The Crowded Day

Yes I was just starting my junior education in 1954 and it was the year we fist owned a Murphy TV one channel (BBC only) and a refrigerator.Britain was just getting onto her feet again after WWII and we still endured rationing.This is a film very much directed at us British audiences and the references made in the film will chime with many of us UK citizens of a certain age.The other reviewers have noted the well known cavalcade cast of British actors & actresses from the lead (John Gregson of "Genevieve" fame 1953) to the slightly lesser known Dandy Nichols ("Till Death Do Us Part") 1960s TV comedy with the late Warren Mitchell, to the Barbara "Windsoresque" Vera Day - a temporary secretary in ("I was Monty's Double") with John Mills & Clifton James (1955} and Michael Goodliffe (Thomas Andrews in A Night to Remember 1958) not forgetting Richard Wattis (Sykes 1970s TV comedy)etc etc.

Yes the departmental store concept is changing from its traditional concept, indeed I read only yesterday that John Lewis Stores plc. is investing £250,000,000 in building up its internet sales division which is gradually overtaking its store led sales.How times have changed over 61 years!For someone of my vintage years this will be a trip down memory lane remembering shopping trips with your mother buying school uniforms.Enjoyable, my rating 7/10

This is a fascinating ensemble film, with many fine performances of the large cast, about people working in a London department store in the early 1950s. As such, it is an important 'social document'. The film was shot in the real London department store of Bourne & Hollingsworth, so that the location and settings are wholly accurate. The film is a mixture of comedy and tragedy, but the comic part of it may have been the origin of the hilarious television series ARE YOU BEING SERVED? (1972-1985), which was one of the funniest comedy series ever made for British television and ran for 69 half-hour episodes. Some incidents in the film, such as the love note dropped on the floor and trampled by the feet of customers so that it does not make its way to the correct person, are studies in the cruelty of fate. Particularly unsettling is the depiction of 'commission stealing' by supervisors from the sales girls under them. Although department stores still exist, at this time they were full of throngs of people, perhaps one should say rampant hordes, since the smaller boutique shops had not yet been invented. Queues of impatient women with shopping bags are shown pouring into the store as soon as the doors open in the morning. Commercialism was also still at an early stage and had hot yet strangled everyone with a lust for things which they do not need. The film features popular leading man of the day, John Gregson, and a marvellous cast of well-known character actors and actresses, including Dora Bryan, Thora Hird, Sid James, Joan Hickson, Prunella Scales, and Dandy Nichols uncredited as a charwoman. Rachel Roberts was in only her second year as a screen actress. The film is ably directed by John Guillermin, well known for numerous important British films, such as the excellent GUNS AT BATASI (1964) and DEATH ON THE NILE (1978); he retired from films in 1988 but is still alive, aged 86. This film is well worth watching, like stepping into a time machine.

This is a good film in which to play spot-the-cameo, with a host of 'borrowed' actors making appearances in a very crowded cast list; there are echoes of the 'Carry On' films, with Sid James and Joan Hickson turning up and Vera Day delivering a very Barbara Windsoresque piece of totty, not to mention Talbot Rothwell (regular 'Carry On' writer) providing the script, and shades of "Genevieve" in the casting of John Gregson as a vintage-car-obsessed male lead.

It is not, however, primarily a comedy, in the sense of those other films. It is a well-written ensemble piece that sets out to depict one (admittedly very crowded) day in the life of a department store in the run-up to Christmas. Most of the escapades are reasonably light-hearted, but some of the staff are concerned by deeper secrets, and at least one character isn't precisely who he pretends to be! The interweaving of the various different plot strands is done without any imbalance to the story, and the film manages to switch smoothly through a wide range of different moods. Acting is good from all concerned.

This was an ambitious attempt by the small independent Adelphi Films to break into the top league; and although it is perhaps a good film rather than a great one, it doesn't appear to have deserved its fate, to sink on release and be quickly forgotten.

Films like this that switch from comedy to drama in such a clumsy and alarming manner can prove tiring and although I love British film from the 1950's I may not look at this one again. I am a John Gregson fan and he is always personable so I might keep my copy for him alone. However all the other characters (and there are so many of them) annoy me. To sum it up give me "Trouble in Store" any day.

It's the holiday season at a busy London department store, and there are a number of stories, some sad, some funny, but most salacious, on view. A girl breaks up with her boyfriend; he goes away to look for work and she finds herself pregnant. Another girl finds her customers are being stolen by her supervisor. The man who dresses the mannequins keeps fouling up. And so forth.

There is such a welter of plots, some of them left dangling at the end, that this movie lacks focus and plot. As is typical for British movies, the acting is excellent. The direction seems competent, although trivial. The problem seems to lie in the editing, which, as noted above, leaves too many threads dangling.