Trilogia del terrore II

Lysette Anthony takes over for Karen Black in this trilogy of scary stories in which she is the star in each tale. The first one is about adultery, murder, and grave robbers. The second tale is about a mother who uses black magic to bring her dead son back to life. The final and best tale is about the demonic African doll from the first film stalking Anthony. While the effects may be a bit on the cheap side, this is a fun and scary outing. Lysette Anthony is a good choice for taking over the Karen Black.

Rated R; Violence and Profanity.

Dan Curtis returns to Trilogy of Terror 20 years after he terrorized Karen Black with that creepy doll, but Black's absence this time is obvious and Lysette Anthony is competent but can't quite fill Black's shoes.

Once again, Curtis gives us three tales of terror - one features an adulterous wife who gets her just desserts after plotting to kill her husband, another has her playing a grieving mother who brings her child back to life via witchcraft with some deadly consequences, and the final story has her as a museum researcher who gets terrorized by the same scary doll from the original film.

None of the stories are as terrifying as the final story of the original film, but they're all well told and entertaining enough for 90 minutes.

Also made for TV, Trilogy of Terror II tries to capture some of the same creep factor of the original, but its big showstopping sequel to the infamous doll sequence is more or less a lazy remake of the original segment with much less engaging characters.

This isn't actress Lysette Anthony's fault. She plays each role she's given realistically and compellingly from cold trophy wife to grieving mother, but the stories are an uneven bunch and the best one, Bobby, is also a nearly shot for shot remake of Dan Curtis' work in another anthology called Dead of Night, but less effective this time around. The child actor playing the title character is much more hammy than the more realistic performance in the 70's version.

Production values are nice and Anthony is pleasant to watch even if she's not the powerhouse that Karen Black was. It's just unfortunate that the two best segments in the film are basically remakes of other segments from other movies.

Trilogy of Terror II is a lot like the original film in that they are both decent stories and less exciting ones peppered throughout the runtime. Dan Curtis returns to direct this sequel with somewhat mixed results. For starters, Lysette Anthony, while mostly competent, seems like an odd choice to replace someone like Karen Black, who, love her or hate her, had a unique style that made her incredibly watchable on screen. Anthony's never terribly interesting or quirky enough to carry off some of the lesser stories, but she proves decently capable when she's only required to bug her eyes and scream in fear. I'm guessing that's all her audition called for, so I guess she delivers in that respect.

The first story is a mediocre, but not entirely un-engaging film noir-esque "we should murder my husband and collect his money" story with an ok twist at the end. It's the least exciting of the stories, so at least we get it out of the way.

The next story is based on a similar segment from Curtis' Dead of Night entitled Bobby about a woman who makes a pact with a demonic entity to bring back her dead son with predictably horrifying results. Curtis appears to have stuck very close to the original script (and even some of the shots are almost identical) and it probably works the best out of all the segments. The final reveal, unfortunately, comes across as more laughable than terrifying.

The final story brings back the infamous Zuni fetish doll and picks up right where the original story left off with the doll being taken to a museum to be studied as it terrorizes the night staff. It has its effective moments, but it can't quite compare to the claustrophobic terror of the original story.

Trilogy of Terror II is a merely respectable sequel that's not bad to have on in the background if you're bored.

After twenty years, made-for-TV horror maestro, Dan Curtis finally made his sequel, TRILOGY OF TERROR 2.

STORY 1- THE GRAVEYARD RATS: Laura (Lysette Anthony), afraid of being cut out of her zillionaire husband's (Matt Clark) will for infidelity, decides to kill the old boy. With help from her soulless lover, Ben (Geraint Wyn Davies), it's not long before hubby's in the ground. The murdering pair discover that something important was buried with the departed. Something without which, Laura and her piggish paramour are doomed to a middle class lifestyle. Of course, the remedy involves some serious digging! At night! Enter the titular, rubbery rodents of recompense. Co-stars Geoffrey Lewis as the gravedigger.

STORY 2: BOBBY- A distraught mother (Anthony) resorts to occult means in order to resurrect her dead son, Bobby (Blake Heron). Mom's efforts pay off, and her son returns. Sort of. At first, all seems well with this joyous reunion. However, as the evening progresses, Bobby begins acting strange. Ultimately, mom learns that she probably should have left things as they were (Think: THE MONKEY'S PAW with a wicked twist). This segment is a remake of the original BOBBY from Curtis' horror anthology, DEAD OF NIGHT. Personally, while both versions are good, I prefer the original.

STORY 3: HE WHO KILLS- Set immediately after the events of PART 3 of TRILOGY OF TERROR (1975), police are stumped by the bloody murders in the apartment. They find the Zuni Fetish doll, and take it to Dr. Simpson (Anthony) for her insights. She restores the doll as best as she can, and runs her tests. When Simpson returns to the lab after dinner, the doll is missing, resulting in a deadly game of "hunt the humans"! A decent follow-up to the first Zuni story, its one weakness is in showing too much of the crazed doll. Less is truly more, which is what made the first one so effective. In spite of this, as well as the direct recycling of the "suitcase scene" from the original, it's not bad.

CONCLUSION: Not a masterpiece, but worth watching, especially for horror anthology fanatics...