Favole

This film ostensibly tells the "true story" of the girls who photographed the "Cottingley Fairies" in Yorkshire. But the film takes the point of view that the photographs were genuine and that the fairies were real.

In old age, the girls involved admitted it was all a hoax - so why does the film treat what they say as true?

There is a scene in which Arthur Conan Doyle tries to convince committed rationalist Harry Houdini (Harvey Keitel) that what the girls say must be true - after all how could they, two young girls with apparently no knowledge of photography, fake the photographs and fool some of the greatest minds in the country? Houdini maintains, of course, that they have done so, however unlikely it may seem.

It strikes me that what Houdini says is correct and that THIS IS A BETTER STORY TO TELL! It is precisely because it seems so unlikely that makes it such a good story (now that we know the truth).

My view is that the two little girls were hoaxers, but that doesn't mean I don't have an enormous amount of respect for their achievement. Surely a better tribute is paid to them by showing fully the extent of their cleverness?

After watching this film I realize that it is not so much about whether it "was really" true or untrue...the essence of the film, made amply clear is the Belief of the two girls in fairies that made them see them in the first place. On a metaphysical level the film says that if you really believe in something, however odd or outlandish, it will come true or be true. There's no sense in being contentious about the basis of this film because that is very much valid as I have pointed out above. To do so, as I see some people have done over here, is to not only misunderstand the message of the film but to downplay its other qualities.

The acting of Florence Hoath as Elsie and Elizabeth Earl as Frances is really impressive. Both have done complete justice to their characters. The rest of the cast, Paul McGann as Elsie's father, Peter O'Toole as Arthur Conan Doyle and Harvey Keitel as Houdini are also really good. I also absolutely agree with most of the reviewers here that the early 20th century has been evoked very well. But of course, the best thing about the film is the cinematography. It's gorgeous! The woods where the girls encounter the fairies are evoked beautifully, they're appropriately dreamy and realistic. Praise must definitely be due to the set decorators who have done a brilliant job with the house that the Wrights live in and especially the room which Elsie and Frances share. It's a dream garret room! The music is also quite good. I thoroughly recommend this film, certainly for those who believe in Believing things and also for those who like to watch a really well made period film.

Maybe on account of the fact that being 2/3 through my alotted span and with a terrible awareness of what this world is really like and having also managed to really never grow up, I found this film to be the most touching and magical experience of my life. I am more than happy to tell you that the last ten minutes of the film brought tears to my eyes as I witnessed what every young child wants to see....and CAN if only they can put aside life's pitiful and distracting reality.

Released the same time as the excellent PHOTOGRAPHING FAIRIES, both films dwell on the factual events of 1917 when childhood friends Elsie Wright and Florence Griffiths took what they professed to be real photographs of fairies in their immediate neighborhood. The incredible photographs were declared non-hoaxes and even incurred the attention of such as Arthur Conan Doyle and Harry Houdini who visited the girls and examined the phenomenon. Peter O'Toole especially, as Conan Doyle is just superb in his characterisation (why am I NOT surprised?)

Absolutely sumptuous cinematography, a most literate of scripts and some grade A acting, especially from the two girls. The film had a larger budget than PHOTOGRAPHING FAIRIES and it shows. The highlight of course and that which the younger viewers must wait patiently for, is the quite staggering appearance of the fairies at the end. As brilliant a series of special effects as I have ever seen. Several people don't appear to have seen Mel Gibson - you weren't looking to closely!!

The truth or otherwise about the photographs has since been made public although few appear to know. I have no comment to add. If you WANT to know more, contact me.

The kind of movie that could almost persuade you that fairies were real. The story is that of the Cottingley Fairy photographs of the 1920s (taken by two Yorkshire girls who later revealed they were fakes) – those fooled included celebrated writer Arthur Conan Doyle (played here effectively by Peter O'Toole) while cynics included magician Harry Houdini (a charming role for Harvey Keitel, who manages not to swear and keep his clothes on for once).

The supporting cast are excellent – Paul McGann as the girls' dad/uncle; Tim McInnerny and Bill Nighy as journalist snoops; and Phoebe Nicholls as the girls' mother/aunt. The girls themselves are played with ease by Florence Hoath and Elizabeth Earl. Mel Gibson has a tiny cameo at the end (I don't want to spoil it by saying as what).

A thumbs-up, too, for the special effects achieved in this movie. The movie certainly is sentimental and does seem to come down on the side of the unknown and imply that the girls' claims were true, but it is a terrific family film I wouldn't hesitate to recommend.

Fairytale: A True Story is a truly charming and delightful film, that has all the charm of the enchanting Secret Garden and the equally wonderful Little Princess. The screenplay was very solid, and the film does look very, very beautiful, with perfect camera-work and splendid period detail. The simple but well-told story tells of two young girls who find and photograph fairies, and they manage to convince even Sir Arthur Conan Doyle (marvellously played by Peter O'Toole) that the fairies are real. The music was really lovely to listen to, and director Charles Sturridge manages to draw spirited (and exemplary) performances from his two leads Florence Hoath and Elizabeth Earl. The supporting cast include Paul McGann, Pheobe Nicolls and Harvey Keital, and all do more than a respectable job. Overall, a very pleasing and charming film, that does certainly leave you wanting fairies at the bottom of your garden, like the back of the video box promised. 10/10 Bethany Cox.