After Midnight

In the pantheon of iconic horror anthologies, you have your "Creepshow," your "Tales From" both "Crypt" and "Darkside," and even a "Twilight Zone The Movie."

...and then you have "After Midnight," which in no way belongs to the same league as the aforementioned genre standards.

Really, "After Midnight" is the sort of thing you'd let slide to the bottom of your Netflix queue until one bored Friday or Saturday night. Within the first 20 minutes or so, your instincts prove to be true as this 3-part anthology has little to offer that its predecessors haven't already done in much bigger and bolder fashion. That's not to say that this film is completely worthless or without merit. There are some over-the-top, silly moments that -- whether intentionally or not -- will elicit a chuckle from anyone in the right mindset. It also boasts a pretty solid cast of "Hey, I know that guy!" and "Oh, that's the voice of Bobby Hill!" It's just so unfortunate that most of the 90 minutes spent on this film are devoid of any legitimate scares or creativity. Much like a drunken midnight snack, it comes and goes and leaves little to remember in its wake.

The first story, "The Old Dark House," focuses on a couple who find themselves stranded and seeking shelter in, well, an old dark house. Not much happens in this story until its hilariously stupid yet unforgettable conclusion. Nothing worth losing your head over, though. Next up, "A Night on the Town" finds a group of girls who just wanna have fun but instead have an unfortunate run-in with a crazy hobo and his three vicious dogs. The meatier of the three stories, this one doesn't do much to capitalize on its tense set-up. Its setting is creepy and all, but there's little else of interest here, though genres fans will enjoy spotting Penelope Sudrow of "A Nightmare on Elm Street 3: The Dream Warriors" and Judie Aronson of "Friday the 13th Pt. IV: The Final Chapter" in the pack. Finally, "All Night Messenger," a would- be tense game of cat and mouse between a phone operator (Marg Helgenberger) and some creep making threatening phone calls. This one almost hits the spot, but is undermined by sharing the identity of the stalker with the audience too early and too often. It also ends right when it starts getting good.

The three stories are surrounded by a wrap-around that, bad as it might be, feels a little more fleshed out than the rest. A nutty professor (Ramy Zada) teaches his students about the meaning of fear (or something). Even though their teacher reveals himself to be a bit suspect early on, the students seem fit to follow him home regardless. This of course culminates in a truly bizarre finale that begs a rewind.

Overall, "After Midnight" isn't a movie that can be recommended for anyone other than those who grew up in video store aisles and/or those who remember staying up way too late to watch horribly butchered slasher films on cable TV. It's terribly slow, at times dull, and if you watch it (ahem) after midnight, there's a good chance you'll fall asleep halfway through. Having said that, it's not without its charms, and while there isn't one single segment that sticks the landing, there are a few moments of inspired lunacy that make it worth sitting through at least once. Even still, there's nothing here that is worth losing sleep over.

"After Midnight" offers interesting tales that remind me of another 80's slasher flicks such as "April Fool's Day" (the first tale), and "Girls Night Out" (the second tale).

People inside a house narrate these tales while a prowler lurks outside the place.

Anyways, the first story is pretty interesting and has a chilling climax. I didn't see that coming!. In the style of "April Fool's Day" but in this case something went wrong. The second tale is less interesting but has more action involving flesh eating dogs chasing the girls. It is thrilling and has a decent conclusion. The third one is absolutely thrilling and nerve tensing involving a psychopath.

I watched it on TNT a few years ago so my advice would be , look for this popular Anthology. You might be suprirsed to see how many people ask for the movie's title on the Horror board. It has generated a somewhat cult status.

Yeah, the other reviews basically sum up the details on this one. However, nobody picked up on the awesomely 80's aspects of this movie.

Number one: the wraparound story: the killer has a mullett!!!! horrors! Number two: the haunted house story, shoulder pads!!!! ahhhhhh Number three: the lost girls: mini skirts, spandex dresses, teased bangs, sweaters, and yes, bangles. Terrors upon terrors! Number four: okay there wasn't anything particuarly awful about the late night caller one, well the main character's hair was pretty bad.

