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Johnny Mnemonic

  • 1995
  • T
  • 1h 43min
VALUTAZIONE IMDb
5,6/10
78.866
LA TUA VALUTAZIONE
POPOLARITÀ
4546
987
Keanu Reeves in Johnny Mnemonic (1995)
Trailer for Johnny Mnemonic
Riproduci trailer2: 15
2 video
99+ foto
Cyber ThrillerCyberpunkActionDramaSci-FiThriller

Un corriere di dati, che trasporta un pacchetto di dati nella sua testa, deve consegnarlo prima di morire o di essere ucciso dallo Yakuza.Un corriere di dati, che trasporta un pacchetto di dati nella sua testa, deve consegnarlo prima di morire o di essere ucciso dallo Yakuza.Un corriere di dati, che trasporta un pacchetto di dati nella sua testa, deve consegnarlo prima di morire o di essere ucciso dallo Yakuza.

  • Regia
    • Robert Longo
  • Sceneggiatura
    • William Gibson
  • Star
    • Keanu Reeves
    • Dolph Lundgren
    • Dina Meyer
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,6/10
    78.866
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4546
    987
    • Regia
      • Robert Longo
    • Sceneggiatura
      • William Gibson
    • Star
      • Keanu Reeves
      • Dolph Lundgren
      • Dina Meyer
    • 209Recensioni degli utenti
    • 109Recensioni della critica
    • 36Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 3 candidature totali

    Video2

    Johnny Mnemonic
    Trailer 2:15
    Johnny Mnemonic
    What Roles Has Keanu Reeves Turned Down?
    Video 3:12
    What Roles Has Keanu Reeves Turned Down?
    What Roles Has Keanu Reeves Turned Down?
    Video 3:12
    What Roles Has Keanu Reeves Turned Down?

    Foto172

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    + 166
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    Interpreti principali40

    Modifica
    Keanu Reeves
    Keanu Reeves
    • Johnny Mnemonic
    Dolph Lundgren
    Dolph Lundgren
    • Street Preacher
    Dina Meyer
    Dina Meyer
    • Jane
    Ice-T
    Ice-T
    • J-Bone
    Takeshi Kitano
    Takeshi Kitano
    • Takahashi
    • (as Takeshi)
    Denis Akiyama
    Denis Akiyama
    • Shinji
    Henry Rollins
    Henry Rollins
    • Spider
    Barbara Sukowa
    Barbara Sukowa
    • Anna Kalmann
    Udo Kier
    Udo Kier
    • Ralfi
    Tracy Tweed
    Tracy Tweed
    • Pretty
    Falconer Abraham
    • Yomamma
    Don Francks
    Don Francks
    • Hooky
    Diego Chambers
    • Henson
    Sherry Miller
    Sherry Miller
    • Takahashi's Secretary
    Arthur Eng
    • Viet
    Von Flores
    Von Flores
    • Viet
    Victoria Tengelis
    • Pharmakom Receptionist
    Warren Sulatycky
    • Yakuza Operator
    • Regia
      • Robert Longo
    • Sceneggiatura
      • William Gibson
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti209

    5,678.8K
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    10

    Recensioni in evidenza

    scott_m

    I cut this movie a lot of slack because it is based on a W. Gibson short story.

    Why does everyone hate that movie so much!?! All the reviews I have read called it "confusing". How could it be confusing?

    1. Takes place in a world created in William Gibson's many works of fiction. 2. Man has data in head. 3. Others REALLY want data. 4. Man tries to get data out of head before it kills him -- or the people chasing him do.

    Along the way there are some colorful characters, cool gadgets and cityscapes from Gibson's 2021, and even a smidgen of romance (but not enough to bother anyone). I mean what's the problem!?! The movie is very faithful to Gibson's vision and even asks the main character to wrestle with an ethical dilemma or two while all the action is going on...
    raygirvan

    Gibson doesn't translate well to film

    This is not a terrible film as claimed, but it had faults: poor pacing; weak atmosphere (visuals were there, but insufficient music track to back them up); and its largely unexplained universe.

