Un uomo misterioso si presenta nell’ufficio di un agente dell'FBI e racconta la sua infanzia: il padre, fanatico religioso, era convinto di avere ricevuto delle visioni che gli dicevano di u... Leggi tuttoUn uomo misterioso si presenta nell’ufficio di un agente dell'FBI e racconta la sua infanzia: il padre, fanatico religioso, era convinto di avere ricevuto delle visioni che gli dicevano di uccidere determinate persone poiché erano in realtà dei "demoni".Un uomo misterioso si presenta nell’ufficio di un agente dell'FBI e racconta la sua infanzia: il padre, fanatico religioso, era convinto di avere ricevuto delle visioni che gli dicevano di uccidere determinate persone poiché erano in realtà dei "demoni".
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 16 candidature totali
- Becky Meiks
- (as Melissa Crider)
Recensioni in evidenza
Texas sure has turned out some interesting directors: first Owen Wilson and Wes Anderson, and now Bill Paxton.
From beginning to end you are kept anticipating more and more about what is happening and where the film is going, and the creativity that is behind this story is first class. I felt as if this film was exquisitely done from start to finish, and one of those rare gems that seemed to be without any boring lulls -- the action flowing neatly, quickly, and tightly from one scene to the next.
It demonstrates just how far people can go: so as to do such horrible things to their loved ones, and to do such acts of evil, in the name of 'God' when they are disillusioned as in this case. It also is sometimes interesting in its' twists & takes on the concept of morality as a whole.
Overall, this is the sort of film that one easily overlooks, but I would recommend you to not do likewise and to check this film out -- it is very much so worth your time.
"Frailty" starts with Matthew McConaughey's character seated in a Dallas FBI office waiting to talk to a particular agent. When the agent, Wesley Doyle (Powers Boothe), finally meets Matthew M., M.M. conspicuously doesn't shake his hand and proceeds to tell Doyle that he knows who the God's Hand killer is. From there M.M. goes into a story going back to 1979 and his father (Bill Paxton) who believed he was receiving divine guidance to kill. His dad was such a believer that he included his sons in his "work." Dad said that he was called upon by the Lord to "destroy demons" who walked around in human form. He even had a list of names that was revealed to him.
*Just imagine the show "Supernatural" if Sam and Dean Winchester were hunting people.
While M.M. is telling this story we're seeing it happen as a flashback. The longer he tells this story the more you're wondering where it's going to wind up, but you're totally engrossed in the entire ordeal because a DUDE IS KILLING PEOPLE WITH HIS YOUNG SONS, and one of them whole-heartedly believes his dad.
The craziness doesn't stop until the very end where we get a serious twist. The thing about twist endings is that a movie has to be compelling enough up until that point. Using the IMDb scale, a movie can't be a 1/10 for an hour and a half and then throw a 10/10 twist in there. No one is going to bear through a paltry movie just for a good ending. A movie has to be at least a 5/10 to make an ending worth it. This movie was better than a 5/10 already, and the 9/10 ending only made it better.
I watched this movie four months ago on VHS, and yesterday I watched again, now on DVD. Although being a low-budget movie, the screenplay is sharp, with no flaw. The cast is outstanding, but I would like to highlight the performance of Matt O'Leary as the young Felton. It is a very difficult and complex role to be performed by a young teenager. The direction of Bill Paxton is remarkable. There is no explicit violence in this horror movie. A great debut behind the camera. I regret the Brazilian title of this movie: 'A Mão do Diabo' (The Devil's Hand'). If at least it were 'The God's Hand', it might be acceptable. But calling this movie as 'the devil's hand' is indeed ridiculous. Brent Hanley, the screenwriter, did not deserve such a lack of respect from the Brazilian distributor. This film is highly recommended. My vote is eight.
Title (Brazil): "A Mão do Diabo" ("The Devil's Hand")
Lo sapevi?
- QuizWhen asked why the axe used by his character has the name "OTIS" carved into the handle, Paxton stated that he wanted the axe to have its own personality and to be unique. He found the name in Pasadena when he was there scouting for locations to film. Paxton met a homeless man and offered to give him some money. The homeless man did not want charity, so Paxton instead offered to buy the use of the man's name for his movie. The homeless man's name was Otis.
- BlooperIn the title credits montage, we see a newspaper which reads SECOND VICTIM FOUND IN GOD'S HAND CASE at 02:03. In the next scene, Agent Doyle tells his visitor that of the 6 victims in the God's Hand case, only the first body was ever found, while for "all the rest, only notes were found, no bodies."
- Citazioni
Dad: Come in and close the door. Are you afraid?
[Fenton nods]
Dad: Of what?
Young Fenton: You, you.
Dad: Only demons should fear me. You're not a demon, are you? The angel said you were. I can't believe that. I won't. You're my son, and I love you more than my own life. You know what's funny about all this, Fenton? I'm afraid of you.
- Curiosità sui creditiDirectors Sam Raimi, Ivan Reitman and James Cameron, among others, are thanked at the end of the credits.
- ConnessioniFeatured in The Making of 'Frailty' (2002)
- Colonne sonore(There Will Be) Peace In The Valley For Me
Written by Thomas A. Dorsey
Arrangement by Johnny Cash (as John R. Cash)
Performed by Johnny Cash
Courtesy of Mercury Records
Published by Song of Cash, Inc. (ASCAP)
Administered by Bug Music, Inc.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Las manos del diablo
- Luoghi delle riprese
- Leonard Avenue & Hanawalt Avenue - Wasco, California, Stati Uniti(Barn where dad finds the axe)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 11.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 13.110.448 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.208.655 USD
- 14 apr 2002
- Lordo in tutto il mondo
- 17.423.030 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1