Rebecca

I enjoyed this version very much, the actors in the main roles were very good. I especially liked the young Emilia Fox as the new Mrs DeWinter. She started out as the shy young girl and became the strong young wife fighting for her love. Charles Dance was very well cast as Maxim, not as stuffy as Olivier. I found Diana Rigg a bit over the top, but the supporting cast were very good, especially Faye Dunaway. The locations and overall look of the show was very pleasing to the eye. I liked this longer , more adult version as it covered the whole story and was very true to the novel. But, like Jane Eyre and Pride and Prejudice I will always now and again go back and watch the original black and white versions.

I enjoyed this version of Rebecca very much. This one is more focused on the romance than the excellent version from Hitchcock. It must be said that the romance in this version is more realistic than the one with Laurence Olivier and Joan Fontaine. Do not get me wrong, I adore the film. But it was quite obvious that the late, great LO was much younger than his alter ego Maxim the Winter. I found the romance in this mini series more convincing because some scenes where added which are not in the book (the honeymoon for instance). It gives the character of Maxim De Winter more warmth and passion. Charles Dance has the advantage that he is about the same age as Maxim and therefore (in my honest opinion) more convincing than LO. Mr. Dance is an excellent actor and he gives a very good performance as Maxim. I was also quite pleased with the performance of Emillia Fox. I had never heard of her before, but I hope to see more of her work in the future. Her portrayal of a young insecure woman who tries to cope with the memory of her husband's first wife was quite impressive. Faye Dunaway made a very amusing Mrs. Van

Hopper. Diana Rigg portrays Mrs. Danvers rather as a tragic character than as a villain. I found this approach very refreshing.

I would also like to add something to a comment made earlier in another review of this mini-series. Someone mentioned that the second Mrs. De Winter first name is Caroline, because in the party scene she is announced as Lady Caroline De Winter. This is of course completely wrong. Lady Caroline is the name of the lady from the painting. It is not Mrs. De Winter's first name, which isn't mentioned at all. I hope that this clears this matter once and for all.

The second Mrs. DeWinter has no first name, and she was never given one for the film. Caroline DeWinter was the ancestor that the second Mrs. DeWinter dressed as for the costume ball. If this was not mentioned in the film, it should have been. It is mentioned in Alfred Hitchcock's masterful version of the book, by Dame Judith Anderson. Now, in context of the film, it was definitely closer to the book than Hitchcock's version (which you can blame David O. Selznick for the changes in the plot), and there is some very good acting, but it still seems like what it is, and that is a television film. Christopher Gunning provided a very emotional score though, with a heart wrenching theme for cello and orchestra.

This is a terrific adaptation of Daphne du Maurier's 1938 novel. The period detail, costume and scenery are all spot-on, and the acting is good, especially among the principals. Generally, this television version is more faithful to the book, both in spirit and in plot, than the 1940 Hitchcock version with Laurence Oliver and Joan Fontaine. I found Charles Dance to be a much more believable Maxim de Winter, with some definite sex appeal that was lacking in Olivier's portrayal. Emilia Fox was perfectly charming as the 2nd Mrs. de Winter, managing to come across as shy and unsure of herself without appearing too passive or neurotic. As has been stated in other reviews, the romance between the two was far more believable and realistic in this version.

Diana Rigg gives quite a different portrayal of the creepy Mrs. Danvers than Judith Anderson did, and I found Rigg's more humane and pathetic (although still sinister) housekeeper more three-dimensional. The supporting characters are also good, and I even enjoyed Jonathan Cake's scenery-chewing portrayal of Jack Favell.

All in all, a great effort, well worth watching.

I thought this was marvellous, and that Charles Dance as Maxim, Emilia Fox as The Second Mrs De Winter, and Diana Rigg as Mrs Danvers, were note perfect - but that's before I saw the 1970s version with Jeremy Brett, Fox's mother Joanna David, and Anna Massey.

However, this 1990s version runs a close second. It isn't as involving to watch, and Dance has a certain dryness that perhaps does not work all through the piece - but the cast do well (including Faye Dunaway as Fox's chaperone). Set pieces are excellent, there's beautiful scenery, and a tight script, and all this is good.

You rarely see watchable literacy adaptations of this quality, and this version of 'Rebecca' does not really disappoint. It's just that it has already been done better before - and it is a shame that the 1997 version is the only one now widely available for viewing.

Watch it by all means - but try to seek out other versions as well.