Aggiungi una trama nella tua linguaCloseted young gay man gets fed up with being pushed around and signs up for "Butch Camp", a macho-training boot camp run by a very butch lesbian.Closeted young gay man gets fed up with being pushed around and signs up for "Butch Camp", a macho-training boot camp run by a very butch lesbian.Closeted young gay man gets fed up with being pushed around and signs up for "Butch Camp", a macho-training boot camp run by a very butch lesbian.
- Regia
- Sceneggiatura
- Star
Eric Avilés
- Robber
- (as Eric Aviles)
Recensioni in evidenza
An amateur production filmed in Chicago with with lots of stereotypes. From dykes with bikes, to cross dressers to bitchy queens, the fill is a complete guide to gay stereotypes. The film goes on way too long...you will find yourself looking at watch...A LOT. Bad script. Even worst editing. Lousy acting. The film half of the film is barely passable, the second half is terrible. Just turn off the DVD and go do other more important things...like ironing. Paul Denniston is a likable sort but cannot carry a film. So called comedian Judy Tenuta is embarrassing to watch. Her segments seem to have been filmed separately and inserted into the film randomly. The rest of the cast should look for a new line of work...acting is out.
Despite the fact that this film was inexplicably trying to tell about five stories at once, it still had about 10-15 hysterically funny moments. It could have been so much better if the stories had connected, but because whoever wrote this had an agenda or joke to make or stereotype to capture, it just went boomeranging inside a crazy box.
Judy Tenuta, who played the Butch Camp leader (and the Butch Camp was only one of the story lines in this crazy quilt of insanity), was initially funny, but ultimately, she was a one-note joke and she never got beyond screaming and yelling. I never got a sense of character. Paul Denniston, who is frequently compared to Michael J. Fox in reviews, was, on the other hand, consistently funny and although he wasn't given a deep character to portray, his comic timing, his commitment to what the character was and his great personal appeal made me an instant fan.
Again, some gut-busting lines and I might watch it again if I were in the mood to laugh, but unfortunately the disparate story lines, which the screenwriter tried (unsuccessfully) to weave together, were so distracting and unsatisfactory that the movie just doesn't cut it.
For a one-time viewing, it works... but only if you're gay and/or are familiar with enough 90s trivia to recognize the too frequent attempts to be "contemporary."
Judy Tenuta, who played the Butch Camp leader (and the Butch Camp was only one of the story lines in this crazy quilt of insanity), was initially funny, but ultimately, she was a one-note joke and she never got beyond screaming and yelling. I never got a sense of character. Paul Denniston, who is frequently compared to Michael J. Fox in reviews, was, on the other hand, consistently funny and although he wasn't given a deep character to portray, his comic timing, his commitment to what the character was and his great personal appeal made me an instant fan.
Again, some gut-busting lines and I might watch it again if I were in the mood to laugh, but unfortunately the disparate story lines, which the screenwriter tried (unsuccessfully) to weave together, were so distracting and unsatisfactory that the movie just doesn't cut it.
For a one-time viewing, it works... but only if you're gay and/or are familiar with enough 90s trivia to recognize the too frequent attempts to be "contemporary."
If you choose to watch a movie called "Butch Camp" about a lesbian (pictured on the poster or DVD cover wearing leather and brandishing a whip) who runs a training course meant to toughen up wimpy gays, it might be a tad ingenuous to complain about it leaning heavily on stereotypes, as at least one reviewer did. It's a bit like watching a Marx Brothers movie entitled "A Day at the Races" and complaining that Dr. Hackenbush wasn't really a qualified physician
what did you expect? I hasten to add that I'm not implying this movie is on a par with a Marx Brothers production.
Assuming you're in the mood for a farce that employs slapstick, ridiculous characters, improbable situations and, yes, exaggerated stereotypes, this was reasonably well done. Paul Denniston, who played the lead, may have slightly overdone the clueless nature & reactions of his character, and somewhat disturbingly wore the same clothes 24/7, but he and the other central actors were likable and their performances were actually quite good given the context in which they were working.
It's a bit hard to give the movie a rating. The premise and the story development are both absurd, but the actors manage to save it from being a disaster. It's not rolling-on-the-floor funny, but it is amusing. If you enjoy this sort of thing, it's definitely watchable, but not exactly memorable.
Assuming you're in the mood for a farce that employs slapstick, ridiculous characters, improbable situations and, yes, exaggerated stereotypes, this was reasonably well done. Paul Denniston, who played the lead, may have slightly overdone the clueless nature & reactions of his character, and somewhat disturbingly wore the same clothes 24/7, but he and the other central actors were likable and their performances were actually quite good given the context in which they were working.
It's a bit hard to give the movie a rating. The premise and the story development are both absurd, but the actors manage to save it from being a disaster. It's not rolling-on-the-floor funny, but it is amusing. If you enjoy this sort of thing, it's definitely watchable, but not exactly memorable.
i really dont know why everyone is slamming this moive. i thought it was a rather funny romantic gay comedy. i saw this movie in a theater in chicago at a Tromathon and had to pick it up. it has a good plot and good actors. this movie is for both gay and straight people so everyone pick this movie up.
I wonder if the film ever got to the point where the characters realized they did not need to get "butched up," if they ever realized that they were fine the way they were. I wonder if the insipid main character, portrayed by an actor doing a horrible Michael J. Fox impression, ever came out at work thus ending what was unfunny workplace discrimination based on sexual identity. I have to wonder because I could not stomach watching this film to the end. I literally watched an hour thinking there would be something funny or that it would start to become redeeming. It did not.
What was the target audience here? Who would find any of these pathetic situations funny? I can only surmise that it was made for quasi-self-hating gay men who are not out in most areas of their lives and can relate to the ridiculous gyrations of the main character's attempt to become more butch. (Was there ever worst casting involved? The actors portrayal of nelly was simply not nelly, he was just nervous. An obvious straight actor portraying nervousness, prudishness, and self-righteousness but missing the nelly mark altogether.)
I give this movie half a star for being able to find funding at all.
What was the target audience here? Who would find any of these pathetic situations funny? I can only surmise that it was made for quasi-self-hating gay men who are not out in most areas of their lives and can relate to the ridiculous gyrations of the main character's attempt to become more butch. (Was there ever worst casting involved? The actors portrayal of nelly was simply not nelly, he was just nervous. An obvious straight actor portraying nervousness, prudishness, and self-righteousness but missing the nelly mark altogether.)
I give this movie half a star for being able to find funding at all.
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- ConnessioniReferenced in Pedro Noula (2016)
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- Tempo di esecuzione
- 1h 41min(101 min)
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