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A very moving, beautifully-crafted film. As I have not read the book, I am unable to compare the two. But the movie is enough: the acting is wonderful, although we get only snippets of each actress/actor. The message is wonderful, and the soundtrack is equally touching. I would recommend this to anyone in love, or making a decision about love. Inspiration is abundant in this film about a young woman about to get married and in the process of building a house with her fiance. As she takes the summer away from him to write a thesis and stay with her Grandmother and Great Aunt, she finds them in the middle of making a quilt for her wedding. She also finds a very attractive young man, tempting her to cheat. What follows are stories told by and about each of the women in the quilting circle. The young women discovers that love is not perfect, and that you must take advantage of what you have, and that there is beauty in the known.

The thing with American Quilt, which you will especially notice if you have already read the book, is that it has a lot of contents to deal with in the ranges of a feature film. But Jocelyn Moorehouse obviously wanted to pack all the magic of the small stories of the women into this film, she wanted an entire quilt, full of bits and parts. It is only when understanding this that one can fully appreciate this wonderful piece. Fynn, escaping her partner and the life (marriage) probably unfolding before her, stays with her grandmother and -aunt for the summer. The serious young eccentric, a worried, messed-up hippie girl, confronts her future, her past and her present (dealing with gorgeous Johnathon Schaech chasing her with smiles and strawberries), when she dives into the life- and love stories told to her by the women in her grandmother´s quilting circle. The rest is magic. See the torture of love, the journeys of women and the revelations of grief and new beginnings, see what they hold dear, what will always stay with them, and learn what Fynn eventually comes to terms with: That life is not about perfection, it´s about balance, about putting the small things together, just like a quilt. So, okay, mechanically, Moorhouse really doesn´t have enough time for subtlety, and some characters and developments literally just fly by without any diving in. This will lead people to saying it´s superficial, but it´s not: It´s a journey, like looking out of a car window in another country: Just peeks. Bits. Parts. Parts of a quilt the movie leaves you to put together. If you do, like I did, it´s so moving and inspiring. Warm. The music of THE one-and-only Thomas Newman, the beautiful Winona Ryder, the charismatic ladies, the land, full of secrets and peace. This is what makes it special. Fast, but special. And the final highpoint, a literal "storm" that blows everything apart yet puts everything together, is a cinematic masterpiece, proof of heartfelt, imaginative work of both the writer and the director. They´re actually dreaming an ending together - just take this lovely movie in and stop bickering about reality. If you ask me.

Love, development and maturity all form the embroidery for this "more than a Hollywood drama piece" quilt, with stitching that matches the craftily, skilfully and fruitfully detailed needlework. From the needle of a great, star-laden ensemble, the patterns have been carefully but imaginatively sown into the wool - from a powerful exploration of human relationships to the torture of love, the journeys of women and the revelations of grief and new beginnings - there are many materials and colours used to form this quilt, and there is something that will appeal to everyone. Just like an American quilt, you too seem to become apart of the amazing, cathartic story lines, which weave together to make this cinematic masterpiece. It is evident that the embroiderer clearly knows how to make an American Quilt!

There are only two reasons to watch this film: Winona Ryder's wonderful (as usual) performance, and Janusz Kaminski's spectacular cinematography.

Ryder breathes life into Finn Dodd, portraying her as a charming, intelligent, and highly sensitive young woman struggling to define what love and commitment mean to her. Ryder is one of those few actresses who is able to relay a world of meaning in just her facial expressions alone. She's mesmerizing to watch onscreen.

Added to Ryder's enchanting performance is Academy Award winning cinematographer Janusz Kaminski's beautiful, flowing images. There are many tiresome flashback sequences in this film, but they are all worth seeing just for the artistic value of the photography. Kaminski makes wonderful use of fluid camera movements and grainy filters to capture the essence of each time and place portrayed. It's no wonder Kaminski won an Academy Award for his work in Schindler's List and will most likely win another for Saving Private Ryan.

Other than these elements, this film has very little going for it. The screenplay is muddled and jumpy, and there are far too many characters with far too many inconsequential flashback sequences that say very little about the nature of either love or commitment. The story concerns nothing more than a bunch of old women sharing completely one-sided and sexist sob stories. Like The Joy Luck Club and Waiting to Exhale, this film portrays men as little more than duplicitous, moronic, emotionally immature children who are incapable of either expressing true love or loyalty. It is a completely shallow look at adult human relationships and has nothing new or profound to say about anything.

As a male supporter of feminism and feminist artistic expression, it saddens me that films like this are, first of all, even made, and then marketed as movies that modern women should see and even cherish. There are many far better films about women and their unique experiences, the most recent one being a small film called High Art, written and directed by Lisa Cholodenko and starring Ally Sheedy in one of 1998's best performances.

This movie tells about men and women, and ties that bind them (us, I mean).

I haven't read the novel, and I'm the kind of person who believes that the movie is not to be compared with any novel who based it, because they're using different media. So the way I see it, it's a good movie. We can easily understand it's messages and sympathy with the characters.

Winona, by the way, appears to be a sweet girl who's having trouble following her 'advisors' ideas and wisdom. On the screen, she appears to be having quite difficulty matching these women's acts. We see her the way she is in 'Edward Scissorhand', or 'Reality Bites', or her other movies. Maybe because she's so sweet and pretty, and I was carried away with her big eyes. So I see her in this movie very usual and not special.

The movie itself is beautiful and sweet. The casts are nice. We ended up wondering about our relationships and ourselves.

A must see. Watch it with your close friends, spouse, or parents.