Urban Legend

I definitely feel that this film gave me nothing. Really nothing. It was full of clichés, as I've mentioned, and there wasn't a plot twist (at least to me).

Firstly, the clichés. I felt that I was watching a film, that desperately wanted to be better than "Scream" and to get all of its cult following. The concept, although it was about urban legends, something that I appreciated, it had many vibes from other slasher films, so I think that it lacks of authenticity.

Second, I knew who was going to die, and I could tell easily, during the film, which deaths were "fake", the ones that wanted to shock you a little bit.

Third, the characters. I mean, they managed to make even the characters to act in a cliché way. There was the serious final girl, the one whom they try to mislead you that he or she is the killer, but he's or she's not. The over the top excited person, the idiot prank boy, the blonde bimbo, the goth, and the a*****e! Nothing new, nothing creative.

As I've said, I knew 90% of what was going to be happen, so I haven't felt any thrilling moment. Except one scene.

Let's say the things that I liked about this film. First of all, the concept of the urban legends it was cool, and maybe the only prototypical. I also liked the first scene. It was actually very thrilling and gave me a very good first impression. The person who played the killer was cool and had good acting skills.

To conclude this review, I want to mention that this film is not necessarily bad, but to me it wasn't good either. It was something between "Scream" and "I Know what you did Last Summer". Plus urban legends. As a person that have seen many many similar Films, I have to say that I kind of knew the flow of the plot, so I did not found it thrilling. If you've never seen similar Films, maybe you'll like it. It's a fun film to watch, if you don't have anything to do.

Ah our precious 1990's, so many great things came out of this memorable decade, including a streak of teen slasher films. Let's face it, after the mega success of Scream which opened the doors once again after Friday the 13th, Halloween, and Nightmare on Elm Street, we needed a new classic. So naturally all the screen writers who were a bit scared to present their ideas on the table, thanks to Kevin Williamson, the clever writer of Scream and Dawson's Creek. After that, every teen slasher film was released: the Scream sequels, I Know What You Did Last Summer, I Still Know What You Did Last Summer, etc. But we didn't stop at that, we were now presented with Urban Legend.

The film begins on a dark and stormy night as college student Michelle Mancini realizes she is near empty while driving in her car. There's someone in the back seat as Michelle drives, a figure in a dark coat with a fur trim around the hood sits up in the back seat and, with a swift blow from its axe, decapitates Michelle. The same night, on campus, a group of friends listens to Parker Riley tell an old story about one of the campus halls, Stanley Hall. According to the story, in 1973, an abnormal psychology teacher went crazy and killed all the students living in an on-campus residence hall. Paul, a school paper journalist thinks the story is bogus. Still, the story sticks in their minds, especially for Natalie, and Brenda. The next day, the front page of the campus newspaper has an article about Michelle Mancini's murder written by Paul but the papers are quickly confiscated by school officials. Later that night after going into a secluded area of woods to talk, Natalie reveals to Damon that she knew Michelle, but they hadn't spoken in years. Damon, playing on Natalie's vulnerability, tries to make a move on her but she rejects him. Upset, Damon goes into the woods to urinate but is attacked by the killer. He then is hung from a tree in a noose with the rope attached to the bumper of his car. The next day, no one believes Natalie's story due to Damon's penchant for pranks and tricks. Realizing both Damon's death and Michelle's murder closely resemble famous urban legends, Natalie goes to the library to read up on urban legends. Not realizing the terror has just begun to scare her and her friends even more.

Basically, Urban Legend didn't stand out against it's competitors, it has every cliché in the book. Not to mention no memorable actors that had the same chemistry as the cast of Scream. It's over written at times and has every predictable moment: the friends don't believe in a ghost story, a couple people get killed off but everyone thinks it's a prank/fake death, a classic chase scene with a big breasted girl in a skimpy costume, the creepy janitor, the smart girl that no one believes is all of a sudden right about all the murders and of course a mega twist ending that no one will ever see coming! OK, Urban Legend isn't a horrible movie, while it has all these predictable moments and clichés, it's still actually fun to watch and a good part of the memory of good teen slasher films that came out of the 1990's.

6/10

Urban Legend provides great value as it laughs, cries and scares it way through its running time. A really enjoyable addition to the 'horror smart' teen genre such as Scream and I Know What You Did...

The cast is pretty good as well which helps the film enormously.

Adding Robert Englund to the cast was an inspired choice.

