VALUTAZIONE IMDb
6,3/10
20.341
LA TUA VALUTAZIONE
Nella città di Los Angeles degli anni '50, una squadra speciale del crimine della polizia indaga sull'omicidio di una giovane donna.Nella città di Los Angeles degli anni '50, una squadra speciale del crimine della polizia indaga sull'omicidio di una giovane donna.Nella città di Los Angeles degli anni '50, una squadra speciale del crimine della polizia indaga sull'omicidio di una giovane donna.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Recensioni in evidenza
Along with movies such as "The public eye" or "LA Confidencial", "Mulholland Falls" is one of those products that aim to recreate the atmosphere of film noir, making everything look a little bit more modern, more violent
.
"Mulholland Falls" moves between the thriller and the detective movies, and the cast is its strong point: Nolte, Palminteri, Penn, Maden four time bombs, four real tough guys. When Nolte or Palminteri lose their temper you'd rather not be around Murder, questions, a good script, great actors Nice movie.
*My rate: 7/10
"Mulholland Falls" moves between the thriller and the detective movies, and the cast is its strong point: Nolte, Palminteri, Penn, Maden four time bombs, four real tough guys. When Nolte or Palminteri lose their temper you'd rather not be around Murder, questions, a good script, great actors Nice movie.
*My rate: 7/10
First of all, let's get this straight - the story takes place in 1953, not the '40's. Now - you've got these four guys riding around in a convertible in bad L.A. There's a comic aspect to this little ritual, kind of Abbott and Costello times 2, but it's hard to know who's the straight man.
The plot is not a new one, but the violence has (at least) the merit of being real person-to-person violence (as differentiated from being acted in front of a blue screen and digitally augmented). There are too many "name" actors here, and (I'll grant) not much character development, but it's a chance to watch Nick Nolte and Bruce Dern do their signature performances - