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Mosche da bar

Titolo originale: Trees Lounge
  • 1996
  • R
  • 1h 35min
VALUTAZIONE IMDb
7,1/10
18.293
LA TUA VALUTAZIONE
Steve Buscemi in Mosche da bar (1996)
Home Video Trailer from Artisan
Riproduci trailer2: 22
1 video
78 foto
Dark ComedyQuirky ComedyComedyDrama

Tommy è un meccanico disoccupato che spende la maggior parte del suo tempo al Trees Lounge, un bar di una piccola cittadina.Tommy è un meccanico disoccupato che spende la maggior parte del suo tempo al Trees Lounge, un bar di una piccola cittadina.Tommy è un meccanico disoccupato che spende la maggior parte del suo tempo al Trees Lounge, un bar di una piccola cittadina.

  • Regia
    • Steve Buscemi
  • Sceneggiatura
    • Steve Buscemi
  • Star
    • Steve Buscemi
    • Carol Kane
    • Mark Boone Junior
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    18.293
    LA TUA VALUTAZIONE
    • Regia
      • Steve Buscemi
    • Sceneggiatura
      • Steve Buscemi
    • Star
      • Steve Buscemi
      • Carol Kane
      • Mark Boone Junior
    • 94Recensioni degli utenti
    • 45Recensioni della critica
    • 76Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 5 candidature totali

    Video1

    Trees Lounge
    Trailer 2:22
    Trees Lounge

    Foto78

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    Visualizza poster
    + 72
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    Interpreti principali40

    Modifica
    Steve Buscemi
    Steve Buscemi
    • Tommy
    Carol Kane
    Carol Kane
    • Connie
    Mark Boone Junior
    Mark Boone Junior
    • Mike
    Bronson Dudley
    • Bill
    Anthony LaPaglia
    Anthony LaPaglia
    • Rob
    • (as Anthony Lapaglia)
    Michael Buscemi
    Michael Buscemi
    • Raymond
    Elizabeth Bracco
    Elizabeth Bracco
    • Theresa
    John Ventimiglia
    John Ventimiglia
    • Johnny
    Steven Randazzo
    Steven Randazzo
    • Vic
    Suzanne Shepherd
    Suzanne Shepherd
    • Jackie
    Rockets Redglare
    Rockets Redglare
    • Stan
    Joe Lisi
    Joe Lisi
    • Harry
    Debi Mazar
    Debi Mazar
    • Crystal
    Eszter Balint
    Eszter Balint
    • Marie
    Richard Boes
    Richard Boes
    • Freddie
    Brooke Smith
    Brooke Smith
    • Tina
    Carina Finn
    • Anna
    Seymour Cassel
    Seymour Cassel
    • Uncle Al
    • Regia
      • Steve Buscemi
    • Sceneggiatura
      • Steve Buscemi
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti94

    7,118.2K
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    Recensioni in evidenza

    8jhclues

    Buscemi Does It All, and He Does It Well

    Steve Buscemi has long been one of the premiere character actors in the business; his resume reads like a veritable Who's Who of interesting, complex characters who run the gamut from psycho hit-man to regular guy, all of whom he has brought vividly to life in film after film. And whether or not a particular project is a hit or a flop, Buscemi is always good, and can always be counted upon to add that extra something to any given film, as he has in `Trees Lounge,' an affecting drama he not only stars in, but with which he makes his debut as a writer/director-- and an impressive debut it is.

    Tommy Basilio (Buscemi) is an out-of-work mechanic who lives alone above a bar called Trees Lounge in Long Island, N.Y. He's more than a bit down on his luck; not only did he lose his job, but his pregnant girlfriend of eight years, Theresa (Elizabeth Bracco) recently dumped him for his former boss, Rob (Anthony LaPaglia). He wants to pick himself up and get his life back together, but he doesn't seem to know where to start, and the garages to which he's applied for work aren't exactly knocking his door down to hire him. So he gravitates to the Trees, where he can at least interact with others who seem to be in situations not entirely unlike his own, though at different stages and for different reasons. But they all have one thing in common-- they're people just trying to get through the day; they're trying to get through life. If they can only figure it all out.

