The Nephew

"The Nephew" is about a young American man who, following the death of his mother, returns to her homeland, Ireland, to meet his kindred and instead opens a closet full of skeletons. A wonderful mix of humor, romance, drama, music, and scenic beauty, layered over a compelling story of family issues which need to be laid to rest. Those who give this little "sleeper" a chance are not likely to be disappointed.

I only viewed this movie because it was a previously-viewed video on sale for $3 at Blockbuster. I didn't expect too much but was very pleasantly surprised how good it was. I almost rated it 8, but settled on 7, mainly because the ending was a bit too "neat", and because some of the dialog was very difficult to understand.

Chad is the 19-yr-old son of an Irish woman who had been "exiled" to America 20 years earlier by her guardian, her older brother. He traveled to visit his uncle Tony upon the death of his mother. Once there, he finds a lot of secrecy and unhappiness, and the rest of the movie is about his attempts to get everything, especially about his mother, out in the open. Along the way he, of course, finds love. Very well cast and acted, this is definitely worth the almost two hours to see.

The pace and method of unfolding the story reminded me of Lone Star, but Lone Star is a significantly better movie overall.

This is a neat little story that gives a new twist to the returning Irish diaspora. Although it an entertaining and somewhat lightweight yarn, it does ask a few questions of the main characters and their attitudes to love and hate. A fine performance from Donal McCann as you would expect. And Pierce Brosnan is good not only as the protective father nursing his inner pain but also as the producer of the film. He could easily rest on his 007 laurels but instead he likes to use his box-office clout to help make movies that might not otherwise be made. Yes, the film is easy to watch but no less deserving because of it.

It is a touching movie about characters with cultural differences which are instrumental in the resolution of unspoken injustices. The scenery of Ireland is breathtaking and the pace of the film is soothing. Pierce Brosnan is to be commended for bringing out the nature of his people and how their sentiments merge with the beauty of his native land.

A spirited young man from New York, Chad (played by Hill Harper, very worth your notice), takes a trip to an island off the coast of Ireland. This after the death of his only remaining parent, to fulfill a promise to meet his estranged uncle: he is a local man full of his own ideas about how life should be lived, for himself as well as others.

They embark on a personal journey full of challenges, surprises, family secrets and an uncertainty as to whether or not they will ever find common ground.

All of the main characters have been convincingly developed and they each have something conceivable and worthy to offer. This may not have been a super-high budget film but the acting is superb. Pierce Brosnan (one of the producers) gives a generous and compelling performance as the conflicted, village bar owner trying to balance parenthood and an amended life from behind the stone wall of a guarded heart. Veteran actor, Donal McCann, in one of his final performances, adds an authentic and credible edge as our protagonist's uncle. Sinead Cusak, Phelim Drew, Niall Tobin, Lorraine Pilkington and Aislin McGuckin also deliver command performances as the villagers that are comprised of both the kindred and not-so-kindred spirits in Chad's new world.

The soundtrack is a compilation of beautiful Irish ballads, old soul and rock as well as various and sundry other scores that lend a tight musical canvas against which this story is painted. It was disappointing to learn that there are no plans to make this soundtrack into an album that could be purchased.

What keeps me coming back to this sweet and gallant movie is its soulfulness and honesty. The map of the human heart is ultimately universal and the characters in this story endeavor to draw their own lines to determine what defines friendship, family and honor.

This is a wonderful, interesting and thoughtfully structured comfort film. It begs to be watched from your favorite easy chair on a cozy day - with feet up, your favorite afghan and a warm cup of tea and favorite cookies nearby.