Una coppia che ha perso un figlio si ritira in una baita isolata nei boschi per tentare di salvare il proprio matrimonio, con esiti nefasti.Una coppia che ha perso un figlio si ritira in una baita isolata nei boschi per tentare di salvare il proprio matrimonio, con esiti nefasti.Una coppia che ha perso un figlio si ritira in una baita isolata nei boschi per tentare di salvare il proprio matrimonio, con esiti nefasti.
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- 21 vittorie e 33 candidature totali
Recensioni in evidenza
Antichrist (2009)
*** 1/2 (out of 4)
Thought provoking but highly controversial film from von Trier has a husband (Willem Dafoe) and wife (Charlotte Gainsbourg) making love while their young son gets out of his crib and falls from a window to his death. After the grief sets in the couple head off to a cabin in the woods to try and cure the wife from her state but once there things take a turn for the worse. This film has a prologue, an epilogue and four chapters in between. Three of the chapters deal with grief, pain and despair. What the director was trying to say or do with this film is going to be in the mind of the viewer watching and I'm positive you could show this film to a hundred people and fifty would probably walk out. The other fifty would each have a different idea on the events in the film and that's probably why von Trier continues to be one of the most interesting directors out there. You might love him or you might hate him but no matter how you feel you're going to be feeling something, which is a lot more than most directors could have said about their work. This movie will certainly bring on debate and I'm sure it's going to bring on some strong feelings of hatred among those who see it but at the end of the day there's no doubt that the film will leave people thinking and questioning their own thoughts.
Writing this minutes after finishing the film, my mind is still all over the place on what exactly it was that I watched. I do feel disturbed, which is saying quite a bit considering some of the films I've seen in my life. The atmosphere created by von Trier is extremely disturbing and this is before we get to any of the controversial stuff. That stuff I won't ruin but all the hype you've read is certainly lived up to and von Trier takes on a new form of sexual violence that most people haven't seen. The bizarre sex scenes are never erotic but at the same time there's a level of love to them. This will leave people will more things to debate but I think the title refers to nothing here as the movie isn't about the antichrist but instead about human emotions to one level or another. Another thing I do know is that the two actors turn in incredibly brave performances and they're names should certainly be remembered at Oscar time but I have a feeling they won't be. Both are challenged physically to be brave because of the nudity, sex scenes and some extremely bizarre situations both are put in. You applaud them for that but they also take it to another level and deliver complete and haunting characters. The pain both actors display is quite amazing to watch but at the same time you almost hate to watch because of how painful they make it. There isn't another actor in the film so it's up to these two to carry everything and they pull that off without a problem. The visual style of von Trier is something else that people love and he turns in another real beauty here. The opening prologue is in B&W and it's perhaps one of the most haunting, tragic and beautiful images I've seen from a film in quite a while. The masterful music score playing over this sequence makes it even more haunting but there are other great visual touches throughout the film.
Some have made people believe that this is a porn film hidden behind the label of art but I think that's quite unfair. While there are hardcore sequences I think most people still look at them as being taboo. I, on the other hand, have become very familiar with this type of stuff since I'm a fan of the likes of Jess Franco so I don't mind this type of thing. I think it does add a lot of realism to the movie but people shouldn't think it's non-stop sex and torture from start to finish. The first few minutes feature some sex and then the rest of the movie is pretty clean up to the final thirty-minutes. In the middle is a lot of dialogue, which is perfectly written and delivered by the actors. You'll certainly have a lot to take in as, again, we're asked countless questions about what's going on but then your senses will be attacked when the actual torture does set in. This isn't an easy movie to watch and I'm sure many will walk away needing a shower but it does bring out emotions, feelings and thoughts, which is something not too many films can do. Love it or hate it this is a pretty unique movie.
