Un combattente dell'I.R.A. imprigionato viene liberato per aiutare a fermare un brutale assassino , apparentemente "senza volto".Un combattente dell'I.R.A. imprigionato viene liberato per aiutare a fermare un brutale assassino , apparentemente "senza volto".Un combattente dell'I.R.A. imprigionato viene liberato per aiutare a fermare un brutale assassino , apparentemente "senza volto".
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- Sceneggiatura
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- 1 vittoria e 4 candidature totali
Recensioni in evidenza
I was sure this movie was going to be a disappointment, but after seeing it I have to say I was deeply wrong. Sure, the story has numerous big holes (Gere knows the operating technique of his opponent so well and down to the last detail, you'd think they used to live together from the moment they were born - total exaggeration, another example are the lame effects when he's between two trains), and Gere's dialect is way off (for some reason it didn't bother me at all), but the rest is pure action and entertainment extravaganza. Bruce Willis was a perfect choice for the Jackal and Sidney Poitier was as always amazing and really helped the atmosphere of the movie with his role. The ending was a bit short, but in my opinion necessary, because I knew what was going to happen, so why delay it. Nicely done, and great music. 7/10
I had a bit of fun reading through user comments on Jackal, and there are two perpetuating issues in about 90 percent of them: 1) this "version" of "Jackal" has nothing on the original (because the original was "oh so great") 2) only idiots enjoyed this version (because its plot is silly).
My response would be: 1) the original wasn't so great either (go ahead and jump at me) 2) anybody who thinks only an idiot would enjoy silly movies is an idiot himself.
On the first point - why is even so necessary to compare remakes to originals if they can stand perfectly on their own? This one can. In fact it even has advantages over its classic predecessor, such as better editing, better cinematography and even better acting. You may think I'm holding onto a straw here by nitpicking but I'm an odd person that values the benefits of modern productions.
On the second point - if silliness (better yet stupidity) of the plot was the criteria by which to avoid the movie, I would probably have seen only about a dozen movies in my lifetime. I would have avoided Bond movies, period movies, parodies and what not. And I'd be poorer for that. So, forget silliness, it's no big deal.
Now a little on the movie itself. The plot is indeed stupid (for an in-depth analysis I recommend reading hilarious Roger Ebert's review). The cast reversal is also a bit of misfortune as Gere was initially supposed to be the Jackal. The fact that the role eventually went to Bruce Willis, together with adventuristic nature of Jackal's business, made me root for the bad guy as I never did before. He is conceived as sort of an upgraded James Bond here, being more ruthless, with drier sense of humor and taking advantage of both sexes (not only females) to his cause.
I don't know if making bad guy look good was the intention on part of the film crew, but it turned out a very subversive move for a typical Hollywood venture (making an IRA terrorist that pursues Jackal a likable guy as well is probably another one, but I wont go into that). All in all, it was a suspenseful voyage with such a good pace that you don't care about the shortcomings at the first viewing, so I say it's recommendable. There are certainly far worse ways you could waste two hours.
My response would be: 1) the original wasn't so great either (go ahead and jump at me) 2) anybody who thinks only an idiot would enjoy silly movies is an idiot himself.
On the first point - why is even so necessary to compare remakes to originals if they can stand perfectly on their own? This one can. In fact it even has advantages over its classic predecessor, such as better editing, better cinematography and even better acting. You may think I'm holding onto a straw here by nitpicking but I'm an odd person that values the benefits of modern productions.
On the second point - if silliness (better yet stupidity) of the plot was the criteria by which to avoid the movie, I would probably have seen only about a dozen movies in my lifetime. I would have avoided Bond movies, period movies, parodies and what not. And I'd be poorer for that. So, forget silliness, it's no big deal.
Now a little on the movie itself. The plot is indeed stupid (for an in-depth analysis I recommend reading hilarious Roger Ebert's review). The cast reversal is also a bit of misfortune as Gere was initially supposed to be the Jackal. The fact that the role eventually went to Bruce Willis, together with adventuristic nature of Jackal's business, made me root for the bad guy as I never did before. He is conceived as sort of an upgraded James Bond here, being more ruthless, with drier sense of humor and taking advantage of both sexes (not only females) to his cause.
I don't know if making bad guy look good was the intention on part of the film crew, but it turned out a very subversive move for a typical Hollywood venture (making an IRA terrorist that pursues Jackal a likable guy as well is probably another one, but I wont go into that). All in all, it was a suspenseful voyage with such a good pace that you don't care about the shortcomings at the first viewing, so I say it's recommendable. There are certainly far worse ways you could waste two hours.
