Mamma Mia!

That kind of film who is so easy to define as superficial. Before you see it. Because it is only ... charming. Surprising charming. For musical scenes. For the feel of summer holliday. For impressive cast and beautiful performances. For locations. And, off course, for...ABBA. The best point - the feeling to see an old fashion comedy. And that is the serious motif. For see it. Time by time.

With this big opening weekend either you're going to see the darker film The Dark Knight or you are going to see something more light hearted like Mamma Mia! Now I work at a movie theater, a lot of people were just assuming that everyone was going to see The Dark Knight, yesterday someone came up disappointed saying "my show sold out"... I looked at her with a smiling face and said "oh, yeah, dark knight, I know"... she said "no, mamma mia", I looked up all surprised, Mamma Mia sold out as well, people were really looking forward to this movie as well. I did see this movie on Saturday and really enjoyed it, as cheesy as it was, I do enjoy musicals, I think the only thing is that this this is the happiest musical that I have ever seen. So it was nice to just sit there and be happy with these characters and you can't help but laugh at the predicaments that they get themselves into.

Sophie is a young woman who is about to tie the knot with her loving and adventurous fiancée, Sky, her life is great. She has a very loving mother, Donna, who is running a broke down hotel in Greece and used to be in a girl group called The Donna's. Sophie has one problem, she has never met her dad, she finds her mom's diary and discovers that she has three potential fathers. She invites them all to the wedding putting her mom's name on the invitation. So the three men: Sam, Harry, and Bill come to see her and Sophie is caught in a situation where she doesn't know who's her real dad, but they end up having the time of their lives and enjoying life together.

Mamma Mia is the light hearted comedy that I'm sure any musical lover could enjoy. I loved how well paced it was and how the cast looked like they had the ultimate time making this film, that's what made it so much fun. This film also brings a lot of fun energy into you and just keeps you smiling. The songs were very catchy, which I know this musical was based on the songs of Abba, so we have that good old 70's groove going on. I would recommend Mamma Mia, if you're looking to smile, laugh, and dance, I'm sure you'll love to see Mamma Mia. It's a sweet film with the cheesy plot that is so much fun to laugh at, plus it has men in speedo's who are dancing like crazy, where can you go wrong with that? OK, you can, but it's all good.

8/10

Mamma Mia! Does the mention of anything Abba-ish send you cringing to a corner? Or are you already joining in and dancing on the tabletops? Maybe another few drinks . . .

In short, if you are not allergic to Abba, book your tickets now. If you are, why would you be reading this? At a pinch, it is worth seeing for Meryl Streep alone, who not only throws herself headlong into every refrain with unashamed gusto, but adds a touch of class and nuance to what otherwise could be a one-dimensional adaptation. Streep vacillates engagingly between playing herself and not taking herself too seriously. Pierce Brosnan just about keeps up, and manages more expressions than he ever did as James Bond. Colin Firth and Julie Waters trail behind somewhat. Yet Mama Mia! is a roller coaster of emotion, careering colourfully from the blue waters of the Adriatic, bursting 'like Aphrodite's Fountain' into the lives of Donna (Meryl) , her lovers and friends, and her soon-to-be-wed daughter. It is the party spirit that says kick your shoes off and sing silly cheesy songs. Altogether now.

And yes – there's a story. Donna's daughter Sophie is getting married. To the buff-looking Sky. Only – where's her dad? She's never met him. A sneak-peek at Mom's diary shows Mom had three lovers before Sophie was born and Sophie secretly invites all of them. This is a film of threesomes. Three past lovers (Sam, Bill and Harry). Three close friends (Donna and two best pals). And, not to be outdone, Sophie meets up with two other young girls at the start of the film.

The breakneck pace still allows for brilliantly put together shots. Like Streep doing a 'Titanic' with drapes blowing in the wind. Or a pier-load of young hunky stag night crew doing a dance in trunks and deep-dive flippers. Moonlit boats and beaches to "I Have a Dream." Filmed on location, the views won't disappoint. And like a favourite song whose ending we know, the drama is in the details and execution.

