VALUTAZIONE IMDb
6,5/10
8209
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFailing to make it on his own, twenty-seven-year-old Jim moves back in with his parents and deals with crippling family obligations.Failing to make it on his own, twenty-seven-year-old Jim moves back in with his parents and deals with crippling family obligations.Failing to make it on his own, twenty-seven-year-old Jim moves back in with his parents and deals with crippling family obligations.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
Nick Boyd
- Man (Driver)
- (non citato nei titoli originali)
Michael Buscemi
- Man (Driver)
- (non citato nei titoli originali)
Thomas Friesner
- Man on Bus
- (non citato nei titoli originali)
Recensioni in evidenza
Casey Affleck does a good job becoming the unlovable loser that you're actually interested in watching in this film. And for what it's worth, I feel like this film did a great job avoiding indie cliché's. Jim is not really overly inept or annoyingly stupid; in the contrary he's just kind of a high minded loser fumbling about for the same things most people fumble about for. Love, self respect and meaning in life. He's someone that's thinking somehow they are above the standard human fare because he has a specialization in literature.
Growing up in the Midwest I can say this captures Midwestern life almost perfectly. The tone of the settings, the reactions of the characters and even the fact that it appears to be shot in that brownish tan time between winter and spring which always reminded me of the Midwest no matter where I went. The supporting actors all turn in very good performances and it's interesting to look at.
This was a good movie. Steve Buscemi has mastered the art of subtlety and after seeing this movie and reading a few user reviews, I gather it's lost to a large number of people. Much like Ghost World which he starred in, he gives you hints and details that allow you to find character motivations and to flesh out their inner workings. In other words, he allows you to use your imagination. The film is like Jim, sad and brooding but with the hint of a good heart trying to find a way out. This is very funny and melancholy piece that's well worth a watch for people who enjoy films like this.
Growing up in the Midwest I can say this captures Midwestern life almost perfectly. The tone of the settings, the reactions of the characters and even the fact that it appears to be shot in that brownish tan time between winter and spring which always reminded me of the Midwest no matter where I went. The supporting actors all turn in very good performances and it's interesting to look at.
This was a good movie. Steve Buscemi has mastered the art of subtlety and after seeing this movie and reading a few user reviews, I gather it's lost to a large number of people. Much like Ghost World which he starred in, he gives you hints and details that allow you to find character motivations and to flesh out their inner workings. In other words, he allows you to use your imagination. The film is like Jim, sad and brooding but with the hint of a good heart trying to find a way out. This is very funny and melancholy piece that's well worth a watch for people who enjoy films like this.
This is a great film which superbly walks the balance between bleak and hopeful, without ever becoming annoyingly angst ridden or overtly perky. Mary Kay Place, who has been such a solid supporting performer throughout her career, is Oscar worthy as the ever optimistic mom who shows layers upon layers with the simplest gesture -- a wonderful, comic performance. It would be a true tragedy, however likely it is, if the distributors do not put some muscle into a campaign in her favor. Buscemi's direction and the tightrope walk of a script is captivating throughout. Shot on mini-dv and certainly there have been better shot dv features. Film tends to get real noisy in the darks, and the titles during opening credits break to pixels. Too bad too, because it is unlikely this film will be taken as seriously as it deserves to be because the filmmakers/producers failed to take time/cost to make it right.
...a few bright moments to break up the grey times.
It's a fair representation of what so much of the midwest is about: a bit about futility, about a lifeless life, yet still containing a few bright moments. And having hope.
The digital film present a dull grey-red tone to the proceedings...not engaging to the eye but it seemed to fit the mood. The characters, while not sympathetic, were nicely developed. The events, even those seemingly "large" ones, do not develop the magnitude that might be expected. But that's how life usually works.
This is a much better view than the low marks indicate, but it's not great film-making either. It is a good Indie movie, and one that encourages a look at Buscemi's future projects.
It's a fair representation of what so much of the midwest is about: a bit about futility, about a lifeless life, yet still containing a few bright moments. And having hope.
The digital film present a dull grey-red tone to the proceedings...not engaging to the eye but it seemed to fit the mood. The characters, while not sympathetic, were nicely developed. The events, even those seemingly "large" ones, do not develop the magnitude that might be expected. But that's how life usually works.
This is a much better view than the low marks indicate, but it's not great film-making either. It is a good Indie movie, and one that encourages a look at Buscemi's future projects.
Although I agree with many of the people that this was a good movie, I do not necessarily agree that it had a moral, taught a lesson, etc. The script, as economical as it was, was terrific, not to mention hilarious! There is hardly a wasted line, scene, etc. Nobody overacts. The actors simply just do their jobs. Some of the jokes had me laughing out loud at midnight; e.g., when brother #1 says "awesome" upon learning brother #2 has bedded Liv Tyler, #2 thanks him - to which #1 says "No, I'm thinking her standards are so low I've still got a chance".
The movie is chock full of tiny lines of great dialog. Most are not crafted jokes but simply hilarious circumstantially, as when the protagonist comments on the strength of the stoner's weed and - in a casual aside - the stoner says, "Yeah, I put some crack in". Also, our hero so deftly manages to unintentionally insult everyone and everything while spilling his guts; e.g., believing he's offering profound insight into life but instead degrading the existence of his listeners. These asides and conversations, like much of the dialogue, are not stand alone funny but fit in so well to the mood and of the setting. The setting and circumstances - failed dreams in the Heartland - could be milked for much melodramatic value but is well treated here in a matter-of-fact manner. This movie is true farce. I hate to use clichés but Lonesome Jim is the perfect example of "What you see (and hear) is exactly what you get.