Comparing this movie with the original film, The Day of the Jackal (1973), from which this was adapted, I would say this new version is just okay. The original film is simply extraordinary and if you haven't seen it, I sincerely recommend that you do it today and compare by yourself.
You can't really approach this as a remake of the classic 'The Day of The Jackal.' Though broadly similar, the entire feel of the two films is incomparable. And suspense thrillers are all about "the feel" aren't they?
The story is pretty standard fair - a super villain assassin (Willis) is going to make a big kill using a huge weapon and leaving a trail of bodies along the way. Gere, an IRA soldier (jailed for "terrorism") is brought on as consultant because he is one of the few people who has seen 'the Jackal", and given a few vague promises in exchange for his help. As it turns out, Gere has more than just knowledge - he has a vendetta. Poitier oversees Gere and the investigation of Willis, and comes to realize that Gere is the only hope of stopping him.
I like Sidney Poitier, Bruce Willis and Richard Gere, so I was predisposed to like this film. I was neither very surprised nor disappointed. The Jackal is entertaining and the performances are strong. Poitier is always a class act, and Willis and Gere have terrific anti-chemistry. There's nothing wrong with the cinematography or directing, and the pace of the film, though a little breathless, is fine. Regardless, the story-line never reached much beyond the ordinary thriller fare. Making a truly great thriller requires either doing something really original (very hard to do) or using a truly inspired script. This film's script is decent, but the story line could have used a little more careful thought and a bit more complexity.
The story is pretty standard fair - a super villain assassin (Willis) is going to make a big kill using a huge weapon and leaving a trail of bodies along the way. Gere, an IRA soldier (jailed for "terrorism") is brought on as consultant because he is one of the few people who has seen 'the Jackal", and given a few vague promises in exchange for his help. As it turns out, Gere has more than just knowledge - he has a vendetta. Poitier oversees Gere and the investigation of Willis, and comes to realize that Gere is the only hope of stopping him.
I like Sidney Poitier, Bruce Willis and Richard Gere, so I was predisposed to like this film. I was neither very surprised nor disappointed. The Jackal is entertaining and the performances are strong. Poitier is always a class act, and Willis and Gere have terrific anti-chemistry. There's nothing wrong with the cinematography or directing, and the pace of the film, though a little breathless, is fine. Regardless, the story-line never reached much beyond the ordinary thriller fare. Making a truly great thriller requires either doing something really original (very hard to do) or using a truly inspired script. This film's script is decent, but the story line could have used a little more careful thought and a bit more complexity.
Not sure why this movie seems so low rated, it's well worth a view ! It's fast paced with a number of strong actors and characters portrait very well by them. Maybe the story is not entirely believable, it seems that some leads are obtained a bit too easy, but does that matter? It's just great, action packed, clever, and if you like crime it should keep you on the edge of your chair. No, it's not like the original but I don't think the makers set out to do this. It would have been a crime to do that actually as the original is in it's own an excellent movie and remakes are most of the time disappointing. Go watch it, buy the DVD!
Lo sapevi?
- QuizFrederick Forsyth, who wrote the novel "The Day of the Jackal", insisted his name be taken off the credits of this film, which is why it is billed as "based on the screenplay".
- Blooper(at around 57 mins) When the weapon is first test fired from the mount and misses, the problem is unlikely to have been with the mount and more likely to be poor alignment of the targeting system.
The mount is the only moving part of the gun platform. That's how the gun is aimed, by adjusting the mount. It *is* the targeting system.
- Citazioni
Valentina Koslova: She's Basque, isn't she?
Declan Mulqueen: Aye.
Valentina Koslova: They say Basques live by the vendetta. If they hate someone it's to the death. It's the same when they love.
- Versioni alternativeDVD special edition features additional scenes deleted from the theatrical release and an alternative ending, where the Jackal is killed by Isabella.
- ConnessioniEdited into The Jackal: Deleted Scenes (1998)
- Colonne sonoreStar
Written by Bobby Gillespie (as B. Gillespie), Robert Young (as R. Young),
Martin Duffy (as M. Duffy), Andrew Innes (as A. Innes)
Performed by Primal Scream
Courtesy of Creation Records Ltd./Sony Independent Network Europe/Reprise Records
By Arrangement with Warner Special Products
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- El chacal
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 60.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 54.930.280 USD
- Fine settimana di apertura Stati Uniti e Canada
- 15.164.595 USD
- 16 nov 1997
- Lordo in tutto il mondo
- 159.330.280 USD
- Tempo di esecuzione2 ore 4 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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