So all in all, After Midnight is cheesey, cliched, and not very scary, but it is lots of fun, and it was made in a decade of horrid fashion trends!

I saw this on The Movie Channel yesterday, and I really liked it. The stories weren't great, but they were all entertaining, and I liked how the frame story was more than people sitting around telling stories, and despite the fact that the climax of the frame story was a little extreme (though, quite creepy with that skeleton!) it's still a good horror movie.

The film comes together with Allison (Jillian McWhirter) and Cheryl (Pamela Segall) starting college, and their first day of a class on the psychology of fear. After their professor (Ramy Zeda) goes too far with one lesson (scaring a macho frat guy to the point of wetting himself), he is forced to tone his class down, but opts for anyone who wants to get a better understanding of what he's teaching to come to his house the next night for a private lesson. A handful of students show up, including Allison and Cheryl, yet Allison has a bad feeling about it all (well, we haven't heard that one before!) and almost seems to be a bit psychic about it. (Believe me, it gets old quick.) Yet, that night, as a few students take turns telling stories to scare each other, the angry frat guy decides to get his revenge, and closes in on the party, as each story is told.

There are three stories told:

1: "The Old Dark House"- This one was really clever. It starts off and gets going with what seems like every cliche in hand. A couple takes the scenic route home, pass an old mansion where murders were committed, get a flat tire, and decide to go up to the house to call a tow-truck. We've seen all that before. But then, towards the end, the story takes a really creative twist that ties it all together perfectly, and actually proves to be a genuine surprise and thrill.

2: "A Night on the Town"- This one was a little thin, and could have used a few twists, yet it didn't surprise you like it should have, which would have helped the flimsy plot. Four girls looking for some fun (one of which, Amy, I knew I recognized, and finally realized was the teenage girl in "Mr. Belvedere"!) and end up in the warehouse district of town with little gas. They stop at a gas station, and meet the gas station attendant from hell and his dobermans, which all proceed to terrorize the girls in a sometimes tense, sometimes cheesy chase through the wrong part of town. This one was not as good as the others, but still entertaining.

3: "All Night Messenger"-This one was pretty good, though a little typical. A woman, Alex, who works for a telephone messenger service (I didn't get it, maybe this is pre-answering machine employment) comes home early from a ski trip with a broken ankle (hmm, will she have to run at some point?) and takes the late shift that night. She begins getting calls from a creepy caller for one woman, and when the woman comes home and calls for her messages, Alex tries to warn her before it's too late. Of course, the caller eventually catches on, and makes his move, and you can sort of see where it all goes from there. Though, this one was pretty good, and the ending was creepy.

The frame story eventually wraps up in this very bizarre climax that makes little sense at times, but it's still creepy. And to wrap all that up, the movie does the only thing that might make some sense, but will surely make you groan with annoyance.

Overall, I liked this. The main and end title music was creepy, and the whole atmosphere of the movie was that 80s horror movie feel that just sort of makes everything entertaining, and tolerably cheesy. The acting is all fairly typical. Jillian McWhirter sort of got on my nerves with all her damn premonitions, and she always looked really creepy, almost drugged. Ramy Zeda was a bit over the top, but creepy. I thought Pamela Segall was likeable, though, except, what was going on with her and the ending? (You'll know what I mean if or when you see this, and if you have, tell me what was going on.) All the other actors were forgettable, and basically playing the roles expected of them in a movie like this.

I recommend watching this if you get a chance. It moves quickly, and is really entertaining.

Horror anthologies are largely a mixed bag. For every spectacular Tales From the Darkside or Creepshow there is a horrible (and often British) movie like Tales That Witness Madness to drag the genre down.

The first story is a mediocre haunted house tale that didn't really impress me.

The second was about four girls who end up in a bad neighborhood and terrorized by a gas station attendant and three killer dogs. I liked this story and felt that the characters were generally interesting and intelligent, bad choices aside.

The final story is about a telephone operator who is terrorized by a psychopathic stalker. This one was pretty good as well.

The wraparound story is interesting and generally more involved than most other anthologies. It is arguably better than the stories themselves, aside from the ending which I won't spoil.