    Ideally, you need to have read Gibson's short stories and "Neuromancer" first, and then all the props - cyberspace, 'black ice', grubby streets, brand-name hardware, Yakuza assassins, muscle grafts, etc - make sense. The "Blade Runner" style information dump was no substitute. Incidentally, many of these props appear cliched, but remember that Gibson more or less invented them; it's merely that this film appeared long after they had become standard movie fixtures.

    Gibson's written work has fairly sparse dialogue, and makes heavy use of precise and rather introspective visual description to convey character. Perhaps this just doesn't translate well to film.
    7m0rg16

    Why do I keep coming back to this movie?

    I saw half of this movie on television once, and since I am a avid sci-fi fan, the story intrigued me. A couple of weeks later I went out to pick up a copy of this movie for myself, and ever since I've been watching it every now and then. Not every month, but at least once every 4 or 5 months. Sometimes more. There's just something about it that I like. Well, lets start from the beginning:

    It is the year 2021 and the world has been taken over by large coorporations that do pretty much what they want to. Most of them are out to make money, however, and will do anything to achieve that goal. One of these coorporations is PharmaCom, a coorporation that deals in medicine and exists pretty much all over the world. From Beijing to Newark. 'Johnny' is a Mnemonic courier who carries an implant in his brain which allows him to carry a large amount of data there. But when he accepts a job where he is overloaded with data, he is not only experiencing trouble with getting rid of the data, but also finds that several bounty hunters and crime organizations are after his head and the information stored within. Over 24 hours he jumps around in the city of Newark, trying to find a way to get rid of the data and the bounty hunters.

    A touch in this movie that many might recognize from the film 'The Matrix' is that in this movie they tend to hook themselves up to the internet, which has become a virtual reality like, àlà The Lawnmower man. But in the end of the film, Keanu's character completly hooks himself up to the internet for a short amount of time, walking around in it and controlling his actions as if he was in another world. Pretty much like he did in the Matrix. Wierd, huh?

    The film presents a very interesting vision of the future. Coorporations, crime syndicates, virtual-reality, futuristic weapons and the like. The sets look authentic and the look and feel of the film is top-notch. The music seems to fit the mood at all times, too, which is a big plus. The characters are likeable and unique in their own way, but with one exception. Keanu Reeves plays 'Johnny' without any life or energy put into it and delivers his lines flat and in the most boring way. His worst acting job ever? Perhaps. You could tell he didn't like this movie very much.

    Overall, its a very interesting sci-fi flick which has its ups and downs. The upsides is the setting, the music, the vision of the future etc. etc. while the downsides are Keanu Reeve's acting and sometimes lack of interest in what happens next in the movie. I give it a 7/10.
    madsagittarian

    I'm in this movie.

    One Friday night in early 1994, I was one of the hundreds of extras who was hired to be moving scenery for this film. Basically, they convincingly turned Toronto's fabled Union Station into some post-apocalyptic hospice, in which we were all supposed to be shuffling around, getting food and suffering from some neurological disease. It's always amusing to see what filmmakers do to disguise Toronto as something else, to make it look like it takes place anywhere else other than (gasp) Canada. Still, whenever I go to Union Station, I am impressed with the makeover this location got.

    I was anxious to see whether I made in the final cut or not, but the film's release kept on getting pushed back and pushed back. That is a sure sign that the movie is going to be a turkey. Well, it isn't terrible. William Gibson expanded his own short story-- so much so that the film is actually a mess. A beautiful looking one, however. Longo and DOP Francois Protat do a serviceable job in capturing the "plastic noir" of the future. But ultimately the movie suffers from having too many ideas-- some of them ludicrous, many of them poorly developed. It doesn't help either that the drama of the piece relies on the thespian abilities of Keanu Reeves or Dolph Lundgren. Yikes! Even so, Henry Rollins is pretty cool.