    With this film, Buscemi proves that he is more than just a talented actor, but rather a true artist in every sense of the word, with his chosen medium being film. He has an eye for detail which complements his insights into human nature and enables him to effectively translate his material to the screen. His characters are finely drawn and complex, and with each and every one he manages to successfully avoid the stereotypes to which a setting like this could easily lend itself (and no doubt would, in lesser hands). Even with the minor characters, he succinctly gives you enough of who they are that it allows you to see beneath the surface and know what makes them tick. And he does it imaginatively-- by filling a room with photographs or items that reflect who a certain person is, for example, or simply by training his camera on someone's face and allowing that extra beat that affords the viewer a telling glimpse of what's hiding behind a character's eyes. Buscemi has an innate sense of knowing how to convey what he's trying to say, and he does it in a million small and different ways that are subtle and incisive. Simply put, he knows what works-- including how to get what he wants out of his actors-- and he presents it all with a pace and timing that are right on the mark.

    In Tommy, Buscemi creates a character to whom many will be able to relate and identify on any number of different levels. To say that Tommy is a `loser' would be too much of a simplification, because the character is too complex for that tag alone to be accurate. Tommy is blue-collar, down on his luck, and like so many people in real life, just can't seem to put it all together, can't figure out how `life' is supposed to work. And that's what Buscemi conveys so subtly and so well, and it's the key to the success of this character-- it's what makes Tommy believable and real. Obviously, Buscemi knew exactly what he wanted when he wrote this character, and he puts it across with a brilliant, memorable performance which also demonstrates his ability to star in and carry a movie on his own. Certainly, he has a wonderful supporting cast that gives him plenty of help, but few character actors have ever been able to step into a lead role with such facility and achieve the level of success Buscemi has here. And it's work that deserves to be acknowledged.

    There are a number of notable supporting performances in this film, as well, beginning with Mark Boone Junior, who as Mike captures the essence of a guy who is successful, but a loser nonetheless; LaPaglia, who gives a solid performance as Rob; Bracco, with a performance that is introspectively revealing; Debi Mazar, who with very little screen time leaves an indelible impression (and her eyes are absolutely mesmerizing); Kevin Corrigan (another of the finest character actors around), as Matthew; and especially Chloe Sevigny, as Debbie, Theresa's mature-beyond-her-years, seventeen-year-old niece.

    Rounding out the ensemble cast are Carol Kane (Connie), Bronson Dudley (Bill), Michael Buscemi (Steve's real life brother, playing Tommy's brother, Raymond), Suzanne Shepherd (Jackie), Rockets Redglare (Stan), Seymour Cassel (Uncle Al), Annette Arnold (Sandy), Michael Imperioli (George), Mimi Rogers (Patty), Daniel Baldwin (Jerry) and Charles Newmark (Puck). An involving story presented with a rich assortment of memorable, convincing characters, `Trees Lounge' is a drama about life-- about the things going on in your own neighborhood, or downtown or two streets over, no matter where you are in the world. Wherever people are, there are situations like the ones depicted in this film, problems that have to be solved and life that has to be lived. And that's what makes this film so good; it gives the audience a chance to connect with, or at least examine, things that anyone anywhere will be able to recognize. It may have taken a collaborative effort to make this one what it is, but in the end, it's Buscemi's film from start to finish, and a satisfying little gem of a movie it is. And that's the magic of the movies. I rate this one 8/10.
    9JoeyStobart

    Hats off to Buscemi

    Watched this with some trepidation, having seen the absolutely excellent trailer. So few movies live up to their trailers, especially indies. Anxiety increased by having read Buscemi's fairly harrowing account of making the film in one of those 'The Directors' books.

    Shouldn't have worried. Great flick. Totally engrossing, especially to a *cough* former *cough* barfly like myself. Beautifully understated, funny, very sad, nicely paced and Buscemi very wisely NOT trying to dominate every scene, although he certainly dominates the movie.

    Movie appears on first sight plot less but actually it isn't at all: Buscemi's search for a second chance to escape from the morass of his own making is riveting. Everyone involved seems to have had a good time and the beautifully relaxed performances are the reward. Only the two knucklehead goombahs fall below the otherwise uniformly excellent level.

    A real treat, and thoroughly watchable-again able. My DVD was in TV format, which sucked, but otherwise the low budget doesn't really intrude.

    Nearest movie to it I can think of offhand is KILLING OF A Chinese BOOKIE. Radically different subject matter but similar bittersweet texture.

