The Consequence

This film certainly deserves to be better known. I think with gay cinema evaluations have to be made in the context of the era in which they were made. The simplicity, honesty, brutality, and directness of this story is exceptional for the time.

It's a slender story, familiar yet different. Familiar insofar as the difficulty of maintaining a same sex relationship, especially when there is a significant age difference. But different in that it deals with a harsh (and somewhat incomprehensible) penal system. Nevertheless, American gay men will be able to relate, and translating 1970s Switzerland/Germany to a similar present-day experience will not be difficult at all. Unfortunately for us, this is a story I'm sure is happening every day all around the world.

It's fascinating to see a younger Jurgen Prochnow. The other lead, the beautiful young man, was and is unknown to me, but his performance is exactly right. All the performances are spot on, in fact.

If there is an amateurish aspect to this film, it's the uneven (sometimes) grainy photography. Perhaps it was shot on 16mm and blown up. The subtitles (on the Netflix version I saw) are white, and impossible to read whenever they fall on a white background. That happens a lot, unfortunately. This is a movie that deserves better.

Definitely worth seeing.

No pun intended - sometimes you are way more free in a restraint environment than you are "outside". Our two main characters .. they meet each other ... they fall for each other. By the way, if you have issues with love between two men ... I reckon the movie is not for you. And I don't mean you being against it (that's of course the biggest no go for you), but even if you do not want to watch a movie about the struggles of homosexual individuals ... than this also is not for you.

I am not blaming, shaming or telling anyone off. No one forces you to watch this movie. But if you do, you will see a depiction of things that happen to people ... pressure wise ... what society does, what toxic masculinity does ... and so forth. Very well acted and a really good movie from Germany - drama that is. Tough to watch - I understand, but you can decide to opt out of it ... people in real life who live situations like this ... they can't ... keep that in mind and try to be respectful to others as much as possible. Because consequences will be dealt ... maybe not to you, but to others ... and why should we not want the best for others too?

The funny thing about "Die Konsequenz" is that it was very controversial at the time of release and it would be also very controversial if released today, but for different reasons.

At the time of release it was controversial because it openly portrayed an homosexual love affair.

Now it would be controlversial for two reasons. In the first place because we are forgotten that only 45 years ago it was widely believed that homosexuality was "curable" ("make a real man out of you"). In the second place because the film takes very lightly the fact that an adult has a sexual relation with a minor. A fact that is seen as much more problematic today.

After his German breakthrough "Das Boot" (1981) and his Hollywood breakthrough "The neverending story" (1984) director Wolfgang Petersen made mainly action oriented films like "In the line of fire" (1993), "Outbreak" (1995) and "The perfect storm" (2000). Watching "Die Konsequenz" nuances this action oriented view of his oeuvre a little bit.

Last but not least I would like to mention the beautiful black and white photography of Jorg Michael Baldenius.

In Wolfgang Petersen's filmography , "die Konsequenz " is an anomaly; filmed in stark black and white -the cinematography is splendid indeed,the buildings and even the trees seem to imprison the heroes, even when they are "free" -;utterly uncompromising,with a conclusion in the shape of a question mark :this ending,for its simplicity ,is the strongest that this desperate work could have.

Fifty years ago,so horrendous were the chances taken by the director that ,with another lesser talent, the film could have ended in the gay porn ghetto whereas it's genuine art house cinema ; essentially psychological drama , naked scenes kept to an economic level , but humiliating homophobic scenes are constant ,nothing is spared the viewer and the fact that such a harrowing screenplay succeeds artistically without falling into the trap of sentiment is entirely due to the director's ,Jürgen Prochnow 's and his co-star's feeling for sparseness and restrain which preclude all forms of conventional sentimentality and pathos.

And yet, emotion is overwhelming in the admirable scene of the lovers alone in the cell,perhaps inspired by Jean Genet's short "un chant d'amour" ;two mises en abyme really fit into the story , particularly the first play where all the roles are played by men; but the moments of happiness are few and far between ; it is the depiction of a descent into hell; in a macho world where the instructors are given carte blanche to make men out of these "criminals", where even the inmates are ,with the exception of the young boy whose best friend hung himself in his dungeon ,ruthless enemies ; women ,who are almost absent in the whole movie, are not spared either:Frau Manzoni is the submissive housewife flesh on the bone; but nymphomaniac Babette is not even a human being ,but a sex machine : the scene is scary ,unbearable and makes the viewer look away.

When the whole world is against you, the only thing you can do is to accept your fate :that's what's the elder calls "instinct of self-preservation"; but his young lover's so called healing is only a façade : even the uneducated mate has understood his mind was undone .

An admirable plea for tolerance,at a time when the "marriage for all " did not exist , Petersen made a convincing manifesto on behalf of the LGBT.

Jürgen Prochnow gives a beautifully shaded performance as a man entering prison, charged with pedophilia. While there, he joins a theater group that puts on another prisoner's play. One of the guard's teenage joins the cast. He and Prochnow quickly become involved and the boy finds a way to hide in the prisoner's cell. There are many further developments, No Spoilers here. This is a very well-made film, with very capable actors, intelligent writing, and top-drawer b&w cinematography. Made 5 years before director Wolfgang Petersen's breakthrough with DAS BOOT (also starring Prochnow), this excellent film deserves to be better known.