*** 1/2 (out of 4)
Thought provoking but highly controversial film from von Trier has a husband (Willem Dafoe) and wife (Charlotte Gainsbourg) making love while their young son gets out of his crib and falls from a window to his death. After the grief sets in the couple head off to a cabin in the woods to try and cure the wife from her state but once there things take a turn for the worse. This film has a prologue, an epilogue and four chapters in between. Three of the chapters deal with grief, pain and despair. What the director was trying to say or do with this film is going to be in the mind of the viewer watching and I'm positive you could show this film to a hundred people and fifty would probably walk out. The other fifty would each have a different idea on the events in the film and that's probably why von Trier continues to be one of the most interesting directors out there. You might love him or you might hate him but no matter how you feel you're going to be feeling something, which is a lot more than most directors could have said about their work. This movie will certainly bring on debate and I'm sure it's going to bring on some strong feelings of hatred among those who see it but at the end of the day there's no doubt that the film will leave people thinking and questioning their own thoughts.
Writing this minutes after finishing the film, my mind is still all over the place on what exactly it was that I watched. I do feel disturbed, which is saying quite a bit considering some of the films I've seen in my life. The atmosphere created by von Trier is extremely disturbing and this is before we get to any of the controversial stuff. That stuff I won't ruin but all the hype you've read is certainly lived up to and von Trier takes on a new form of sexual violence that most people haven't seen. The bizarre sex scenes are never erotic but at the same time there's a level of love to them. This will leave people will more things to debate but I think the title refers to nothing here as the movie isn't about the antichrist but instead about human emotions to one level or another. Another thing I do know is that the two actors turn in incredibly brave performances and they're names should certainly be remembered at Oscar time but I have a feeling they won't be. Both are challenged physically to be brave because of the nudity, sex scenes and some extremely bizarre situations both are put in. You applaud them for that but they also take it to another level and deliver complete and haunting characters. The pain both actors display is quite amazing to watch but at the same time you almost hate to watch because of how painful they make it. There isn't another actor in the film so it's up to these two to carry everything and they pull that off without a problem. The visual style of von Trier is something else that people love and he turns in another real beauty here. The opening prologue is in B&W and it's perhaps one of the most haunting, tragic and beautiful images I've seen from a film in quite a while. The masterful music score playing over this sequence makes it even more haunting but there are other great visual touches throughout the film.
Some have made people believe that this is a porn film hidden behind the label of art but I think that's quite unfair. While there are hardcore sequences I think most people still look at them as being taboo. I, on the other hand, have become very familiar with this type of stuff since I'm a fan of the likes of Jess Franco so I don't mind this type of thing. I think it does add a lot of realism to the movie but people shouldn't think it's non-stop sex and torture from start to finish. The first few minutes feature some sex and then the rest of the movie is pretty clean up to the final thirty-minutes. In the middle is a lot of dialogue, which is perfectly written and delivered by the actors. You'll certainly have a lot to take in as, again, we're asked countless questions about what's going on but then your senses will be attacked when the actual torture does set in. This isn't an easy movie to watch and I'm sure many will walk away needing a shower but it does bring out emotions, feelings and thoughts, which is something not too many films can do. Love it or hate it this is a pretty unique movie.
This movie is violent and very sexually graphic, bordering at times on artistic but hardcore pornography; but it isn't lurid for the sole purpose of scandal. "Gory" appropriately describes some sections of this film but the word by no means encapsulates it.
If one is willing to stomach the periodic revulsion of watching this movie from beginning to end with a thoughtful and mature perspective they will find that it is full of symbolism, foreshadowing, and the kind of characterization that brings great success to novels. Few movies, in fact, possess the level of depth that Antichrist does. The movie isn't packed with moral insight but that doesn't preclude it from being intellectually engaging and, as a consequence, genuinely entertaining. One will also realize that the violent and sexual content is never pure excess. The gory scenes, though sickening, are always important in some way to the main themes of the movie.
At several points during the course of this film I couldn't help but rewind it to watch a scene again, discuss it in greater depth with my friends, attempt to extricate the finer details that are present in abundance both at the surface and underneath.
To anybody that tries to berate this movie as the deranged product of excessively liberal foreigners I must point you to movies like Saw, which drew American crowds young and old for numerous sequels that were basically just series' of elaborate and gruesome torture scenes, sometimes clever but never much more than that.
There is more to Antichrist than meets the eye, and I highly recommend it to anybody looking for a horror/suspense film that engages more than just the reptilian parts of the brain.
