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Un giovane avvocato appassionato e idealista difende un prigioniero di Alcatraz accusato di aver ucciso un compagno di prigione. Le circostanze attenuanti: il suo cliente aveva appena trasco... Leggi tuttoUn giovane avvocato appassionato e idealista difende un prigioniero di Alcatraz accusato di aver ucciso un compagno di prigione. Le circostanze attenuanti: il suo cliente aveva appena trascorso più di tre anni in isolamento.Un giovane avvocato appassionato e idealista difende un prigioniero di Alcatraz accusato di aver ucciso un compagno di prigione. Le circostanze attenuanti: il suo cliente aveva appena trascorso più di tre anni in isolamento.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 2 candidature totali
William H. Macy
- William McNeil
- (as Bill Macy)
Alex Bookston
- Alcatraz Doc
- (as Alexander Bookston)
David Michael Sterling
- Inmate Rufus 'Ray' McCain
- (as David Sterling)
Recensioni in evidenza
How Kevin Bacon didn't get an Oscar, let alone a nomination is beyond me. What is wrong the the Academy? it was a better performance than Tom Hanks in Forrest Gump, I was moved to tears by the man, it's a heartbreaking performance. He should have been nominated for 'The Woodsman' as well. Great actor. But i have to say it's not an easy watch, and the violence is relentless, it reminds me of the time i once witnessed a boy get bullied at school, it just never ended and i remember feeling awful for the poor chap, the fact that it's a true story just makes me shudder. Gary Oldman gives one of the most hateful performances i've ever seen while Slater shows depth as the lawyer trying to get him out of prison as early as possible.
This is clearly Kevin Bacon's best performance. It's a shame he was not nominated for an academy award for his role. A truly emotional movie that ranks among the top Alcatraz movies made! Gary Oldman also puts in a very solid performance. Christian Slater plays a youthful, inexperienced attorney to perfection.
In showing another side of Alcatraz the movie breaks away from typical escaped based Alcatraz films. While "Escape from Alcatraz" may still be the top movie in this topic area, "Murder in the First" provides a new twist that involves a different type of drama. Kevin Bacon was surely jilted for not being nominated here!
In showing another side of Alcatraz the movie breaks away from typical escaped based Alcatraz films. While "Escape from Alcatraz" may still be the top movie in this topic area, "Murder in the First" provides a new twist that involves a different type of drama. Kevin Bacon was surely jilted for not being nominated here!
Murder in the First is directed by Marc Rocco and written by Dan Gordon. It stars Kevin Bacon, Christian Slater, Gary Oldman, Embeth Davidtz, William H. Macy and R. Lee Ermey. Music is scored by Christopher Young and cinematography by Fred Murphy.
Slater stars as James Stamphill, an idealistic young attorney who is tasked with defending Alcatraz prisoner Henri Young (Bacon) who clearly murdered a fellow inmate. But what transpires is that Henri had just spent over three years in solitary confinement for attempting to escape the prison. It's evident, also, that Henri has been the subject of systematic violence perpetrated by sadistic Warden Milton Glenn (Oldman). Stamphill risks his career, and Henri's life, to put Alcatraz and the people in charge on trial.
Inspired by a true story, viewers should note that this is mostly a fictitious film. The truths are readily available on line so I will not waste space divulging the facts here. Suffice to say that Murder in the First is to be judged solely as a work of fiction. But what a film we get, a heart yanking, emotionally upsetting picture showcasing the evil that men do, filling out the narrative with alienation, cruelty, corruption and revenge driven murder. The dehumanising effects of prison abuse has never been so touchingly portrayed as it is here by Bacon, it's a haunting and vivid portrayal of a man pushed to the limits of sanity, a guy living in the dark recess of hell, struggling with every breath to come out into the light. An astonishing performance that once again in Bacon's career was ignored by his Academy peers.
