Il bagno turco

This film is really a very subtle, literate story. Nothing hits you over the head, there's nothing to win or lose at the end, it's just characters and events unfolding and interacting within a languid pace. It's really a beautiful film, both in scenery, sentiment and depth of feeling.

If you've ever visited Istanbul you should see this film. I expected to see the Hagia Sophia and Blue Mosque right off, but you never see them-- the film chooses to see Istanbul through the charming back alleys and everyday people. The traditions of the country and the warmth of the people are ever-present in this film. Istanbul itself is like a character here, and its special charms are at the center of the story. If you have visited there, you will understand why the characters become so captivated.

But this film only uses Istanbul and the Hamam as a vehicle for showing its characters ways of finding happiness and tranquility in one's life. The story is much more general and eternal. It shares that quality with literature-- it is at once about these specific characters, and also about everyone, everywhere.

Here in New York this film is called "Steam" and is being sold as a major homoerotic experience. It's sad that they have to cheapen this wonderful movie in that way, and people going expecting to get their jollies will be woefully disappointed-- and entirely missing the point.

One tends to think of Turkish/Italian cinema as not being as technically sophisticated, but this film is vary carefully and intelligently written and directed. This really is one of those special, beautiful movies, not as flashy or intense as some, but I think I will remember this film for a long time.

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This is a wonderful film about happiness and love, not some sex film. Finding your true place in life physically as well as emotionally is the theme. Everything is beautiful about this movie, the people, the love between the two men and the between the family and Francesco. Great performances by the cast, especially Alessandro Gassman. Beautiful scenes of Istanbul, which I am sure is not seen by the usual tourist.

I loved this movie and highly recommend it.

First off the bat, the homosexual suggestive advertising of this film is misleading: it was not the central theme nor occupy any more than a second's brief moment.

This film actually has a very poignant way of telling a story, which is set in Istanbul (this was what drew me to see this film as I remembered my visit to Turkey and fascinated by the city of Istanbul), and Istanbul is really the central backbone of this movie. Story unfolds in a very ordinary everyday way, and through out the film, yes, things just unfold and nothing is presented elaborately – no fuss no emphasis – they all come across in subtle nuances. One recurring activity is eating: breakfast, family dinner at home, dining at a restaurant -- the colorful food on the table, and the people at the table --- it's all happening in a casual simple everyday manner. Yes, it's like you're there with them -- the ‘regular' streets and neighborhood of Istanbul the city that tourists do not see. Meanwhile layers of emotions subtly unraveling and the central characters: Francesco and his wife, Marta, each of their own feelings go through stages of change…through each of their experiences of Istanbul and Francesco's aunt Anita's words… It all come together…and you will enjoy this film. An ordinary extraordinary film this is.

In the US, this film is being 'pitched' as a film about sexuality. In truth, that is not the film's focus. The main character travels to Turkey and undergoes an unexpected personal transformation. Part of this transformation has to do with same-gender sexuality. But you will enjoy the film much more if you forget about that entirely, and let the story unfold.

I think that the film's main characteristic is that it is subtle. The main character is not shouting his confusion from the rooftops; the viewer is left to draw conclusions from glances and actions (or the lack thereof). Some self-reflection comes in the form of letters that his aunt wrote to his mother, with the implication that he feels the same way.

Steam, or Hamam, is about suddenly finding one's "home", and being willing to accept that discovery and embrace it.

Marketing this as gay-themed is sort of misleading. There is an important gay relationship in it, but it's handled in a subtle manner. The Turkish family is either tolerant or in denial, (probably both). Reminds me a little of the Italian film 'I Am Love', which also takes a dramatic turn near the end. Prior to that, though, the story moves rather slowly. The quality of the lighting and the DVD itself is not great. I hope someday it will be 're-digitized'. Anyway, the film is remarkable for portraying a quietly ambivalent acceptance of homosexuality in a culture that is non-western and cosmopolitan: Istanbul. And interestingly, it suggests that the quietly ambivalent acceptance has been going on for a very long time. (10/2012)