Ragazze a Beverly Hills

This movie is way above so many of the others of its' kind. It's consumately likable, funny, sweet and sharp- the script is a killer, and the acting is fun and enjoyable.

Part of the success of the film is due to the fact that it appeals to several different audiences, and on multiple levels.

I first watched this movie with my mom, who loved the link it has to Jane Austen's Emma- all the main characters and the plot are direct modern equivalents to the novel. For instance, the famous passage in Emma inwhich Harriet burns all her "mementos" of Mr. Elton becomes the scene where Tai does so infront of Cher's gasfire. From this perspective alone, the movie is so fun and sharp to watch- even if your forte isn't usually American Teen High School comedy!

But this movie works on a really dumbed down scale too- let's face it, not everyone is big on English literature. The movie has an awesome soundtrack, Paul Rudd is unbelievably cute as "Mr Knightly" or rather Josh- and my boyfriend leads me to believe that the same is true of Alicia Silverstone- who still sparkles 10 years later as a mid-nineties teen queen with good intentions, Cher. Her performance here is impossible not to warm too, unless you have some sort of grudge against Valley girls, inwhich case you might not like it so much. Seriously though, this film is a must see for anyone who likes some real quality comedy- I'm so fond of this film personally that I would suspect basically everyone would enjoy it.

"Isn't my house classic? The columns date all the way back to 1972."

When romantic high-school comedy Clueless (1995) was released, it was immediately vaulted into cult-status and firmly stapled as one of the most original teen-flicks of the 1990s. 'Original' is perhaps a term wrongly applied since it is based on the queen of romance Jane Austen's Emma (1815) . But what Clueless did was update the classic story by coating it with high school drama, teenage girls and shopping and sprinkle it with heavy doses of humour.

Emma is no longer Emma; she is Cher (Alicia Silverstone), a spoiled rich girl walking around in her Beverly Hills mansion in a bubble of stereotypes and teen-clichés -- but with a great big heart. So big-hearted, in fact, that she takes on the lost goofy new girl in her school to find her love and popularity, knowing full-well that it could destroy her own reputation. Clueless thus sees Cher and her best friend Dionne (Stacey Dash) on a mission to do good. Real good.

All the detours this mission entail are captured brilliantly in the film, taking the form of love-interests, parties, shopping and misunderstandings. From Cher's grumpy lawyer-father (an hilarious Dan Hedaya) and her nerdy step-brother (a likable Paul Rudd) to her eccentric group of friends at school, Clueless is a superb ride of teenage comedy camp. Only just over 10 years old, it is still extremely dated today. But no matter, because the 90s clichés like skateboarding, Marky Mark and the catch-phrase "As if" just make it so much more contemporary and fun to watch.

What elevates Clueless (1995) above generic high school comedy is its use of stereotypes. In most films they are unintentionally there to create a subconscious effect, but in Clueless they are made fun of to a much higher degree -- they are overblown and glorious. It brutally satirizes rich kids and their 'problems' and juxtaposes them with a classic, heart-felt love-story. The kind that only Jane Austen can write.

9/10

"Let's set 'Emma' in a modern high school!" Does this sound the obvious kind of movie gimmick that everyone uses nowadays? Perhaps, but it's an inspired idea all the same. Jane Austen's characters, and her readers, and the society in which her novels are set, like Jane Austen herself, are HEAVILY conscious of class and social standing. No atmosphere quite so snobbish exists in the modern world. EXCEPT, that is, in the corridors and courtyards of the right kind of high school. And where else in the modern world would you find so many people who seem to spend all their time calling on one another?

I was reminded of how well Heckerling moulded "Emma" to fit a modern setting when I saw the idiotic 1998 version of "Great Expectations", adapted by someone who somehow failed to notice how important all the stuff about class and snobbishness was. It's clear that Heckerling understood her source. She isn't afraid to make changes - even radical changes, if the modern setting requires as much - and no character exists MERELY because they have an analogue in Austen's novel. (The most crucial thing is that the Emma-equivalent be sufficiently charming; and so she is.) The result is a film which is winning and satisfying, whether or not you know anything about the source material.

Cher (Alicia Silverstone) is a popular ditz at her local high school in Beverly Hills. She's a spoiled, pampered little princess with all the right social connections and endless wealth. However she has yet to find a man in her life - all the Baldwins (as she and her clique of friends call guys they like) have been taken.

When Cher receives a foreign exchange student, she takes her under her wing and decides to try and find her a boyfriend - ironically without having her own yet. Predictability ensues.

I read "Emma" in early high school as I'm sure most kids did, and the movie puts a clever spin on the tale. Alicia Silverstone is surprisingly good in her role, perfectly playing a blond bombshell without a brain but a good heart - only Reese Witherspoon has done such a good job recently at portraying the west coast bimbos. (No offense to the west coast bimbos out there.) The movie's director, Amy Heckerling, has always been rather reliable on the whole and her direction is solid here - she could have turned "Clueless" into a crude, unfunny sex comedy with little wit or brains, but instead she takes a rather dubious idea for a film and transforms it into a well-made, well-acted, funny, inspired, lively, witty satire.

Much better than expected.

Just the other day I watched Heckerling's wonderful romantic comedy satire 'I Could Never Be Your Woman' and I thought I'd revisit 'Clueless'. The last time I saw it was 10 years ago and today I enjoyed it just as much. Heckerling's adaptation of Jane Austen's 'Emma' may appear like a fluffy teen flick on the surface but there is a lot more to it. It works on multiple levels and 'Clueless', in a way, is a social commentary as it reflects a reality that still exists in today's society. First of all, the teen life is very realistically portrayed albeit with a sarcastic tone (such as the striving for high grades, obsession with image and partying). It somewhat reminds me of 'Heathers' (another excellent teen satire). While 'Heathers' is a much darker film that looks at teens in the 1980s, 'Clueless' looks at the adolescents of the 90s. Moreover, Heckerling brilliantly uses different kid of comedies through one-liner and dialogue, situational, and slap stick.

Then the class distinction too is cleverly demonstrated through the eyes of Cher. The characters too work on multiple levels. Cher appears to be a popular stuckup bimbo type lass but once Hecklerling allows us to dig a little deeper, we see that she is unintentionally manipulative and knows how to use her strength (her power of persuasion). Yet, she is good at heart and even though her initial intentions of getting the two teacher together was to get an A grade, she's happy with the outcome of her matchmaking and the acts that follow are with more sincere purpose. Tai too appears to be the dumb new girl but she is far more experienced than Cher and when opportunity strikes she makes a place for herself in 'society' (i.e, highschool).

Alicia Silverstone plays the part as though it was made for her. She has the right looks, age, excellent dialogue delivery and is a total natural in performing. 'Clueless' was the film that made her an overnight star and a very promising actress however, unfortunately, her following movies have been disastrous and the actress rapidly vanished into oblivion. She is supported by an equally great cast that includes a goofy Breckin Meyer, a weirdly fashioned but still gorgeous Stacy Dash, a naive Brittany Murphy, a laidback Paul Rudd, a hilarious Donald Faison, a bitchy Elisa Donovan and a fire breathing Dan Hedaya.

For me 'Clueless' is among the top teen films along with movies like 'Heathers'. Those who childishly dismiss it as a fluffy chick-flick don't know what they missed. I was watching '10 Things I Hate About You' which is an adaptation of Shakespeare's 'The Taming Of Thew Shrew' and while that film failed to engage me for the most parts, 'Clueless' succeeds in all departments because it's much more than just another teen flick. It's a highly entertaining satire and it's a nuanced teen comedy with a subtle social comment.