Virtuality

..you know you're in trouble.

Russell Crowe is joyfully over the top as an escaped criminal from cyber-world. He makes the most of it, and its a good thing, too, since the rest of the people onscreen are so deadly boring that his coming to 'our' world in order to destroy seems like a good idea.

Denzel is at his most humorless and looks silly in a leather cop outfit - he looks like he's going to a Halloween party thrown by Ian McKellan. He is recruited to find Sid 6.7, who was inexplicably brought to this world by evil little Stephen Spinella, and kill him. Denzel had confronted Sid 6.7 in cyberworld and they didn't exactly share a laugh. Sid is many criminals all in one body, and by no small coincidence, one of them killed Denzel's wife and child.

Its very violent and even sadistic and you've seen it before, and if you didn't, you didn't miss out on that much. Crowe is a like "The Terminator" but with better clothes. Denzel is like Linda Hamilton who was equally one-note. Kelly Lynch is along for the ride, along with Louise Fletcher, William Fitchner, Kevin J. O'Connor and William Forsythe.

3/10, all for Rusty's chewing of the scenery. Someone had to keep the audience interested, so he did more than anyone else involved.

Virtuosity is by no means a great movie or a good movie. It is barely above average. That though is because of Russell Crowe's character: SID 6.7 who possesses over 150 serial killer personalities. He is just supposed to be used to train police but he escapes from his virtual reality to the reality. That sounds pretty interesting and this premise could be taken into many different directions especially since he is such a complex character you could go so many different way going about to make this film. Though this movie did not take the worst direction it did not take the best one. This movie went for pure action and no real drama or meaningful message. Now that is OK but it lacked in doing this because of the: The directing which was average by Brett Leonard. He made this into a very exciting TV movie which it is not. He had two very talented actors in Denzel Washington and Russell Crowe yet he was not able to generate the excitement and fast pace feeling that is needed to make a good action movie.

The writing is also at fault too. The writing was not great here. It seemed to have a lot of overused themes such as the cop trying to retain the high status that he used too have and also the idiot cops getting in the way. That is also OK but the dialog made this interesting idea into a movie that was not so unfamiliar. Not much originality in here despite having such a unique character. That is always the script's fault whenever this happens. The writing and directing just made this movie so frustrating to watch.

You cannot blame the acting. You could see that Denzel Washington, already an established actor at that time, and Russell Crowe, not established, really tried to push this movie forward. Yet there was little to work with which made them look really average.

This movie could have been much better if it was made more into a action/drama about the our inner battles. Considering that SID 6.7 had 150 personalities the storyline of his character could have made him have a battle within himself. Now this was done to a minor level which really annoyed me. They are many other ideas or methods that could have really made this movie something but of course this did not happen. It went for cheap effects, an over used clichéd storyline with a little bit of a twist. That may work for some people but not for me.

I'am giving this movie a 6/10 rating because it had so much potential.

This film is just plain silly. It catches Denzel Washington in one of his rare ultra-violence impulses (like Training Day). Newsflash: Washington is a premier actor wasted on a simple-mined character that just about second-rate actor in Hollywood could have played.

However, the hilarious, over the top performance of Russell Crowe as a cyborg gone berserk is a combination of Max Headroom and the rogue robot in Blade Runner. He steals the film, but cannot rescue the lame script and corny dialogue. Of course, being 30 years old, the film is a bit dated from a scientific standpoint, so we must accept the science that was available in 1995. Entertaining at times.

You can't help but like Crowe's gleeful portrayal of a schizophrenic nano-bot serial killer in this ridiculous film, and with futuristic fascists, pervey programmers and a bucket loads of virtual reality cyber nonsense, this should really be a winner in the style of The Demolition Man or the Robocop series. But where other films in the genre have used such tools as wit and plot to keep the more intelligent of the viewers amused, this film, um, hasn't.

The script is terrible. The acting (excluding Crowe, who only gets away with it thanks to a camp smile and some fortunate direction) is wooden. And the plot is illogical and frustrating.

In the near future, Parker Barnes (Denzel Washington) is an ex-cop who has been sent to prison for murder. The circumstances surrounding his crime are disheartening and elicit empathy. Now, he is offered a chance at freedom from prison. Parker must hunt down and destroy a murderous cyborg, SID 6.7 (Russell Crowe), who is menacing the general public after jumping out of a virtual reality program. The chase takes on many twists and turns as SID terrorizes, shoots and kidnaps victims in his path. Can SID be stopped?

It may not be a science fiction masterpiece, but this film is worthwhile and intriguing. A second viewing may be required to truly understand and appreciate its complex plot. Then, too, the marvelous special effects enhance the look and feel of the film. It is not Denzel Washington's finest hour (he is adequate); however, Russell Crowe is positively gleeful in his portrayal of the ultimately designed killing machine. There are some humorous moments, somewhat lessening the overall dark and somber tone. On the down side, the ending may be a little too pat and leave a few loose ends untied. Recommended for science fiction and action movie fans who are on the lookout for lesser known films that may satisfy them for an evening.