L'urlo dell'odio

A billionaire, his younger "supermodel" wife, and her photography crew travel by plane to the north wilderness for a photo shoot.

While Charles (the billionaire), Stephen (the photographer), and his assistant are out scouting for new shooting locations in the plane, the run into a flock of birds and crash in vast wilderness more than dozens of miles away from the rest of the party (right in the middle of bear country). Can they survive in the wilderness long enough to get rescued, or will the have to fight what the wilderness has in store for them?

This is a great, edge of your seat thriller from the late 90s. I'd give it a 7.2 rating.

Anthony Hopkins plays billionaire Charles Morse, a bookish man who is married to a much younger woman(played by Elle McPherson) who is coveted by her photographer(Alec Baldwin) The two men, as well as an assistant(played by Harold Perrineau) are flown into a remote location in the Alaskan wilderness, when they are struck by a flock of birds, causing them to crash in the lake, killing the pilot, and placing the three survivors in a life and death struggle with not only the harsh elements, but a huge Kodiak bear that smells blood...

Harrowing adventure drama from writer David Mamet is well directed by Lee Tamahori and acted by the leads, especially Anthony Hopkins, whose transformation from bookish introvert to determined survivalist is believable(they're not mutually exclusive anyway!) Relationship among the men is a bit muddled, especially after the climax, but solid thriller is also compelling and frightening.

Not a film for people with a fear of bears...

This film was a revelation! When it was on general release in the cinema, I gave it a wide berth. I can't remember why, probably the combination of a weak title, Alec Baldwin in a starring role and a really unimaginative trailer. I've just seen it on a 14-inch TV screen and am so sorry I didn't catch it on the big screen (or even a 26-inch TV!).

David Mamet can write but he knows his place! This is an action adventure movie and so Mamet is not trying to make any great philosophical point. He does provide a wide variety of thematic ingredients (man V nature, youth V age, brains V brawn, machismo, infidelity) to ensure that the story line is far more interesting than most of Hollywood's action-movie schlock. And, of course, a furry killing machine that can smell a man from 10 miles and run through the forest at 30 mph!

Charles, (Anthony Hopkins' erudite billionaire character) starts out as the vulnerable, isolated character of the film. He's married to Mickey, his photo-model wife(Elle can act herself!) flirts quite openly with Bob the handsome, younger photographer (Baldwin). Charles seems set up for a fall. In his self-effacing way, he confesses to knowing a lot "in theory" but not being great at "practical application".

So when the plane crashes into an icy lake, Charles is the one for whom you most fear but that's when all the surprises start..........

The biggest disappointment for me is that a fine actor such as Harold Perrineau finds himself playing a role that is a classical Hollywood cliché, the nice black guy who gets killed. When are they going to cut this crap out? Either kill the guy in the crash or give him a character but don't just make him plot fodder. Seeing Stephen (Perrineau) with the other two on the lake shore, you just knew he would have all the longevity in this film as James Bond's first female conquest. As David Mamet doesn't share the writing credits with a studio committee or an executive producer, I suppose he has to take responsibility.

That said, this is a really gripping film. Well directed photographed and acted (even by Baldwin!). And the bear! How long do you have?

The shots where you (from Charles point of view) are staring down the roaring bear's throat and can see his uvula through an emerging cloud of steamy breath are just brilliant. I could almost smell that bear. I believe they made extensive use of prosthetics. Excellent FX!

'The Edge' Directed by Lee Tamahori, is An Interesting Survival Drama, that is served with a consistent pace & effective performances. Its never razor-sharp, but it holds you for the most of it.

'The Edge' Synopsis: An intellectual billionaire and two lesser men struggle to band together and survive after getting stranded in the Alaskan wilderness with a blood-thirsty Kodiak Bear hunting them down.

'The Edge' is about two men fighting it out in the Wilderness. The Bear, of course in the main antagonist, but 'The Edge' is more about the fight between its two strong leading men & how they are as unpredictable & fierce as the Bear. I was engrossed for the most part. The only glitch, lies in its final-act, which drags on for a bit.

David Mamet's Screenplay is interesting & successfully captures the violent & unpredictable journey of two strong men. Lee Tamahori's Direction is excellent. Donald McAlpine Cinematography's is a sheer delight. 'The Edge' is a visual marvel, as it captures the wilderness & the beauty of it, without ever looking overdone. The Late/Great Neil Travis's Editing is well-done. Art & Costume Design are superb. Make-Up merits a special mention.

Performance-Wise: Sir Anthony Hopkins & Alec Baldwin are in great from. Hopkins excels as the billionaire with a strong will to survive, while Baldwin oozes subtle menace as well as induces some nice comic touches. Both of the terrific actors work superbly here. And of course Bart the Bear, who's contribution here is tremendous. R.I.P, dear Bart.

On the whole, 'The Edge' is definitely worth watching.

Boy, here's an intense film, a survival-in-the-wilderness adventure/thriller starring the unlikely duo of Anthony Hopkins and Alec Baldwin. It's not hard to guess who's the villain, in addition to a man-eating bear who stalks the two of them after their plane crashes in the woods of Alaska.

The sophistication of Hopkins, playing an extremely smart man, battling the crude Baldwin, who is insanely jealous of Hopkins' possessions, including his gorgeous wife (Elle McPherson), is intriguing to watch. So is the great scenery and best-of-all, a great action story that has you focused intently for the full two hours.

A human characteristic so often ignored in films the past half century is put on display here: compassionate forgiveness. Seeing forgiveness demonstrated instead of revenge is almost shocking to see. Kudos to the filmmakers, too, for not going overboard on the brutality in this adventure.