Whilst high on emotional wallop, and some scenes really are tough to watch, the film falls shy of brilliance on account of standard fare for the courtroom sequences. Nothing bad but there's a dramatic thrust missing, and it's not Slater's fault, who is good at being sincere and humanist, the script doesn't provide enough thunder in the trial, in fact often it's too low key for its own good. We get a great snippet of what we are missing as Oldman (another great turn as a angry bastard) loses his cool, but more stomping, shouting and legal soul picking was needed.
Tech credits are very good. Rocco has a good sense of claustrophobic atmosphere, the scenes in the bowels of the prison perfectly portray Young's disorientation, the dank, dark and wet surroundings in keeping with the prisoner's state of mind. The director also favours an impressive roving camera technique that serves the story well. He also slots in a couple of noirish reflection scenes, one sees Glenn lose his cool while shaving and smash the mirror, the result is a distorted reflection, a showing of a fractured psyche. The other sees a prison visit between Stamphill and Young separated by a piece of glass, their respective reflections at first coming off as grotesque, but then slowly blending into one, a sign that maybe lawyer and prisoner will eventually sing from the same song sheet? It's a film that has found its way on to some neo-noir lists, visually and thematically as regards Bacon's character, that is fair enough.
Elsewhere. Murphy's photography is a key component to the tonal flow of the story, while Young's score is a real treat, criminally forgotten it relies on strings and choir for emotive means and succeeds exceptionally well. In support Macy and Davidtz do well with thinly written parts, but Ermey is a joy as the blunderbuss judge presiding over the trial. Nice to see Brad Dourif in the mix as well, even if we ultimately hanker for more of this great character actor. In a year that saw high end emotional drama released with Dead Man Walking and Leaving Las Vegas, Murder in the First sadly had some of its thunder stolen. Which coupled with the fact many refused to accept it fictionalising the Henri Young/Alcatraz story, saw it slip away until the World went internet crazy and it got rediscovered. It deserves to be found still some more, so seek it out film fans. 8/10
Slater stars as James Stamphill, an idealistic young attorney who is tasked with defending Alcatraz prisoner Henri Young (Bacon) who clearly murdered a fellow inmate. But what transpires is that Henri had just spent over three years in solitary confinement for attempting to escape the prison. It's evident, also, that Henri has been the subject of systematic violence perpetrated by sadistic Warden Milton Glenn (Oldman). Stamphill risks his career, and Henri's life, to put Alcatraz and the people in charge on trial.
Inspired by a true story, viewers should note that this is mostly a fictitious film. The truths are readily available on line so I will not waste space divulging the facts here. Suffice to say that Murder in the First is to be judged solely as a work of fiction. But what a film we get, a heart yanking, emotionally upsetting picture showcasing the evil that men do, filling out the narrative with alienation, cruelty, corruption and revenge driven murder. The dehumanising effects of prison abuse has never been so touchingly portrayed as it is here by Bacon, it's a haunting and vivid portrayal of a man pushed to the limits of sanity, a guy living in the dark recess of hell, struggling with every breath to come out into the light. An astonishing performance that once again in Bacon's career was ignored by his Academy peers.
Whilst high on emotional wallop, and some scenes really are tough to watch, the film falls shy of brilliance on account of standard fare for the courtroom sequences. Nothing bad but there's a dramatic thrust missing, and it's not Slater's fault, who is good at being sincere and humanist, the script doesn't provide enough thunder in the trial, in fact often it's too low key for its own good. We get a great snippet of what we are missing as Oldman (another great turn as a angry bastard) loses his cool, but more stomping, shouting and legal soul picking was needed.
Tech credits are very good. Rocco has a good sense of claustrophobic atmosphere, the scenes in the bowels of the prison perfectly portray Young's disorientation, the dank, dark and wet surroundings in keeping with the prisoner's state of mind. The director also favours an impressive roving camera technique that serves the story well. He also slots in a couple of noirish reflection scenes, one sees Glenn lose his cool while shaving and smash the mirror, the result is a distorted reflection, a showing of a fractured psyche. The other sees a prison visit between Stamphill and Young separated by a piece of glass, their respective reflections at first coming off as grotesque, but then slowly blending into one, a sign that maybe lawyer and prisoner will eventually sing from the same song sheet? It's a film that has found its way on to some neo-noir lists, visually and thematically as regards Bacon's character, that is fair enough.
