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IMDbPro

Giovani, carini e disoccupati

Titolo originale: Reality Bites
  • 1994
  • T
  • 1h 39min
VALUTAZIONE IMDb
6,6/10
56.140
LA TUA VALUTAZIONE
POPOLARITÀ
4507
626
Ethan Hawke, Winona Ryder, and Ben Stiller in Giovani, carini e disoccupati (1994)
Trailer for this coming of age comedy
Riproduci trailer2: 12
3 video
71 foto
CommediaCommedia romanticaDrammaRaggiungimento della maggiore etàRomanticismo

Una aspirante regista di documentari e i suoi compagni laureati della Generazione X affrontano la vita dopo il college, in cerca di lavoro e amore a Houston.Una aspirante regista di documentari e i suoi compagni laureati della Generazione X affrontano la vita dopo il college, in cerca di lavoro e amore a Houston.Una aspirante regista di documentari e i suoi compagni laureati della Generazione X affrontano la vita dopo il college, in cerca di lavoro e amore a Houston.

  • Regia
    • Ben Stiller
  • Sceneggiatura
    • Helen Childress
  • Star
    • Winona Ryder
    • Ethan Hawke
    • Janeane Garofalo
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    56.140
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4507
    626
    • Regia
      • Ben Stiller
    • Sceneggiatura
      • Helen Childress
    • Star
      • Winona Ryder
      • Ethan Hawke
      • Janeane Garofalo
    • 192Recensioni degli utenti
    • 55Recensioni della critica
    • 67Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 1 candidatura in totale

    Video3

    Reality Bites
    Trailer 2:12
    Reality Bites
    What Roles Has Winona Ryder Turned Down?
    Clip 3:13
    What Roles Has Winona Ryder Turned Down?
    What Roles Has Winona Ryder Turned Down?
    Clip 3:13
    What Roles Has Winona Ryder Turned Down?
    Reality Bites | Anniversary Mashup
    Video 1:31
    Reality Bites | Anniversary Mashup

    Foto71

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 65
    Visualizza poster

    Interpreti principali43

    Modifica
    Winona Ryder
    Winona Ryder
    • Lelaina Pierce
    Ethan Hawke
    Ethan Hawke
    • Troy Dyer
    Janeane Garofalo
    Janeane Garofalo
    • Vickie Miner
    Steve Zahn
    Steve Zahn
    • Sammy Gray
    Ben Stiller
    Ben Stiller
    • Michael Grates
    Swoosie Kurtz
    Swoosie Kurtz
    • Charlane McGregor
    Harry O'Reilly
    • Wes McGregor
    Susan Norfleet
    • Helen Anne Pierce
    Joe Don Baker
    Joe Don Baker
    • Tom Pierce
    Renée Zellweger
    Renée Zellweger
    • Tami
    • (as Renee Zellweger)
    James Rothenberg
    • Rick
    John Mahoney
    John Mahoney
    • Grant Gubler
    Eric Morgan Stuart
    • Damien
    • (as Eric Stuart)
    Barry Del Sherman
    • Grant's Producer
    • (as Barry Sherman)
    Chelsea Lagos
    Chelsea Lagos
    • Troy Groupie
    Bill Bolender
    Bill Bolender
    • Truck Driver
    Jubal Palmer
    • Player #1
    Marti Greene
    • Player #2
    • Regia
      • Ben Stiller
    • Sceneggiatura
      • Helen Childress
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti192

    6,656.1K
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    Recensioni in evidenza

    9kmedina518

    Resonates with me

    I really enjoyed this movie. Looking back in hindsight, I can see the selfishness of the characters, and I have read the complaints about this, but isn't that kind of the whole point of the movie? It's about people talking about not "selling out" while at the same time they ARE "selling out" in many different ways. They (the characters in the movie) are all consumers who satirize the very idea of "consumerism" but refuse to "stoop down to the level" of getting menial jobs to try and pay the bills. The movie defines for me how education isn't everything and from my own experience I have learned that sometimes the "great dream" (of being a writer, artist, musician, etc.) just doesn't pay the bills and in order to make decent money one may have to go into a field that is not originally their first choice as a means of employment. I remember being young and wistful, with dreams of being an artist, only to have to "settle" for an office job to make ends meet.

    The movie does express what life was like for me at the time. I was a naive student with dreams of producing great artistic work, but who learned that what is taught in college as "reality" is not really reality at all. College students are fed with lofty artistic statements and philosophies and are taught to analyze endless aspects of society, ideals, etc., and are taught that "knowledge and education are power" but are not taught that credibility and respect are things which must be earned and that very few people actually start out at the top of the career ladder.

