All the Little Animals

First, I want to say that- if you are by any chance the director or writer or producer or anyone who worked on this film, please contact me for a job working with you, I want to work in film and this is a prime example of what I love to see at the cinema. I was in luck that, for the Palm Beach Film Festival, one of the films was cancelled and "All the Little Animals" was substituted. I have always loved Christian Bale's acting, and he is really great in this one- but the entire film is beautiful and captivating. The cinematography is gorgeous, from the streets of London to the forest where much of the film takes place- I especially loved a castle resting magically on a hilltop and dreamlike sequences where Bale's character is floating down a river holding a fox. This is indeed a film about little animals- mainly ones that are found dead on the street. This is a risky film in that it tries to balance fantasy and adventure with true horror (I guess that qualifies it for the "classic" fantasy genre of story books in which the endings were not always happy and the events were sometimes brutal)- making it very questionable for small children. I have rarely been so shaken by suspense at the movies as I was toward the awesomely climactic final scenes here. There is a human villain in this film who is so outrageously, perversely evil that he will come off as a joke for those who are not scared to death by him. I was. John Hurt is quite wonderful too, as an old hermit who befriends Bale. I do not want to spoil the plot- but I will say that it involves many a dead animal- and the moral theme that animals are as beautiful, if not more, than people (from the giant beasts down to microscopic ones). I got the feeling half way through this film that the late Jim Henson would have loved this - it is not unlike the "Storyteller" films that he directed for television in the late 80s, in which John Hurt played the narrator. In fact, the Hurt character is quite similar to the one he played in those as well. Here is a film that is great to look at, terrifically acted and written, and very moral. It is the best film I have seen yet this year.

I was excited to see a John Hurt and Christian Bale film when cruising Prime one day.

I put it on that evening alone in my flat at around midnight whilst working on a project. The prime synopsis read: "Bobby (Christian Bale) runs away from home to escape his violent stepfather. He's taken in by a reclusive older man (John Hurt) until the two of them must confront Bobby's stepfather. Christian Bale is a standout in this dark moral fable."

I didn't research further as I didn't want anything spoiled. Of course, elsewhere online it states that the father kills all of Bobby's pets, prompting his escape.

As the movie made it past the first 10 minutes, I knew that it was not what I was expecting. I was ready for a heartwarming tale of a boy growing up and learning, with the help of a hermit, how to stand up to his stepfather.

I was met with a horror movie. With my cat beside me, we powered through this depressing, chaotic, and angering film. There is nothing particularly wrong with the acting, or the writing, or the cinematography, or the directing. But the subject matter is loaded. You will be yelling at the television at multiple points. I will not spoil any additional plot points as my review is more of a warning.

I have now read the book and learned more about the author-but I don't think I can ever watch the film again. Please proceed with caution when watching this film, as it will take a lot out of you.

It seems that most child actors don't transition well as they mature. They either end up with childish physical features or an acting style that suffers from an inability to evolve past the primitive roles they had in their youth. Then there's Christian Bale. From Empire of the Sun to American Psycho he has displayed a competent transition into adulthood and has made a fan out of me. And unlike female fans, guys who like Christian Bale, nine times out of ten, are not transfixed on the shower scene in AP.

All the Little Animals is yet another competent performance, and not only from Christian, but for the impeccable John Hurt and the terrifying Daniel Benzali. Christian Bale plays Bobby Platt, a twenty-four year old man child. He tells us that when he was younger he was hit by a car and has never been the same since. Bobby is very emotionally fragile and slightly simple minded, though not to the degree of a virtual on screen degenerate. This is the key to his performance. Most actors playing the role of the mentally handicapped overplay the affliction thus making their characters completely incapable of functioning in society, a la Rainman. Christian's Bobby Platt is 95% normal, like any other person, but when stressed he starts to cry, more like a 10 year old child than a 24 year old man. Coupled with the fact that he is relatively simple and not capable of expressing himself as well as he otherwise would, he ends up being victimized by his step father (played perfectly by Daniel Benzali), whom Bobby refers to as "the Fat." Benzali's character is a sadist who suffocates Bobby's pet mouse in order to get Bobby to sign legal documents which Bobby is clearly not capable of understanding. Bobby has enough intelligence to refuse to sign anything and out of fear of the Fat's threat that he will be institutionalized he runs away from home.