If one is willing to stomach the periodic revulsion of watching this movie from beginning to end with a thoughtful and mature perspective they will find that it is full of symbolism, foreshadowing, and the kind of characterization that brings great success to novels. Few movies, in fact, possess the level of depth that Antichrist does. The movie isn't packed with moral insight but that doesn't preclude it from being intellectually engaging and, as a consequence, genuinely entertaining. One will also realize that the violent and sexual content is never pure excess. The gory scenes, though sickening, are always important in some way to the main themes of the movie.
At several points during the course of this film I couldn't help but rewind it to watch a scene again, discuss it in greater depth with my friends, attempt to extricate the finer details that are present in abundance both at the surface and underneath.
To anybody that tries to berate this movie as the deranged product of excessively liberal foreigners I must point you to movies like Saw, which drew American crowds young and old for numerous sequels that were basically just series' of elaborate and gruesome torture scenes, sometimes clever but never much more than that.
There is more to Antichrist than meets the eye, and I highly recommend it to anybody looking for a horror/suspense film that engages more than just the reptilian parts of the brain.
10theisbj
This movie drained me...
Without a doubt the most unpleasant and despairing movie I've ever watched. It's not just the graphic imagery that got to me, but the overall tone of the movie was incredibly dreadful and you could almost feel a presence of some sort of "evil".
This is a hard movie to review. It crosses all barriers when it comes to movie making...ALL. It makes you question yourself about what art is and if there's anything as going "too far"?
But don't dismiss this. It's certainly much more than just being graphic for the sake of it. First off, the cinematography is absolutely flawless. The opening scene had me in absolute awe. Beautiful... And my deepest respect to Willem Dafoe and Charlotte Gainsburg. I could only imagine how much this would drain the actors both mentally and physically. They are amazing and deserve Oscars.
I have to mention the violence too, since it's a critical aspect. This isn't "torture porn" of any kind. It's natural (it's looks almost too realistic), physical sexual violence. That's why it works so effective on the audience. You can almost feel their pain. Never before have I watched a movie where I felt the urge to look away. You would think that, in the end, all this violence and self molestation is just a shock tactic, but I assure you it's not. There is actually a plot and a sensible progression of the movie. I of course won't say too much. People need to see it.
I can understand why some people wouldn't like it, and that's okay. This is most definitely not for everyone.
It may not be a movie that made me feel good, but it made feel something and had an effect on me. It's beautiful, sad, poetic, horrific and in the end, oddly uplifting. A genre masterpiece.
A must see.
10/10.
Without a doubt the most unpleasant and despairing movie I've ever watched. It's not just the graphic imagery that got to me, but the overall tone of the movie was incredibly dreadful and you could almost feel a presence of some sort of "evil".
This is a hard movie to review. It crosses all barriers when it comes to movie making...ALL. It makes you question yourself about what art is and if there's anything as going "too far"?
But don't dismiss this. It's certainly much more than just being graphic for the sake of it. First off, the cinematography is absolutely flawless. The opening scene had me in absolute awe. Beautiful... And my deepest respect to Willem Dafoe and Charlotte Gainsburg. I could only imagine how much this would drain the actors both mentally and physically. They are amazing and deserve Oscars.
I have to mention the violence too, since it's a critical aspect. This isn't "torture porn" of any kind. It's natural (it's looks almost too realistic), physical sexual violence. That's why it works so effective on the audience. You can almost feel their pain. Never before have I watched a movie where I felt the urge to look away. You would think that, in the end, all this violence and self molestation is just a shock tactic, but I assure you it's not. There is actually a plot and a sensible progression of the movie. I of course won't say too much. People need to see it.
I can understand why some people wouldn't like it, and that's okay. This is most definitely not for everyone.
It may not be a movie that made me feel good, but it made feel something and had an effect on me. It's beautiful, sad, poetic, horrific and in the end, oddly uplifting. A genre masterpiece.
A must see.
10/10.
Controversial, much lauded and horrific to watch, ANTICHRIST is Lars von Trier's showpiece film. It tells the tale of an unhappy marriage that breaks down due to grief, and the extremes that follow. It's a film that plays out as a two-hander for the most part, with Dafoe and Gainsbourg acting it up in a remote woodland cabin and taking out their rage and anger upon each other.