    But for me, the great suspense was seeing whether or not I ended up on the cutting room floor. So for about two seconds, you get to see my face in a crowd shot. See? See? Wait! Damn!
    7Mike_Wiggins

    A Surprisingly Well Made Piece of Dark Sci-Fi

    Usually when you watch a sci-fi film, the first half usually piques your interest only to sink into a confusing and badly written second half ("Star Trek V" comes to mind.). "Johnny Mnemonic" has the unique distinction of having a rather bad first half being saved by the second half. There were moments of badly delivered lines and situations, which I fully blame the director for. There were cuts where the demeanor of Keanu Reeves changed confusingly. Again I blame the director and continuity supervisor. There was, IMHO, more gore than necessary. But that's a matter of taste. And, to make matters worse, I wasn't sure of what I was watching.

    There was a LOT of good things about the movie. It told a sci-fi story about a dark and bleak future....somewhat similar to "Blade Runner". And it did it well. There were an amazing amount of sets, extras, and really well done computer effects. There was even one really well filmed shot in a hospital that reminded me of the long scene from "Gone With The Wind" showing the dead and dying in the Atlanta train yard. Many of the secondary actors (especially Henry Rollins as "Spider" and Ice-T as "J-Bone") were surprisingly good and helped to raise my rating of the film from an initial 4.0 to an overall 7.0 rating.

    If you aren't into a lot of foul language and/or gore, I'd steer clear of this film. But if you want to see a surprisingly well made piece of dark sci-fi, this is a film worth giving a chance to watch.

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    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The script was rumored to have been dumped on the doorstep of Keanu Reeves' house, a tactic that piqued his interest, and led to him accepting the role of Johnny.
    • Blooper
      The date on the screen in the New Darwin Inn reads "Thursday, 17 January 2021". January 17, 2021, was a Sunday.
    • Citazioni

      Johnny Mnemonic: What the fuck is going on? WHAT THE FUCK IS GOING ON? You know, all my life, I've been careful to stay in my own corner. Looking out for Number One... no complications. Now, suddenly, I'm responsible for the *entire fucking world*, and everybody and his mother is trying to kill me, IF... IF... my head doesn't blow up first.

      Jane: Maybe it's not just about you any more.

      Johnny Mnemonic: Listen. You listen to me. You see that city over there? THAT'S where I'm supposed to be. Not down here with the dogs, and the garbage, and the fucking last month's newspapers blowing *back* and *forth*. I've had it with them, I've had it with you, I've had it with ALL THIS - *I want ROOM SERVICE*! I want the club sandwich, I want the cold Mexican beer, I want a $10,000-a-night hooker! I want my shirts laundered... like they do... at the Imperial Hotel... in Tokyo.

    • Versioni alternative
      In 2021, 26 years after its original release, Robert Longo has converted the film into a black & white version that is a bit closer to his original intention. That black and white version premiered at the Tribeca Film Festival.
    • Connessioni
      Edited into Twizzlers: The Movie (2015)
    • Colonne sonore
      Virus
      Written by Sascha Konietzko, En Esch and Günter Schulz

      Performed by KMFDM

      Courtesy of Wax Trax! Records Inc. / TVT Records

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    Dettagli

    Modifica
    • Data di uscita
      • 27 ottobre 1995 (Italia)
    • Paesi di origine
      • Canada
      • Stati Uniti
    • Lingue
      • Inglese
      • Giapponese
    • Celebre anche come
      • Fugitivo del futuro
    • Luoghi delle riprese
      • Casa Loma - 1 Austin Terrace, Casa Loma, Toronto, Ontario, Canada
    • Aziende produttrici
      • TriStar Pictures
      • Alliance Communications Corporation
      • Cinévision
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 26.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 19.075.720 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 6.033.850 USD
      • 28 mag 1995
    • Lordo in tutto il mondo
      • 19.077.036 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 43 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby SR
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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