Bobby eventually comes across Mr. Sommers (John Hurt) who is an eccentric recluse who goes around Englands small country roads burying animals that have been crushed by motorists. Bobby begs Mr. Sommers to let him live with him and Mr. Sommers reluctantly agrees.

As the story unfolds, Bobby becomes comfortable enough with Mr. Sommers to reveal his secret (that he has run away) and Mr. Sommers likewise tells him of his own, strangely similar past which I will not reveal. Realizing that running away from the Fat is not a solution to Bobby's problems, Mr. Sommers convinces Bobby to return to the Fat, sign the legal documents and then live with Mr. Sommers without any more fear of his stepfather. However, Mr. Sommers is a bit naive about dealing with the Fat who reveals in the last 20 minutes of film just why he may very well be one of the most evil stepfathers of all time.

The ending is unfortunately predictable and unnecessarily long. Also, far too much of the film focuses on Mr. Sommers curious "work" of burying road kill. This would not be so bad had there been more of a story line. Also, this film propounds a simplistic moral message about life being precious. Yet the ending completely undermines this moral absolute.

This film is plot driven, and not a character study, and therefore the good performances are not enough to make this film worthy of greater praise. If not for the powerful acting this film would be merely mediocre.

A mentally slow boy is threatened to sign his dead mother's store to his completely evil stepfather. Afraid of his stepfather he runs away from home and meets an old hermit who believes that all animals and life is of great importance. He spends his days cleaning up the roadkill on the road and giving the dead animals proper burial. The young boy decides to help the old man and is allowed to live with the old man, but is afraid that the stepfather won't stop looking for him until he gets the store. A very unusual and different story. I really liked it. The superb acting by the entire cast also helps make this a memorable little flick. Daniel Benzali makes a truly frightening stepfather. **1/2 out of ****

I came across this film from a review by Roger Ebert. I have grown to respect his opinions most of the time. It was also a big motivator to check out to see Christian Bale and John Hurt on screen together. I'm a fan of both of them. The film starts out well with a good introductory to Bale's character caring for his mouse which he must keep hidden from his step father. However the second the step father appears and comes across as a James Bond villain or Darth Vader, especially with the over bearing music, I began to get concerned. Evil step father's are often poorly portrayed in films and are over the top but this one takes the cake. It was just ridiculous. Pretty much every character was over the top and felt over exaggerated. You could make a drinking game off of how many times Bale cries in this film. It just seemed the director was stereotyping mentally challenged people as crying a lot. Even John Hurt, arguably one of the best Shakespearean actors of all time, looks weak in this film. Of course it isn't the actors faults. We all know that Bale and Hurt are amazing talents. It's clearly the fault of an inexperienced director who definitely has not learned the art of subtlety. The concept was interesting and could have lead to a good story in the right hands. In these hands though the narrative is unfocused and poses to be meaningful but in the end isn't. There are plot points that come up that are out of place and have no real point in the film. Towards the end of the film, the whole thing goes off of the deep end. We go into pure fantasy with the step father turning into the equivalent of a comic book super villain. He apparently has the strength of a few men, is unfazed by injury, and can punch through glass windows. It was just so ridiculous. There are so many directions this film could have gone in and they took the worst route imaginable. I really have nothing good to say about this movie other then that Christian Bale and John Hurt did an okay job given that they clearly had nothing to work with. Though it's interesting to look at Bale's performance in this and lay it beside his eerily comedic role in American Psycho, which came out only a year later. If you look at both performances side by side you can see that Bale has an incredible range.