The film's simple storyline allows von Trier to concentrate on the things that interest him most. His intelligent, thoughtful script goes deep into the psyche of his characters, exploring the ways in which therapy can – and in some ways, cannot – help a parent to get over the loss of their child. The first half of the film is packed with foreboding that gives way to visceral horror in the second half.
Everything you've heard about this film's explicit nature is true; nothing much makes me squeamish anymore, but ANTICHRIST did. I can't stand sexual violence in films and von Trier incorporates it to chilling, disturbing effect, made all the more powerful due to its brief nature. In many ways, the second half of this film becomes HOSTEL in the woods, except it's all the more frightening because violence comes from a loved one rather than a stock villain.
Dafoe and Gainsbourg are both very good; they couldn't not be, seeing as what von Trier asks of them. Dafoe plays the more sympathetic role and Gainsbourg's character is a little shrill on occasion, but neither of them disappoint. Von Trier directs in classic art-house style with beautiful shots interspersed with grotesque imagery and true left-of-field interludes.
It's certainly not a film for the faint of heart or an experience I would choose to put myself through again, but I think that ANTICHRIST is a great example of a director following his vision without compromise.
The film's simple storyline allows von Trier to concentrate on the things that interest him most. His intelligent, thoughtful script goes deep into the psyche of his characters, exploring the ways in which therapy can – and in some ways, cannot – help a parent to get over the loss of their child. The first half of the film is packed with foreboding that gives way to visceral horror in the second half.
Everything you've heard about this film's explicit nature is true; nothing much makes me squeamish anymore, but ANTICHRIST did. I can't stand sexual violence in films and von Trier incorporates it to chilling, disturbing effect, made all the more powerful due to its brief nature. In many ways, the second half of this film becomes HOSTEL in the woods, except it's all the more frightening because violence comes from a loved one rather than a stock villain.
Dafoe and Gainsbourg are both very good; they couldn't not be, seeing as what von Trier asks of them. Dafoe plays the more sympathetic role and Gainsbourg's character is a little shrill on occasion, but neither of them disappoint. Von Trier directs in classic art-house style with beautiful shots interspersed with grotesque imagery and true left-of-field interludes.
It's certainly not a film for the faint of heart or an experience I would choose to put myself through again, but I think that ANTICHRIST is a great example of a director following his vision without compromise.
Lars Von Trier is a director who's always been going his own ways, and this can definitely be seen in this movie. Antichrist is a movie that doesn't hold anything back when it comes to gore, and the stuff that you see in the film won't leave your mind the next couple of days. But the movie itself is much more than that... The movie is beautifully shot, the story and setting extremely uncomfortable and the acting is fantastic. The movie is sometime painful to watch, not in a "Saw" or "Hostel" kind of way, but when you leave the theater you feel genuinely uncomfortable, and that is one of the reasons why i liked this movie. It's a movie like nothing i've experienced and I'm glad that we have directors like Lars Von Trier that dares to make a film like this. It's nothing like the mainstream movies that are being made nowadays, and it makes your mind race when you leave the theater, something very few movies does. You aren't served with facts, as with any other movies, but are left to interpret and think for yourself. It's a bizarre movie and not one for the faint of heart, but if you dare to be provoked and see a movie like nothing you've ever seen, then go see Antichrist.
Lo sapevi?
- QuizThe Sound Engineer actually swallowed a microphone and recorded the inner audio of his body in order to achieve certain similar sounds for the film.
- BlooperDuring the prologue, there is shot of a foot knock over a bottle from the far end of the bed. In a later shot, the same bottle is rolling on the bedside as He and She have sex.
- Citazioni
Fox: Chaos reigns.
- ConnessioniFeatured in At the Movies: Cannes Film Festival 2009 (2009)
- Colonne sonore'Lascia ch'io pianga' from 'Rinaldo'
Composed by George Frideric Handel (as Georg Friedrich Händel)
Performed by Tuva Semmingsen and Barokksolistene
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Anticristo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 11.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 404.122 USD
- Fine settimana di apertura Stati Uniti e Canada
- 71.397 USD
- 25 ott 2009
- Lordo in tutto il mondo
- 7.426.651 USD
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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