Il terrore dalla sesta luna

Not having read any of the highly acclaimed writer Robert A. Heinlein's work, including the original novel "Puppet Masters", I can't really comment on whether or not this piece does him or his work any justice, but from a point of view that hasn't in any way been influenced by his work or others' opinions(...maybe scratch that last one), I must admit that it's not half bad. The plot is pretty good, and it keeps developing at an adequate rate, while keeping a fair pace, but it seems to drop a tad once this entered its last half or so. The acting is decent enough, with Donald Sutherland being the one to stand out and deliver a marvelous performance. The characters are well-written, well-casted, credible and believable. This is strangely similar to TV features, in the way it's shot and edited. The special effects are great, but short of spectacular. The creature design was reasonably interesting, and well thought out, and the related effects are actually relatively nicely done. The science fiction aspects of this, with the aliens and their actions are well-done. I liked the way the film utilizes mood and atmosphere rather than excessive gore to scare and thrill the audience. The atmosphere and mood are decent enough, just not as well-done as they could have been. The movie also fails to inspire the same paranoia and fear that, for example, John Carpenter's The Thing does. Finally, the climax was a bit overly Hollywood-like, but hey, this does provide about 110 minutes worth of sufficiently entertaining science fiction-horror about the always dreaded extra-terrestrial invasion. I recommend it to fans of the genre and/or Donald Sutherland(it should also be noted that Keith David rocks, as he has something of a tendency to do). 6/10

This was a decent sci-fi flick. Good performances by Julie Warner and Eric Thal, and of course there's no role that Donald Sutherland can't pull off. Alien effects were revoltingly good. OK, it's not completely true to Heinlein's magnificent novel. Hollywood has a formula, (the happy ending, the obligatory love interest of one or more of the stars, etc.) and any deviation from it is exceedingly rare. That's why foreign films are good, because they are not bound by the formula. I've noticed that great sci-fi movies are almost always originally written for the screen, rather than adapted from books. Books are always better than movies, but science fiction seems to be particularly so.

Probably produced following the smash success of The X Files, The Puppet Masters is a pretty solid slice of alien invasion pulp fiction. The casting is good, with Eric Thal and Julie Warner proving to be charming enough stand-ins for Mulder and Scully. Elsewhere, sci-fi genre fans may appreciate the appearances of Yaphet Kotto (Alien), Keith David (The Thing) and of course the great Donald Sutherland (Invasion Of The Body Snatchers).

Behind the camera, it's an unusually British affair with director Stuart Orme, cinematographer Clive Tickner, and composer Colin Towns all heralding from the UK. They do nice work - Orme provides a tense and pacey first half, Tickner's very fine work lends a stylish visual sheen, and Towns' music is lushly complex.

However, although it starts out well, the flick loses some energy and traction around the middle and doesn't get it back. Its potential begins to slip away and I'm not quite sure why. Maybe budget/script cuts. The last third in particular, with its under-powered action set-pieces and somewhat perfunctory ending, suggests that the film had hit the glass ceiling of its production resources... or perhaps even its creators' full interest.

Nevertheless, it's an enjoyable sci-fi thriller for a good part of its running time. Might make a nice viewing companion with The Hidden (1987) or certainly any number of old X Files episodes!

However, being that Heinlein was one of the few sci-fi authors I +didn't+ read (I'm more of an Asimov and Bradbury fan myself) as a kid growing up, and I haven't seen the original film, I didn't have any problems with this movie when it came out in theaters. In fact, I found the premise genuinely creepy, the effects highly believable, and the presence of Donald Sutherland to be a masterful touch. It may not go down in the all-time pantheon of "greatest sci-horror films" ever, but if it was playing on HBO I wouldn't change the channel. Sometimes I think people get too caught up in whether a story is true to the original, and forget that it's JUST a movie and they should try to enjoy it on that basis.

One science-fiction film that turns out to be less disappointing than expected is this loose adaptation of Robert A. Heinlein's novel.

Donald (give me another part in an alien pod movie) Sutherland interprets the role of Adam "The Old Man" Nivens, head of a secret government protection agency that has its hands full trying to stop an alien invasion by slug-like mental parasites which tap into people's brains, controlling them toward their own ends.

Eric Thal (of A STRANGER AMONG US) draws a blank where a strong character should be in the role of Sam, son of the Old Man, and fellow agent. Julie Warner (from DOC HOLLYWOOD) fares a little better as Mary, a NASA xenobiologist along for the roller coaster ride.

The opening scenes do justice to the setting and atmosphere of the book, and the skeleton of the original plot is unpredictable and thrilling, but eventually, the compromises in adaptation give rise to Hollywood-style sci-fi conventions such as alien hives.

Several realistic, key elements are thrown out, along with almost all of the sharp dialogue which made the book a hit.

However, the special effects are convincing, and the cinematography and editing are streamlined and tight. Far from being definitive, this version of the tale is nonetheless sufficiently satisfying and worth a look.