As with many adapted-from-stage musicals, two young leads are played by talented singers, and the older parts by serious actors can sing well enough. Streep manages extremely well. Her performance is so professional and assured it leaves others standing. Fortunately, it is perhaps easy to paper over any cracks in musical comedy. Sweeney Todd relied heavily on Depp's charisma and stunning cinematography. Across the Universe, too heavily on the songs. Mamma Mia!, on the other hand, simply tailors everything to its joyous headlong rush. The songs fit naturally to the action. Streep even manages to sing them with her tongue firmly in cheek. She confesses to having been a "stupid reckless little slut" but then says she "grew up". (To which her pals chime in, "Well grow back down again!") The film is not without faults. There is a notable lack of chemistry between the people that throw themselves rapturously against each others' faces. Even Streep looks less than convincing in a brief lips-mash. And the men are a bit croaky in the singing department (Hugh Grant might even have been a preferable casting choice). And some of the time-line is wobbly. For instance, strange as it may seem, music from more than twenty years ago does not all come from the same era. So reminiscing about flower power (early sixties) in the same breath as a Johnny Rotten t-shirt (Sex Pistols, mid-late seventies) is either anachronistic or wishful thinking.

Sadly, I am of a generation that can remember Abba-mania. The records would shoot to number one. Yet even then few people would admit to buying them. I used to manage a night club, and Abba was great music to ask a girl up to dance. My entire chat-up repertoire at that time consisted of, "Would you like to dance?" and "Do you want to come back for a coffee?" But girls would be so happy dancing to Mamma Mia they'd say yes anyway. I'd fall in love with a new girl each week. Ah, those were the days! Now there's a new generation of Abba fans who have no need to 'come out of a closet'. Abba is retro-chique. Even Madonna segued an Abba riff into one of her songs. From karaoke to hen nights. From '70s' nights to gay dance-floors. Dress up. Camp it up. Sing it up. Get sassy and cheesy. Or, if you're old enough to remember, fly back in time to wonderful memories.

Mamma Mia!, whatever detractors might say, has been one of the most successful stage shows of recent times. Supported by the same director and original band members, the movie may well reach the similar fan bases. Or just the party spirit in all of us.

Having read Anthony Lane's review of Mamma Mia for the New Yorker, I approached this film with appropriately low expectations. I knew everyone was going to have orange skin. I knew the actors would not be doing very graceful or interesting things while they sang. I knew the film was just a vehicle for ABBA songs, which meant that it was going to have a thin, contrived plot--and that was fine with me. Like virtually every other viewer who has chipped in to the financial success of this film and the Broadway musical it was based on, I was only watching it for the ABBA anyway. It would be nostalgic, it would be peppy, it would be fun. I'd get to enjoy the pleasure of anticipation--"Oh, I know what song is coming here!"--or, alternatively, the laughter of surprised recognition when the actors launched into a song I hadn't seen coming.

In the end, I didn't even get that. It was clear within five minutes that this film was going to be excruciatingly overacted. The loud cackling laughter, the slapstick, the spastic dancing, the needless acrobatics (hanging and falling off of roofs). Certain leading actors' inability to sing, which made it hard to enjoy the music. I give the creators credit for incorporating songs into the storyline in, let's say moderately clever ways. But watching how poorly acted and choreographed this movie was, I thought: Is the problem that the people making this film are too embarrassed by the silliness of the premise to take it seriously enough to make it good? You can know that the premise of your film is silly--you can signal to the audience that you know it's silly--but you can still love it enough and pour enough care into it to create a film that's impressively executed and delightful to watch, even heartwarming. Baz Luhrmann has demonstrated that brilliantly with Strictly Ballroom and Moulin Rouge. Perhaps Luhrmann could have made this film enjoyable. As is, I'd have gotten more enjoyment from just putting on my headphones and popping ABBA Gold into my CD player.

As a musical, pure and simple, 'Mamma Mia' has the briefest and silliest of stories, backed up by a large selection of Abba songs (Super Trouper, SOS, Voulez Vous, Gimme Gimme Gimme, Money Money Money, Dancing Queen, The Winner Takes It All, Lay All Your Love On Me, Our Last Summer, Mamma Mia, etc.).

Meryl Streep has a daughter about to marry, and a cloudy past which has left three possible dads - Sam (Pierce Brosnan), Harry (Colin Firth), and Bill (Stellan Skarsgard). Now you can imagine that when Brosnan was James Bond he never thought he'd be cavorting along to Swedish pop on the big screen - but despite his weak voice, he does OK - the same can be said for Firth, who seems to choose roles with such little discrimination it is no longer a surprise to see him in anything.

Donna (Streep) also has two friends to support her - Julie Walters and Christine Baranski. Walters is as fun as ever, cavorting in her headscarf and singing appallingly; while Baranski is another Samantha from Sex and the City - chasing young barmen and struggling in her high heeled boots. Their scenes together and apart are hilarious - and Streep's singing cannot be faulted.

Is the film any good? It is hard to tell. It is certainly fun, and funny. The direction isn't particularly inspired, nor is the screenplay clever or profound - but then, neither is the music of Abba. Taken purely as bubblegum, feel-good cinema, it does OK, and isn't as bad as you might have expected.