Elsewhere. Murphy's photography is a key component to the tonal flow of the story, while Young's score is a real treat, criminally forgotten it relies on strings and choir for emotive means and succeeds exceptionally well. In support Macy and Davidtz do well with thinly written parts, but Ermey is a joy as the blunderbuss judge presiding over the trial. Nice to see Brad Dourif in the mix as well, even if we ultimately hanker for more of this great character actor. In a year that saw high end emotional drama released with Dead Man Walking and Leaving Las Vegas, Murder in the First sadly had some of its thunder stolen. Which coupled with the fact many refused to accept it fictionalising the Henri Young/Alcatraz story, saw it slip away until the World went internet crazy and it got rediscovered. It deserves to be found still some more, so seek it out film fans. 8/10
This was a very entertaining film about the horrible treatment of a certain prisoner at Alcatraz named Henri Young who robbed a store for five dollars ($5.00) and was sent to prison. Henri Young was played by Kevin Bacon who did a fantastic job of acting and captured your attention through out the film. There were many scenes filmed on the Island of Alcatraz and some old time footage of the first time Warden of Alcatraz, James R. Johnston. Christian Slater, (James Stamphill) was the lawyer assigned for Henri Young's defense, who had a hard job trying to rehabilitate his client so he could stand trial and even speak a few words. Young was in such bad shape mentally from being put into the solitary confinement for three (3) years, he was like an animal instead of a human being. This Hollywood version is not all completely true about Henri Young, he really had a long history of crime and mental problems. However, this film is very entertaining and Kevin Bacon put his heart and soul into this role. Enjoy.
Having caught up again with this film on t.v., I can only support all other commentators who have observed how utterly ridiculous is the American Academy Award system for not having even nominated the utterly brilliant performance by Kevin Bacon in this film for the best actor award, let alone in not giving him the damned thing! I am always impressed by whatever Kevin Bacon does, and am constantly surprised that he is one of those stars who always seems to creep under the public's radar of appreciation and awareness. As to the comments about the film not exactly being the "true" story of Henri Young, there again it always come down to the precise meaning and interpretation of a film's initial caveat of "inspired by a true story". Certainly, the film will have me searching the internet for more of the "true" facts of this harrowing story. And whether exactly the film was totally "true" or not, as any visitor to Alcatraz (as I have been myself) can tell you, just imagine yourself in any part of that prison in its heyday and say whether any filmic representation needs to be totally 100% accurate to convey the horrendous nature of what it must have been like there. Returning to the antics of the members of the U.S. Academy Award, their failures over this Kevin Bacon performance remind me of the time they robbed Cate Blanchett for her out of this world outstanding performance in "Elizabeth" in favour of that whimpering blonde piece of fluffy air Gwyneth Paltrow for the paltry "Shakespeare in Love".
Lo sapevi?
- QuizKevin Bacon lost twenty pounds to play Henri Young.
- BlooperHenry Young didn't go to Alcatraz for "stealing 5 dollars." In real life, he was both a bank robber and a murderer, and had already been in at least two state prisons before landing at Alcatraz.
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- Citazioni
James Stamphill: Did you kill Rufus McCain?
Henri Young: I was the weapon, but I ain't no killer.
- Curiosità sui creditiThis Film is Inspired by a True Story
- Versioni alternativeThe Blu-ray has the opening 2003 Warner Bros. Pictures plaster.
- ConnessioniFeatured in Siskel & Ebert & the Movies: Memo to the Academy - 1995 (1995)
- Colonne sonoreTuxedo Junction
Written by Erskine Hawkins, William Johnson, Julian Dash, and Buddy Feyne
Performed by The Andrews Sisters
Courtesy of MCA Records
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- Murder in the First
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Botteghino
- Lordo Stati Uniti e Canada
- 17.381.942 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.719.188 USD
- 22 gen 1995
- Lordo in tutto il mondo
- 17.381.942 USD
- Tempo di esecuzione
- 2h 2min(122 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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