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Pushing Tin is somewhat of an odd movie. It's not really funny enough to be considered a comedy, and it's not really compelling/dramatic enough to be considered a good drama. It attempts to pull off both at once, but never really succeeds.

The pacing seems a little "off". You always expect the movie to pick-up at some point but it never really does. It does manage to move along quick enough that it keeps you awake (barely), but I always found myself wanting the story to move someplace / anyplace to keep me more interested than I was.

The story itself primarily centers around the antics of Nick Falzone (John Cusack) and Russell Bell (Billy Bob Thornton), both of whom are air traffic controllers. To it's credit, I've never seen a movie about ATC's, but at the same time Nick and Russell could have been in any other profession and the story would have held up. I sometimes think the writer chose ATC's simply because no one else had done it.

The main conflict centers around Nick's desire to out-do Russell. Why he feels the need to do this is never adequately explained. It's also somewhat of a mystery as to what Nick is hoping to accomplish by out-doing Russell. Most of their competitions are basically irrelevant and don't prove much anyway: holding onto a match the longest, shooting freethrows, stacking as many planes into a queue as possible, etc, etc. Their "battle of wits", as it were, eventually begins to involve their significant others. Unfortunately the respective wives (Blanchett and Jolie) are seemingly little better than pawns in Nick and Russell's bizarre and meaningless mind game. They don't have much depth of character, nor any wants/desires of their own (beyond the superficial), and, as a result, you don't really care what happens to them.

So, in short, Pushing Tin isn't that funny (though I seem to remember it being billed as a comedy) nor is the story engaging enough to be considered a good drama. As noted in my header, it's not a bad movie, but it isn't that good either. Worth a rental if you've seen everything else.

I rate it 5/10.

Pushing Tin takes a unique subject matter, a job that affects almost everyone in America, and compelling lead character in the midst of a moving internal struggle and absolutely ruins it. Why did the director and/or producer have to try and make Top Gun for Air Traffic Controllers? The first scene of this movie was so laughable I almost walked out. These filmmakers adapted this movie from an article, as the opening credits state. Too bad they used the Hollywood cookie cutter to do it. Mr. Cusack and Mr. Thornton are enjoyable as usual and so was Ms Blanchett, unfortunately that is not enough.

PUSHING TIN (1999) ***

Starring: John Cusack, Billy Bob Thornton, Cate Blanchett, Angelina Jolie, and Jake Weber Directed by: Mike Newell Running time: 124 minutes Rated R (for language, and some sexuality/nudity)

By Blake French:

"Pushing Tin" is really nothing more than a very interesting character study that maintains support from its script to succeed. So many movies these days have well-written characters but not the thriving screenplay to back them up. At last, we can enjoy a film with strong comic performances, smart dialogue, and an engaging atmospheric environment.

The film stars John Cusack as a hot shot air traffic controller named Nick Falzone, nicknamed "the zone" because he is truly the best at his profession. He lives in New Jersey with his happy housewife, Connie, and their son. (who is seldom mentioned or seen.) He has an intense, stressful work life, enjoys having fun with his co-workers, and seems to have a pretty optimistic look at life.

All things change, however, when Nick meets his new neighbor, Russell Bell. He's a roughneck motor cycle-driving, quiet and challenging man who really needs to shave. Nick immediately feels tension between Russell and himself. And it just so happens that Russell is also an air traffic controller, making things even more competitive between these two individuals. The two soon begin efforts to try to impress the other, in and outside the job.

The personal battles between Nick and Russell soon put each of them in bed with the opposite's wife. Nick is the first to commit adultery when he falls for Bell's highly attractive young wife, Mary. While he meant well, by taking her out for dinner after observing Mary sobbing at the grocery store, when they got home, things obviously got out of hand.

