Il supereroe senzatetto confuso The Maxx cerca di proteggere la sua assistente sociale e amica Julie da un serial killer onnisciente Mr. Gone sia nel mondo reale, che può essere reale o meno... Leggi tuttoIl supereroe senzatetto confuso The Maxx cerca di proteggere la sua assistente sociale e amica Julie da un serial killer onnisciente Mr. Gone sia nel mondo reale, che può essere reale o meno, sia nel mondo fantastico del subconscio.Il supereroe senzatetto confuso The Maxx cerca di proteggere la sua assistente sociale e amica Julie da un serial killer onnisciente Mr. Gone sia nel mondo reale, che può essere reale o meno, sia nel mondo fantastico del subconscio.
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I loved this series! Having been a huge comic book fan, I had heard about Sam Keith's Maxx characters several months before they premiered on MTV's Oddities series. I was very impressed with the performances of the voice actors, especially Barry Stigler as Mr. Gone. Kudos to everyone involved, this cartoon got me so interested that I had to read the rest of the series in comic book format, and I was very disappointed that the second season never made it onto television. Hopefully, someday in the future, the first season will arrive on DVD or some other collectible format because this show deserves better than to just fade into obscurity.
Sam Keith's The Maxx is a twisted animated journey into the subconscious. And on MTV no less. True, MTV is not a great place for good shows (besides Beavis and Butt-head), but this is one of those few exceptions.
The Show is about an odd superhero called Maxx who goes back and forth from the real world and the dream world called the Outback (not the Australia one). The plot gets a little confusing as episodes go on, but for someone who isn't a teenie bopper watching MTV, it's heaven none the less. Great animation, great drama, and great entertainment. A++
The Show is about an odd superhero called Maxx who goes back and forth from the real world and the dream world called the Outback (not the Australia one). The plot gets a little confusing as episodes go on, but for someone who isn't a teenie bopper watching MTV, it's heaven none the less. Great animation, great drama, and great entertainment. A++
I knew I was going to need something good and strong to wash off "Snowed in at the House of Mouse" today, so I rented "the Maxx". I saw bits of it when Mtv aired it as a mini-series and was taken in by the excellent visuals and believable -almost pitiable- cast of characters. But before I gush, a little history is needed here.
Some time in the mid-90's, Mtv actually had a few good shows. No kidding. At the time it pained them to interrupt the music videos (!!!???!!!) for a while to show them, but that's another rant in itself. They had an animated mini-series block called "Oddities". One of these was the grotesque, overplayed "the Head" and the other was "the Maxx".
So what would you say if I told you now that this cartoon is darker, more complicated, and better written than any of the live-action movies in the new release shelves the past three weeks?
Go rent it tonight. This is going to stay with you for a long time.
Some time in the mid-90's, Mtv actually had a few good shows. No kidding. At the time it pained them to interrupt the music videos (!!!???!!!) for a while to show them, but that's another rant in itself. They had an animated mini-series block called "Oddities". One of these was the grotesque, overplayed "the Head" and the other was "the Maxx".
So what would you say if I told you now that this cartoon is darker, more complicated, and better written than any of the live-action movies in the new release shelves the past three weeks?
Go rent it tonight. This is going to stay with you for a long time.
This is some of the best animation I have yet seen come out of this country. "The Maxx" is, after its two hours have passed: scary, very funny, thoughtful, intelligent, profound, disturbing, highly imaginative, and ultimately quite moving.
Part of the charm of "The Maxx" is that it's clear that the directors of the series are familiar with how people read the comics; how all the elements and dialogue reach the eye. In this way "The Maxx" is far more imaginative than live-action stuff, because it's loose of the bounds of physics laws and a clear-eyed camera. It makes other films based on comic books, "Batman," "Blade," etc., seem clunky and artificial by comparison.
The plot, though drawn from a mish-mash of dream interpretation stuff, pop psychology stuff, Freudian stuff, and miscellaneous mythological references, matters little in the end -- when all is explained, it's a little disappointing because the confusion that "The Maxx" envelops around the viewer was part of what was so good about it. It's the confusion, the intricate layers of reality and unreality, that helps make this show so special.
When you get down to it, it works anyway, thanks to a number of really magnificent things. First, the characters of The Maxx, Julie, and Sarah are multi-faceted and very endearing. Despite the exhilarating cascade of visuals, this is ultimately a character-driven fantasy/drama. That's not all that "The Maxx" ought to be treasured for, though. Sam Keith has created a world (heck, a number of worlds) that are so fiercely original, so imaginative, that nothing short of a complete lack of sympathetic characters would be able to ruin his visionary achievement. To his credit, Keith gives us everything that we've been missing in Hollywood's interpretation of the comics: not just strong visuals, but great writing, a mass of original ideas, and memorable characters.
Part of the charm of "The Maxx" is that it's clear that the directors of the series are familiar with how people read the comics; how all the elements and dialogue reach the eye. In this way "The Maxx" is far more imaginative than live-action stuff, because it's loose of the bounds of physics laws and a clear-eyed camera. It makes other films based on comic books, "Batman," "Blade," etc., seem clunky and artificial by comparison.
The plot, though drawn from a mish-mash of dream interpretation stuff, pop psychology stuff, Freudian stuff, and miscellaneous mythological references, matters little in the end -- when all is explained, it's a little disappointing because the confusion that "The Maxx" envelops around the viewer was part of what was so good about it. It's the confusion, the intricate layers of reality and unreality, that helps make this show so special.
When you get down to it, it works anyway, thanks to a number of really magnificent things. First, the characters of The Maxx, Julie, and Sarah are multi-faceted and very endearing. Despite the exhilarating cascade of visuals, this is ultimately a character-driven fantasy/drama. That's not all that "The Maxx" ought to be treasured for, though. Sam Keith has created a world (heck, a number of worlds) that are so fiercely original, so imaginative, that nothing short of a complete lack of sympathetic characters would be able to ruin his visionary achievement. To his credit, Keith gives us everything that we've been missing in Hollywood's interpretation of the comics: not just strong visuals, but great writing, a mass of original ideas, and memorable characters.
The Maxx is the most intelligently written story every to hit the genre of animation. The story -- a psychological thriller -- is complimented with a haunting, other-worldly style of animation. It's a shame that this movie hasn't had a chance to collect a larger audience. Perhaps if MTV replayed it's "Oddities" series instead of endless repeats of "Real Life", there might be more postings for this series. I think I got the last copy that Amazon had to sell. Hopefully, someday, the movie will make it back to the airways. Don't miss it if you ever get a chance.
Lo sapevi?
- QuizThe comic book series was adapted into an animated series as part of the MTV program Oddities. It covered Darker Image #1, The Maxx #1/2, and issues #1-11 of the regular series, depicting the introduction of Julie, the original Maxx, Mr. Gone, and, later, Sarah. The series included few of the revelations of the characters' origins, however, and did not describe the interconnections between them. The series made wide use of scanned artwork and CGI.
- Versioni alternativeApparently the video release has been cut compared to the original release on television.
- ConnessioniFeatured in Atop the Fourth Wall: Darker Image #1 (2010)
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- Tempo di esecuzione23 minuti
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- Proporzioni
- 1.33 : 1
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