have ever seen. This is an incredibly detailed account of how a disturbed human mind rationalizes everyday reality. It's like looking right into the mind of a man pushed to the brink, a man capable of anything. The film darkly builds as we watch the main character fall lower and lower, becoming more and more desperate. I love a movie that can capture an emotion so strongly, and this film defiantly grabs you and does not let go. The tension literally drips off the screen making it difficult at times to take, but like a car crash, you can't take your eyes off of it.

Noe's direction is excellent. The pace is slow and methodical and cut up with a surprising sound affect that makes you jump almost every time you hear it. This just adds to the disturbing, uneasy atmosphere that the film creates.

Its a trip that not all people should take, but those of you how are not easily offended, and have a strong stomach and a good eye for art, you should go far out of you way to see this film.