The movie is very detailed both in the workplace and in its colorful, intriguing characters. The original tasting flavor of being placed in an air traffic control tower is quite captivating. The characters stare at the plane monitors like children at a television screen while playing a video game. The characters themselves are relevant, ordinary people, which is why they are so easy to relate to. Even though some of their personalities and motives are instantly obvious, we still have lots of fun watching their everyday living style

While some comedies would eventually regulate into a formalistic climax and follow predictable events, "Pushing Tin" is too smart for that. The ending is happy and light hearted, but it's most of the fun getting there. Mike Newell, director of "Four Weddings and a Funeral," knows exactly what he wants out of the actors here, and they do exceedingly well at giving what he requires. Each fits their character perfectly, especially Cusack, Jolie, and contributing an Oscar worthy performance, Thornton.

"Pushing Tin" offers a variety of characters and contrasts them effortlessly. In particular, during a just-for-fun basketball game, Nick makes a sudden bet for $100 that Russell can not make a hoop from a certain point in the court. Russell excepts. Nick nervously changes his gamble to fifty cents, but Russell stands firmly on the original amount. He shoots...and misses. "Close enough, Russell," pardons Nick, "Lets call it even." Russell walks over to him manly and states "You either make it or you don't," as he hands Nick the cash promised. The chemistry between these characters is as effective as pouring oil in to water. And that is exactly how it is designed to be.

Brought to you by 20th Century Fox.

Another brilliant performance by John Cusack, and an equally cool one by Billy Bob Thornton. These two actors work so well together, and provide a superb onscreen chemistry. There's some lovely visuals in there too, especially of the traffic control screens, or the standing on the runway video.

The story is sometimes odd, and the characters derail in the wierdest fashion, but it's a nice story and has a message for all competitive people out there. You won't laugh insanely, but you'll giggle. A very enjoyable film.

`Pushing Tin' concerns two air traffic controllers. One is Nick Falzone, played by John Cusack, who as the hotshot of his workplace is happily married to one Connie (Cate Blanchett) with two kids. Into his life comes the notorious new air traffic controller Russell (Billy Bob Thornton) with his beautiful wife Mary (Angelina Jolie). The two men do not react well to one another and spates of jealousy and male rivalry, with consequences, ensue..

To it's credit `Pushing Tin' at least has an original setting - I can't recall another movie about air traffic controllers. Of course its merely a premise for male ego bating, a long running plot concept of countless movies. Here the bating takes place in trying to outdo one another in all aspects - work, social esteem and even with one another's wives. This leads us to the comedic events of this comedy. The comedy here is very soft, as the movie has a more comedy/drama mould to it than being ostensibly an all out comedy. Cusack's performance here is quite manic, as he winds himself up trying to outmatch his peer. As usual it's also quite good - Cusack has a great sense of being an actual character rather than an actor portraying a character. He works very well with the material he's given portraying a character that - while not as well drawn as his roles in such movies as `High Fidelity' and `Grosse Point Blank' - is nonetheless flawed, but still worthy. Thornton's character is the laconic counterpoint, laidback about the situation for most of the time but with a sense of energy and vitality brimming beneath. Thornton once again turns in a neat performance, with just enough character embellishments and detail to lift his character from blandness into quasi-life. Unfortunately Blanchett and Jolie - as the objects of affection - can do little with their limited material and serve merely as surfaces for the two leads to bounce off.

The problem with the movie lies in the pacing of the script. Considering the intensity of the job, there's no pressure ever evident in the movie in either the script or direction (courtesy of Mike Newell). Even the manipulation of planes, using some graphics and actual plane shots, lacks any urgency. Thus the comedy tends to amble along to a rather drab finale. The drama elements are adequate and the performances flesh out the characters, but there's not enough originality to make it avid viewing. Therefore you'd expect the comedy elements to balance it out. Alas, while there're some smiles to be had, there's very few laughing aloud moments. Sure the characters neuroses and clashes can create some amusing sparks but they're not frequent enough, nor sharp enough to sustain this movie as a comedy. Thus, overall, the movie is grand and passable but there's nothing to really warrant much of a look in, except to see the works of two strong Hollywood actors. 5/10.