    Overall, this continues to be one of my favorite films and I appreciate the myriad of messages that it sends, though they may, at times, be contradictory.
    dbistolaridis

    to think I once felt guilty for being a little disappointed...

    I first saw this movie when it came out in the theaters and I was a teenager myself, and I remember feeling a just a little shortchanged and even dirty, like I'd been manipulated in a way. I did enjoy it, but the reasons for enjoying it do not hold up today. Watching it again has been fun because looking at it through adult eyes, I am having fun seeing how easy it is to spot the dated qualities and outmoded philosophies that, as one reviewer said, were pretty much defunct by 2000, or maybe even by 1995-6.

    And it's not like I was some profound kid who had all this insight how mass media sells these ideas to young people...I bought into the whole "Seattle grunge" thing lock, stock and barrel, I thought guys with stringy unwashed hair and bad attitudes were totally hot, I wore crocheted vests, mood rings, and colored sunglasses with the best of them. So me thinking that something did not ring true must have been because it is pretty obvious that this movie is in essence a failure.

    1. The characters-The movie works really hard to make Troy be the better option for Leilana. For teenagers, he was totally sexy to watch on screen and totally swoon worthy, but his utterly obnoxious attitude, his rudeness to Ben Stiller's character, and his bullying just came off as unpleasant at the least, and his philosophy for not working are textbook definitions of a narcissist. Hearing some of his pseudo intellectual discussions are painful and embarrassing, because it is clear that the movie feels that young Gen X'ers embrace and admire such outlooks unequivocally and at face value. And kids were supposed to identify with this person? What an inconsiderate person, to stand up Leilana's father for the job interview and lead her to blame herself, and to embarrass women around him for being attracted to him. Any good friend and countless therapists would advise against having him as a boyfriend. The sad few seconds devoted to his dying father are not enough to redeem him or "understand" him.

    Bottom line, if Ethan Hawke was supposed to make this person somewhat sympathetic, he failed, or if he truly was supposed to be this unlikable, then good work.

    Leilana did come off as sympathetic and overall was well played by Winona, and her beauty is the one of the few things in this movie with true staying power. Her character does some pretty awful things, though. When her boss rudely rebuffs her video ideas, she humiliates him on air. When her friend offers her a job, she snaps at her. Instead of swallowing her pride and working at the gap for a bit, she resorts to the embarrassing "gas card" scene, which we are supposed to think is cute and rebellious. It is totally unconvincing that a "valedictorian" would ever be so irresponsible and immature, even if she had fallen on bad times.

    As for the other two, they are both well acted and likable, but seem to be added on simply to achieve a gritty "90's" edge, like HIV testing and coming out to your parents. Neither subplot is developed enough to give this movie the edge it craves. Both are attractive and funny, and Vicky especially projects a friendliness, sympathy, and is cute as hell in those throwback clothes.

    2. The Michael stuff really is a failure. Ben Stiller did a good job acting in this movie and came across as warm and real, but this movie is his work too. I guess a simple plot device would have been to make him more arrogant from the get-go so that he could seem like the "bad guy" but that would have been cheap. Either way, the movie does seem like it's trying to convince you that he either "betrays" Leilana or "doesn't understand her" the way Troy does, and it doesn't work. Those two had a positive chemistry and seemed to complement each other as characters. To make this a true coming of age and growing up story, Leilana should have either chosen Michael, who emphasizes growing up, taking responsibility for your actions, and change for the better, or decided to be on her own for a while to become a more mature person.

    3. The biggest failure of this movie, and in my opinion, the most dangerous, is how it elevates Troy's attitude as the noble one above all, as if being narcissistic and self-involved are desirable. Being that he is the hot guy of the movie and that the other characters seem to respond so positively to him, a young teenager is left with the message that this is the "new" way to be and that Michael's responsible and kind persona are "hypocritical" or "selling out." Leaving the theater back in '94, I was enjoying myself thinking about the romance between two good looking and stylish characters, but I couldn't really get into that part as much as I should have. Since I also really wanted to be cool and up to date, I was wondering if I should be acting or living like any of these characters, living in a flat with a guy who mooches off me, sleeping around with strangers, dancing at the gas station, etc. The movies have a lot more influence on young people than one thinks.

