Quando il tenente generale Leland Zevo eredita un'azienda di giocattoli e inizia a produrre giocattoli da guerra, i suoi dipendenti si uniscono per fermarlo prima che rovini per sempre il no... Leggi tuttoQuando il tenente generale Leland Zevo eredita un'azienda di giocattoli e inizia a produrre giocattoli da guerra, i suoi dipendenti si uniscono per fermarlo prima che rovini per sempre il nome di Zevo Toys.Quando il tenente generale Leland Zevo eredita un'azienda di giocattoli e inizia a produrre giocattoli da guerra, i suoi dipendenti si uniscono per fermarlo prima che rovini per sempre il nome di Zevo Toys.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 12 candidature totali
Recensioni in evidenza
A case of 'wrong place, wrong time', Levinson odd little film is, though not without faults, surprisingly forward thinking about the desensitisation of youth and the dehumanisation of war. Today, that issue is much the rage (how often have we heard COD being called Propaganda/Army Porn or the use of drones), and in a post Columbine world, the idea of a youth perverted by the lack of distinguishing fantasy from reality is very potent, and one feels that 'Toys' would've been better served coming out now.
What's more, this also qualifies as one of the oddest studio films ever; from the Rene Magritte-centric production design to the interesting mix of actors here, though they all fit their roles well. The late Williams is very much the star of the show, and the child-like, jokey nature of this character fits him like a glove. Cusack as his doll-like sister also does well, giving the role a very youthful, almost eternally naive, quality. Joining them is the always superb Gambon as the pompous and crusty General, and he's having quite the ball in the role, and even Cool J as his son isn't half bad either, and actually has some good comic timing, especially given how meticulous his character is about proper military procedures. We even have Yeardley Smith and Jamie Foxx in small background roles.
However, some tonal indecisions, such as going from the dark subject matter to Williams' ad libs and wacky sight gags like a literal smoking jacket or fake vomit recipes, and a laggy climax involving a rather drawn out toy war do deflate things. In fact, that sums up why I believe the film's rep is so uncertain among critics and audiences; who is the target audience of the film? Is it an anti- war/protect our youth's innocence message for adults, or a quirky, oddball adventure for kids? It's like Levinson wants a live-action Ghibli film, but that careful blend of childhood magic and adult themes is off, making for an uneven, though still oddly fascinating, viewing experience.
Honestly, 'Toys' is worth seeing once as a ambitious novelty. It's such an odd mix of ideas, stories and even practices that there is really no movie like it out there, and it's sort of interesting seeing where it'll go or what it'll do next. Sometimes, a unique misfire is better than mediocre success.
While "Toys" was a box office flop and panned by critics, if you ask me, they failed to fully indulge themselves in the power of the film and it's special message about peace, joy, and innocence prevailing over war and evil.
If you are a fan of Salvador Dali's work or just a fan of surrealism in general, "Toys" is the perfect film for you. It's hard to think of another film with such vivid set designs that uses surrealism is such a creative and intelligent way. If you are just looking for a good comedy film to watch you might like "Toys" but this film is not for everyone. Approach the film with an open mind and I think you will either "Get It" or you won't.
Toys comes very close to being perfect. First, it is the closest I have seen a director come to creating a Kubrick style of filmaking. However, the ending for this movie is terrible.
Toys is about a man named Leslie Zevo whose father's toy company is taken over by his uncle, General Leland Zevo. The General tries to change the toy line from wind-up toys and dolls to military equipment and is trying to create a toy army operated by little children on remote the control. The plot sounds far fetched but it works.
The beginning of this movie if flawless. The entire production design was definately Oscar worthy. Barry Levinson manages to create this incredible world. I actually did feel like I as watching a Stanley Kubrick film because of the camera and design. There's one chilling scene were Robin Williams is discussing some of the novelty items the company will produce and as he does it the walls of the room he is in slowly close in because the General needs more space to build his war toys. Out of all the films I've seen in the 90's this scene would rank as one of the most memorable amoung them.
The performances are good. Michael Gambon and Robin Williams are both strong (I think Robin Wright was mis-cast though). However, Joan Cusack gives one of the most incredible performances I've ever seen. She plays a very child like adult, almost retarded but doesn't quite cross the line. The risks she takes and her characterization are all brilliant. There is one momennt when she is at her father's funeral and she just talks about how the word "tinhorns" stays with her. It's so beautiful and pure.
Now, about the ending. There is a scene in the film where the General tries to kill a fly with a gun. The movie should have ended with him trying to shoot the fly, but then shooting himself. However, there is this whole cliche plotline about bad guys becoming good, there's a toy battle which goes against the thematic elements of the movie, and there's an unesecary love scene that ruins the Kubrickian mood. The ending actually reminded me of a movie called Baby Geniuses and anyone who has seen both movies (which I'm sure is unlikely) will agree with me.
Oh well, if you see Toys watch up to the scene with the General and the fly and then stop. If you do this, you will have one of the most enjoyable cinematic experiences of your life.
Lo sapevi?
- QuizThe scene with Leslie Zevo (Robin Williams) addressing his troops was ad-libbed. Levinson kept a camera rolling everytime Williams was on-set.
- BlooperIn the arcade scene, a cabinet of the Konami shoot 'em up Lightning Fighters is shown. However, upon seeing the game itself, it is actually the Sega flight simulator Strike Fighter.
- Citazioni
Patrick Zevo: I can't even eat. The food keeps touching. I like military plates, I'm a military man, I want a military meal. I want my string beans to be quarantined! I like a little fortress around my mashed potatoes so the meatloaf doesn't invade my mashed potatoes and cause mixing in my plate! I HATE IT when food touches! I'm a military man, you understand that? And don't let your food touch either, please?
- Curiosità sui creditiDuring the credits, we see a dreamlike sequence of the elephant statue from Kenneth's grave flying over the hills.
- Versioni alternativeThe1993 UK VHS versions omit a sexual reference of around 5 seconds to obtain a 'PG' rating.
- Colonne sonoreWinter Reveries (excerpts from SYMPHONY NO. 1)
Composed by Pyotr Ilyich Tchaikovsky
Arranged and Edited by Trevor Horn
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Dettagli
Botteghino
- Budget
- 43.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 23.278.931 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.810.027 USD
- 20 dic 1992
- Lordo in tutto il mondo
- 23.278.931 USD
- Tempo di esecuzione
- 1h 58min(118 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1