    A slightly, but only slightly, generous 9/10 from me.
    8caspian1978

    Labor of Love

    If John Cassavetes was alive, he'd have a copy of Trees Lounge in his video library. This is a story that is hard to tell, let alone find an audience. Although many can relate with the cast of lost souls hanging out at a bar most of the day, many will not admit to being somewhat connected to any of the characters. Filmed for less that 2 million, this independent, low budget, and somewhat of a masterpiece is brilliant as well as entertaining. Much of the cast has gone on to do other known films. Carol Kane, Mark Boone Junior Steve Buscemi, Bronson Dudley, Anthony LaPaglia and Steve's brother Michael Buscemi star in this Minnie and Moskowitz type story. Seymour Cassell and Mimi Rogers add their touch of magic to this story as well. A deep story with deep characters, this is a movie worth watching.
    10pavel_sax

    Melancholia in Suburbia

    This semi-biographical tale centres around a down on his luck, yet charismatic bar fly, set on his way to self destruction. Buscemi'second self directed/penned feature is slower paced than some might expect. This in no way detracts from the overall brilliance and charm that trees lounge conveys. Tommy's character, while on the surface, demands both pity and sympathy. It's in his anti-heroic attributes ie. selfishness and callousness, that make the film so human and believable. American releases as passionate and warm as Trees Lounge do not come around as often anymore, with only The Station Agent coming close. So enjoy.
    bob the moo

    Amusing and low-key debut from indie king Buscemi

    Small town deadbeat Tommy, spends the majority of his time drinking at the Trees Lounge and trying to find comfort with anything in a skirt. Meanwhile his ex-best friend is with his ex-girlfriend who may or may not be carrying Tommy's child. Tommy drifts day to day before finding himself a job and a new friend.

    This was Buscemi's first attempt as director and is semi-autobiographical in it's plot. Plot, however is a poor way to describe this film's story. Rather it is an amusing character piece, following Tommy through his life. Tommy is likeable but is also selfish, clueless, aimless and friendless. We like him because he has a good loser-quality to him that brings part sympathy and part empathy. During the film he hurts many through his selfish actions and his life is consistently aimless and pointless. However it still manages to be interesting because of Tommy. Even when I didn't care about him the story had enough good support characters and goings on to keep me interested.

    Buscemi as actor is just as good – doing a weasely version of himself but managing to keep him just likeable enough to get by. It something about the way that Tommy clearly hurts himself all the way that makes it hard to dislike him. The support cast are all very good. Junior, Kane et al do well as the various barflies while LaPaglia, Bracco, Baldwin, Imperioli, Rogers and Jackson all deliver well on their various roles. Sevingy is very good again in another sexually laced child role – but I'm glad she's not been typecast too much since Kids.

    Overall this is plot light but is still interesting, amusing and enjoyable. Buscemi directs with a light touch and keeps everything light until the sombre final shot.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      Steve Buscemi's brother Michael Buscemi and son Lucian Buscemi appear in the film. Buscemi's father also appears as well, although he is only in the background.
    • Blooper
      During the opening credits, an old man at the bar orders a large glass of liquor filled with ice. In the next shot, there's no ice in the glass. However, this is a deliberate technique by the director to indicate the passage of time at Trees Lounge.
    • Citazioni

      Tommy: Everybody's fucked up, but nobody wants anybody else to think they are, but everybody knows they are anyway.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: The First Wives Club/Big Night/Surviving Picasso/Last Man Standing/Paradise Lost: The Child Murders at Robin Hood Hills (1996)
    • Colonne sonore
      I Understand (Just How You Feel)
      Written by Mabel Wayne & Kim Gannon

      Performed by The Ink Spots

      Published by EMI Waterford Music, Inc., EMI U Catalog Inc. and EMI Feist Catalog Inc.

      Courtesy of The Everest Record Group

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    Dettagli

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    • Data di uscita
      • 31 luglio 1997 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Trees Lounge - Una última copa
    • Luoghi delle riprese
      • Assembly Bar, 73-02 Cooper Avenue, Glendale, Queens, New York, New York, Stati Uniti(Trees Lounge exterior)
    • Aziende produttrici
      • Addis Wechsler Pictures
      • Live Entertainment
      • Muse Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 1.300.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 749.741 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 39.830 USD
      • 13 ott 1996
    • Lordo in tutto il mondo
      • 749.741 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 35 minuti
    • Colore
      • Color
    • Mix di suoni
      • Ultra Stereo
    • Proporzioni
      • 1.85 : 1

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