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This got shown on BBC 1 just before midnight so I was expecting another American TVM . But as it started I was slightly surprised to find THE INNOCENT SLEEP was a British thriller , unfortunately it`s not a very good one

The problem is that it`s not just run of the mill but also treats the characters as stereotypes . All homeless people are either Scottish or scousers except for one old gentleman who is of course very high class , and all of them without exception alkies . Gangsters are of course either cockneys or Italians who of course all smoke cigars . All policemen are either corrupt or stupid while all journalists are of course workaholics who leave no stone unturned as they crusade to cover the truth . As much as the plot tries to twist and turn you still find yourself expecting more from a modern British thriller . Maybe I`d have been better off with an American TVM

This enjoyable little thriller has an old-fashioned feel and is none the worse for that. Rupert Graves is surprisingly good as a Scouse drifter, sleeping rough near Tower Bridge, who witnesses a murder. Attempts to report the crime to the police go awry when he realises that the detective investigating the case is one of the killers.

The story is a lightly-fictionalised account of the P2 masonic lodge scandal that led to the fall of the Italian government in May 1981 after revelations of infiltration by members of the illegal masonic lodge. (P2 stands for Propaganda Due). Licio Gelli, the Master of the lodge, was a former fascist and CIA officer working in league with Roberto Calvi, the President of Banco Ambrosiano of Milan, who was already in prison accused of illicit export of capital.

One of Gelli's protégés was Michele Sindona, a banker connected with the Mafia, who had previously managed the funds of the Vatican and embezzled several billion lira. Sindona escaped to the US where he was apprehended and sentenced to 25 years imprisonment for fraudulent bankruptcy. (An inspector who had been making inquiries about him was mysteriously killed.)

As for Calvi, he was found dangling from a noose beneath Blackfriars Bridge in London, his pockets and waistband stuffed with bricks. Ever since, questions have persisted about how he died. At first, a London coroner concluded it was suicide. However, his son and widow, who live in Montreal, have doggedly tried to prove that Roberto Calvi was killed.

As chairman of Banco Ambrosiano, he was an influential financier who was nicknamed "God's banker" because of his close ties to the Vatican. In June, 1982, a year after being convicted of massive currency violations in Italy and with his bank teetering on collapse, he vanished. A week later, he was found hanging from scaffolding beneath Blackfriars Bridge, over the Thames. Banco Ambrosiano subsequently collapsed with enormous debts in a $1.3-billion (U.S.) bankruptcy.

This suspected murder forms the premise of Scott Michell's film. It is atmospherically photographed, largely at night (watch it with the lights out, or you won't be able to make out a thing) and benefits greatly from an excellent music score by the young British composer Mark Ayres, which recalls the work of John Barry at some points.

Appalling! There are plenty of excellent Liverpudlian actors who would have given the role far more authenticity and gravitas. There are certain accents that should never even be attempted by those who are from elsewhere. Aside from that, I have nothing against Rupert Graves, unless he's a Tory, and I thought that his performance in Turks & Caicos was superb.

I too caught this about midnight, not aware it was being shown and had missed first 15 minutes but thoroughly enjoyed its Britishness. Being a Londoner I found it captured the essence of a London police drama, albeit very stereotypically but with a charm long forgotten, but the locations were wonderfully captured and made me feel quite homesick (even though i'm a North Londoner by birth), it really did remind me of The Lavender Hill Mob or Dixon of Dock Green. It also reminded me of an episode from The Sweeney or dare I say it The Bill and these programmes still have great following. Rupert Graves gave a splendid performance as did the whole cast and wish I had seen it when first shown.

OK, hands up - I'm a fan of Rupert Graves. Ever since his "Scudder" in "Maurice" (1987) he has been able to do little wrong. Here, he is the likeable dosser "Alan" who accidentally witnesses a mob-style hit in London. The killers know someone saw them and so he must keep one step ahead as they close in. Luckily for him, the crime has attracted the attention of journalist "Billie" (Annabella Sciorra) but can she help keep him alive as he faces pursuit from bent copper "Matheson" (Michael Gambon) and his paymaster "Cavani" (Franco Nero)? As British crime efforts go, this is OK - a decent cast present a reasonably paced drama with just about enough twists and turns to keep it interesting. Sadly, though, the dialogue is straight out an episode of "The Sweeney"; Gambon is nowhere near his best and Nero features just a bit too sparingly to make much of an impact. The illuminated London skyline offers some added menace, and though the ending is really rather poor, director Scott Michell still takes a little time to try to develop the lead characters. No it's not great, but it is still quite a watchable effort.