Its good fun like its supposed to be :)

Urban Legend was a wonderful storyline, but the movie focused more on the killings and gore rather than the extremely creative storyline. The idea for the story was very original, with a fresh young cast, but the movie lacked in attention getters, after all if you have seen on slasher film you have seen them all right??

The cast was very well-structured, Joshua Jackson did a wonderful job, although his part was robbed of its acting integrety. Natasha Wagner and Rebecca Gayheart were excellent characters that needed to be developed more. Jared Leto did a wonderful job and his acting ability really shone through.

All in all Urban Legend is an excellent date movie, or a chance just to hang out with friends, but if you are looking for a fresh new addition to the slasher genre, I suggest that you look somewhere else.

As for the people who are comparing this film to the Scream series, I must say that I see where you are coming from, but remember that Scream isn't as original as it seems either. Let's not forget, Night of the Living Dead, Halloween and the ground breaking movie The Exorcist, which all had a grasp pn the horror genre long before Kevin Williamson and Scream. Urban Legend, I thought, had more of an intriguing plot line, but was disappointed to see it left so undeveloped. And people mentioned, why did every character have that parka? Easy answer...the same reason everyone in Scream had those boots!!!

On a scale of 1-10 (1 being yawn, and 10 being nightmares) I give this film a solid 7

URBAN LEGEND

Aspect ratio: 2.39:1

Sound formats: Dolby Digital / SDDS

A serial killer descends on a New Hampshire college where he/she kills a number of students in the manner of various urban legends.

History has a habit of repeating itself. In the early 1980's, a series of low budget 'slasher' movies emerged in the wake of HALLOWEEN (1978) and "Friday the 13th" (1980), most of which were condemned as substandard imitators by critics and horror fans alike. The same thing happened in 1996, following the success of Wes Craven's SCREAM, a smug reworking of genre clichés which allowed 'sophisticated' multiplex audiences to indulge an attitude of superiority over those 'crappy' old horror flicks and the 'unsophisticated' viewers who once supported them. The subsequent wave of teenage horror pics were flashy, sexy and ramped to the max, and - true to form - virtually all of them were (ho hum) trashed by critics and horror fans alike. And yet, most of them made a profit, perhaps BECAUSE they were flashier and sexier than those earlier pictures, and because they were designed for a wider demographic than 'mere' horror fans.

Jamie Blanks' URBAN LEGEND is a case in point: Most reviews ran the gamut from harsh dismissal to faint praise, yet the movie is a visual treat, as creepy and atmospheric as any of the films which inspired it. Furthermore, Silvio Horta's unassuming screenplay confounds expectations with its solid narrative arc, recognizable characters and dynamic set-pieces, not to mention a climactic 'reveal' which offers a robust motive for the killer's devastating onslaught. There are a few embarrassing lapses along the way (such as the murder which takes place in full view of heroine Alicia Witt, which she ignores because she thinks it's a couple having sex!), and Horta can't resist a handful of cop-out contrivances (eg. the killer slashes the wrists of a girl known for her depressive tendencies, causing authorities to dismiss her death as suicide, though a routine forensic examination would have revealed the cuts were administered post mortem, AFTER she was strangled to death!), but these occasional blunders are redeemed by the movie's fast-paced editing, neo-Gothic visual scheme and clever plot developments. Blanks orchestrates proceedings with consummate skill, but he refuses to indulge the kind of transgressive gore that once distinguished this downmarket subgenre (where's Tom Savini when you really need him?!).

As expected, the talented young cast - including Jared Leto, Rebecca Gayheart and Tara Reid - is pleasingly photogenic, and there are lengthy appearances by TV favorites Michael Rosenbaum ("Smallville") and Joshua Jackson (watch out for the terrific "Dawson's Creek" gag!). Major co-stars include Robert Englund (Freddy Krueger himself!), John Neville and an uncredited Brad Dourif, who features heavily in a powerful opening sequence where Blanks and Horta pull a major switcheroo on the audience (I'll say no more). Loretta Devine is amusing as the campus security guard who views herself as a modern-day Coffy/Pam Grier (her fantasy is rudely curtailed by a climactic encounter with the rampaging maniac), and there's a brief appearance by Danielle Harris, the former child star of HALLOWEEN 4: THE RETURN OF MICHAEL MYERS (1988) and HALLOWEEN 5 (1989), playing an adult character FAR removed from the angelic poppet of those earlier pictures! Beautiful, fairy-tale score by Christopher Young. Followed by the largely unrelated URBAN LEGENDS: FINAL CUT (2000).