Casey Aflleck could easily have played his role as manic or overly deadpan but finds a great balance. Overlooked is his dad's character, who pulls pathos out of middle America. Liv Tyler displays more skill here than in all her minutes in Lord of the Rings combined. And the stoner uncle, without exaggeration could be a candidate for Best supporting actor. But Mary Kay Place steals the show outright. She is the Everymom of all time. I lost my mom last year and my siblings and I can see now that what we interpreted as mom's naive cheerfulness was actually a profound strength. No small feat to create this observation in a movie which, at times, seems almost completely played for laughs. In fact, the uplifting effect of the movie truly appears as almost an afterthought. Creating something out of nothing is the mark of good art.
The movie is chock full of tiny lines of great dialog. Most are not crafted jokes but simply hilarious circumstantially, as when the protagonist comments on the strength of the stoner's weed and - in a casual aside - the stoner says, "Yeah, I put some crack in". Also, our hero so deftly manages to unintentionally insult everyone and everything while spilling his guts; e.g., believing he's offering profound insight into life but instead degrading the existence of his listeners. These asides and conversations, like much of the dialogue, are not stand alone funny but fit in so well to the mood and of the setting. The setting and circumstances - failed dreams in the Heartland - could be milked for much melodramatic value but is well treated here in a matter-of-fact manner. This movie is true farce. I hate to use clichés but Lonesome Jim is the perfect example of "What you see (and hear) is exactly what you get.
Casey Aflleck could easily have played his role as manic or overly deadpan but finds a great balance. Overlooked is his dad's character, who pulls pathos out of middle America. Liv Tyler displays more skill here than in all her minutes in Lord of the Rings combined. And the stoner uncle, without exaggeration could be a candidate for Best supporting actor. But Mary Kay Place steals the show outright. She is the Everymom of all time. I lost my mom last year and my siblings and I can see now that what we interpreted as mom's naive cheerfulness was actually a profound strength. No small feat to create this observation in a movie which, at times, seems almost completely played for laughs. In fact, the uplifting effect of the movie truly appears as almost an afterthought. Creating something out of nothing is the mark of good art.
I saw this film at the Philadelphia Film Festival, the East Coast Premiere of the movie. It was extremely well received by the audience with laughter throughout the film.
Having roots in the Midwest myself, I felt this movie did not resort to stereotypes about life in the nation's heartland. Rather I believe the movie accurately shows that small town life is slower paced and that everyone knows you and your business all too well. Even the little sight gag of seeing the 3 bars with similar names felt familiar to me and I couldn't help but chuckle along with the audience.
Jim (Casey Affleck) has returned home dehydrated and depressed and is looking for sympathy and attention from his family. Instead, his brother is soon in an accident and is briefly the focus of the family. Jim meets Anika (Liv Tyler) during his visit and her gentle observations about her small town life offers the grace that his family can never provide.
This movie reminded me of the Kenneth Lonergan film You Can Count on Me in both pacing and the way the return of the brother stirs up issues in a family. It reminded me also of a much less slick and lower budgeted Garden State
If you are in an independent film place, I would recommend this movie. If you are looking for big stars and big production, look elsewhere.
I personally would be interested to see what Mr. Buscemi could do with some bigger stars and a bigger budget. Clearly the director was working with many limitations on this film.
Having roots in the Midwest myself, I felt this movie did not resort to stereotypes about life in the nation's heartland. Rather I believe the movie accurately shows that small town life is slower paced and that everyone knows you and your business all too well. Even the little sight gag of seeing the 3 bars with similar names felt familiar to me and I couldn't help but chuckle along with the audience.
Jim (Casey Affleck) has returned home dehydrated and depressed and is looking for sympathy and attention from his family. Instead, his brother is soon in an accident and is briefly the focus of the family. Jim meets Anika (Liv Tyler) during his visit and her gentle observations about her small town life offers the grace that his family can never provide.
This movie reminded me of the Kenneth Lonergan film You Can Count on Me in both pacing and the way the return of the brother stirs up issues in a family. It reminded me also of a much less slick and lower budgeted Garden State
If you are in an independent film place, I would recommend this movie. If you are looking for big stars and big production, look elsewhere.
I personally would be interested to see what Mr. Buscemi could do with some bigger stars and a bigger budget. Clearly the director was working with many limitations on this film.
Lo sapevi?
- QuizThe movie was filmed in the writer's hometown and the factory is his parents' actual factory.
- BlooperTutte le opzioni contengono spoiler
- Curiosità sui creditiJoe and Don are mentioned twice in the thanks section.
- ConnessioniReferenced in Film Junk Podcast: Episode 83: Idiocracy and Lonesome Jim (2006)
- Colonne sonoreChase Him
Written by Geoff Levin and Bruce Chianese
performed by Geoff Levin
Courtesy of Kid Gloves Music
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Dettagli
Botteghino
- Budget
- 500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 154.187 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.798 USD
- 26 mar 2006
- Lordo in tutto il mondo
- 182.378 USD
- Tempo di esecuzione
- 1h 35min(95 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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