Michael salva la vita al figlio dei prpri vicini di casa, i Lang. Ne diventa amico. Ma c'è qualcosa di strano, di ambiguo in quella gente così simpatica. Perché quelle piccole menzogne? Chi ... Leggi tuttoMichael salva la vita al figlio dei prpri vicini di casa, i Lang. Ne diventa amico. Ma c'è qualcosa di strano, di ambiguo in quella gente così simpatica. Perché quelle piccole menzogne? Chi sono veramente i Lang? Che cosa accade realmente dall'altra parte della strada?Michael salva la vita al figlio dei prpri vicini di casa, i Lang. Ne diventa amico. Ma c'è qualcosa di strano, di ambiguo in quella gente così simpatica. Perché quelle piccole menzogne? Chi sono veramente i Lang? Che cosa accade realmente dall'altra parte della strada?
- Regia
- Sceneggiatura
- Star
- Premi
- 5 candidature totali
- Ponytail Girl
- (as Jennie Tooley)
Recensioni in evidenza
Admittedly, after you've seen it, you'll see the holes, and how you've been manipulated--but while you're watching it, you'll be just as confused as Bridges' character, wondering, "is he right? Or just a nutcase?"
This movie operates entirely on the psychological plane. There aren't lots of cool explosions (well, OK, a few) and there isn't an expensive car being smashed every five minutes or someone's head being blown open with a handgun. Yet it leaves you breathless, panicked, scared, and disturbed. How easy is *that* to do without endless special effects?
Some have complained that the timing of Robbins' character catching Bridges red-handed over and over was lame and unbelievable. I think they've missed the point--it adds to the confusion, the paranoia, and the madness of Bridges' character, and to ours also.
In fact, the entire movie is structured this way. Just when the plot seems predictable and we think we can settle back and watch it follow a familiar formula, the rug is yanked away and we don't know what to believe. This happens not once, but constantly.
If you have to categorize it, think of it as 'The Sting', with a dastardly political agend--in other words, the gentile crime of that 1920's piece fast-forwarded into the dismal world of moral-less America, circa 1999.
The ending was extremely un-Hollywood, and left me angry, disturbed, and unsettled. And this, friends, is why Hollywood doesn't make movies like this. All anyone has complained about is how unsettling it is. Well, the next time you watch a movie end in a boring, predictable way, remember that it's probably making more money and wooing more critics and fans than 'Arlington Road'. (Reminds one of what they kept saying in 'The Player': "because *that's* reality!")
As an aside, the opening credits were the spookiest I've ever seen. They set the tone perfectly for a movie that reflects the existential, empty, lonely, scary, frightening world that may or may not be right out our very door.
If you enjoy watching a movie that will cause you to slam your fist on the arm of your chair, put you in a bad mood for the next day, make you yell at the news "YEAH RIGHT!" and wonder if you'll ever know "The Truth" about ANYTHING, this is your flick. I recommend it to anyone who wants some vinegar to balance the sugar of everything else made by Hollywood, and a reminder that things are rarely what they seem.
I liked this movie because it had a very interesting plot with some plot twists that not only I couldn't predict but I couldn't even think. The direction which was made by Mark Pellington was exceptional and he did a very good job at it and succeeded on transferring the mystery and the agony of the main characters to the audience. The interpretations of both Tim Robbins who played as Oliver Lang and Jeff Bridges who played as Michael Faraday were simply amazing. I highly recommend everyone to watch this movie because I am sure that you won't be disappointed.
Lo sapevi?
- QuizIn early drafts of the film script, the Oklahoma City bombing was literally referenced. By the time of the shooting script the location of the bombing referenced was changed to St. Louis.
- BlooperThe amount of C4 in the car trunk is not even close to enough to destroy the building. Also, more than one explosion is shown, including one a few stories up, impossible from a single car bomb in an underground parking area.
- Citazioni
[last lines]
Oliver Lang: Where do we go from here?
Cheryl Lang: Someplace nice.
Oliver Lang: I hope so.
Cheryl Lang: Someplace safe.
Oliver Lang: Definitely.
- Versioni alternativeThe DVD release contains an extended alternate ending showing Grant and Oliver having a conversation that hints that Grant may know the truth about what happened to his father.
- Colonne sonoreNeon Reprise
Written by Simon Shackleton & Howard Saunders
Performed by Lunatic Calm
Published by MCA Music Ltd. And Junkbond Ltd. And Wardlaw Music
All rights for the Western Hemisphere and Southeast Asia
Controlled and administered by MCA Music Publishing, a Division of Universal Studios, Inc. (ASCAP)
Lunatic Calm courtesy of MCA Records UK
Under license from Universal Music Special Markets
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Terror en la calle Arlington
- Luoghi delle riprese
- University of Houston, Houston, Texas, Stati Uniti(as George Washington University)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 31.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 24.756.177 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.515.145 USD
- 11 lug 1999
- Lordo in tutto il mondo
- 41.067.311 USD
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1