    In my gut, I felt two things: a-My parents would be horrified if I brought friends like that around and more frighteningly, b-I secretly would agree with them.
    7craigboney

    Breaks my heart every time

    I really do have difficulty with the short shrift this film seems to get. Admittedly, Ethan Hawke's appaling "I'm nuthin'" doesn't really do the film any favours but that asides, Reality Bites always has me in tears. The basic storyline, centering on a love that both people know exist but due to circumstance and fear has not manifested is so universal, and so well done. The 'my life is falling apart' endless phone calls to the psychic 0900 number part is so tragi-comedic, and the entire movie is full of continuous great scenes. Admittedly, being a single 25 year old white male who originally saw the film a few years back, I was probably caught at the optimal time for it to have an emotional impact, but I find myself going back to it again and again. Winona has never been better, and Janeane Garofalo is stunning as the low self-esteem serial one night stander with the AIDS paranoia and over-full shag book. Also, great cameos from the Soul Asylum geezer and Evan Dando's stunning turn during the end credits add to the film. Overall a stunning film, admittedly which will probably only be appreciated by a relatively narrow demographic.
    7HelenMary

    the film of the 90s Grunge generation

    I love this film; Ethan Hawke is brilliant and really does sum up the 'searcher' generation, the new Beat. Grunge in this film is typified by over-intelligent, under-achieving, dope induced philosophical musings and desire to make a difference but not knowing how to go about it in world where young people feel anonymous and disenfranchised and dealing with modern day issues; coming out, HIV tests, unemployment, friendship, love and life aspirations.

    I think this is perfectly cast, loads of familiar faces, and I think this is my favourite role of Winona Ryder. Steve Zahn and Janeane Garofalo were great and the comedy, and Ben Stiller (who also directed) is good despite being an atypical role for him, and is one of his best roles. Ethan Hawke, however, is the deserved lead in this snapshot of reality, and a showcase of his band/singing. This is a well cast and performed ensemble cast production, and there are truisms left right and centre; it speaks to the heart & soul and is relevant to the 90s generation and I'm sure has relevance to later decades and has - IMHO - aged well. It is super-funny, touching and enlightening; something for everyone who's young enough and old enough. Even after 20 years it's one of my favourite films and watching it gives me such a warm feeling.
    8g-bodyl

    Life After College!

    Reality Bites is a movie I can currently relate with, as I have been recently suffering through post-college trauma. The movie has such a relatable premise, but I feel it could have been just a little better. But watching the movie provided me with the feeling that I am not alone in this ordeal. The movie was written pretty well and this is Ben Stiller's directorial debut, so a movie like this is not a bad way to begin a directing career.

    Stiller's film is about a TV production assistant named Lelaina who is creating a documentary about post-grad life with her three friends: Troy who is a philosophical unemployed slacker, Vicki who is the manager of Gap, and Sammy who is trying to find his sexuality. When she meets Michael, an executive at an MTV-like studio, there is a chance her documentary can now go public.

    The film is reasonably acted. Winona Ryder does a pretty good job as Lelaina, even if she seems a little whiny. I liked Ethan Hawke's character as his philosophy reminded of his character in the Before Sunrise series. Ben Stiller had a limited role, but he did a solid job. I also like Steve Zahn as the man trying to find out who he is.

    Overall, Reality Bites is a decent movie because mainly it has a theme that people my age can relate to. The path to show this theme may not work as effective, but the movie was still mostly entertaining. I will say that the documentary shots got a little annoying at times, but the narrative itself is quite good.

    My Grade: B

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Ethan Hawke was at this point unhappy with the direction his career was taking. He recalled that his career was in a lull after the buzz from L'attimo fuggente (1989) had faded. Winona Ryder was a fan of his work and stipulated in her contract that her involvement in this movie was dependent on Hawke starring opposite her. She chose Hawke after seeing him in Vicino alla fine (1992).
    • Blooper
      When Vickie is writing in her notebook, she writes the date as being September 26. A few scenes later, Lelaina is speaking with Michael in his office and his computer has the date as being September 21.
    • Citazioni

      Lelaina Pierce: I was really going to be somebody by the time I was 23.

      Troy Dyer: Honey, all you have to be by the time you're 23 is yourself.

      Lelaina Pierce: I don't know who that is anymore.

      Troy Dyer: I do. And we all love her. I love her. She breaks my heart again and again, but I love her.

    • Curiosità sui crediti
      Shortly after the end credits roll begins, there's a short clip of Troy and Leilaina's relationship being made into a new show on a network.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: The Getaway/Blank Check/My Girl 2 (1994)
    • Colonne sonore
      When You Come Back To Me
      Written by Karl Wallinger

      Performed by World Party

      Produced by Karl Wallinger

      Courtesy of Ensign Records Limited

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    • How long is Reality Bites?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 9 giugno 1994 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • La dura realidad
    • Luoghi delle riprese
      • Houston, Texas, Stati Uniti
    • Aziende produttrici
      • Jersey Films
      • Universal Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 11.500.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 20.982.557 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 5.113.050 USD
      • 20 feb 1994
    • Lordo in tutto il mondo
      • 33.351.557 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 39 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
    • Proporzioni
      • 1.85 : 1

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