Allacciate le cinture

Directing: 2 /Acting: 5 /Story: 2 /Production values: 3 /Suspence - Thriller level: 0 /Action: 0 /Mystery - unknown: 0 /Romance level: 3 /Comedy elements: 2

I love that Film. Great Story. Amazing film. Ferzan Ozpetek is the Best FilmMaker.

Ferzan Ozpetek never disappoints. The screenplay seems to me perfect, then the compliments as well as Ferzan Also go to writer Gianni Romulus Also that is the producer of the film along with Tilde Corsi. The film is gorgeous, strong. Extreme delicacy comes with a Theme Very particular and heard in these years. The love prevails over all. Soundtrack amazing. Mano a Mano Rino Gaetano contributes GET greatly excite During the Vision of the film. Cast of Actors EXCEPTION, all Talented. They are able to GET move and smile at the same time. The locations of the film are beautiful, Ozpetek Also with this film contributes strongly to the Promoting tourism in the Territory of Salento. A MUST SEE!

Inspired by the Beauty and the Beast myth, Ferzan Özpetek's latest film has bourgeois would-be café owner Elena (Kasia Smutniak) falling in love with mechanic Antonio (Francesco Arca). Initially it seems that they are totally incompatible, but animal attraction draws them together. After a whirlwind courtship, they marry and have two children. Later on in life Elena contracts breast cancer; Antonio finds it hard to deal with the news, leaving Elena's best friend Fabio (Filippo Schiccitano) to step into the breach. In hospital Elena strikes up a relationship with fellow-victim Egle (Paola Minaccioni), but this is brought to a cruel end with Egle's death. Meanwhile Antonio learns how to cope with his wife's illness, and the two look forward to a certain amount of happiness. Özpetek builds the narrative around a circular structure, beginning and ending with Elena and Antonio's courtship, with the cancer plot in the center. This enables viewers to focus on the ways in which pore-marital dreams are realized or not, as the case may be. Through the use of slow tracking shots and zooms into close-ups of the main protagonists, he invites us to reflect on the characters' emotions, expressed nonverbally as well as verbally. Although this is a clever technique, it seems rather out of place in a slight narrative which basically reinforces the message that love conquers all. There are also some unfortunate implausibilities of plot that jar somewhat: it is highly unlikely that Elena would resume work so soon after having had chemotherapy; and she would certainly not entertain the idea of making love to her husband immediately after having been given another dose of the same therapy. While the film contains at least one stand-out performance by Minaccioni as Egle, as she tries the best to put a brave face on life, despite her illness, it is ultimately very disappointing.

one of exercises of exploration of large territories of life. love, choices, sickness, Meridional family, marriage, perspective of death, friendship. like many films with same intentions, it is only a kind of essay. different by others films, it has a solid pillar who gives to it few nuances of seduction - the performance of Paola Minaccioni. far to be disappointed , it has the only sin to use same message, same tools, same lesson in same manner of a lot of others films about contemporary crisis. sure, the humor, the small crumbs of poetry are nice. but, in few cases, forced. or fakes. a film who propose questions. who gives perspectives. but who remains a beautiful sketch.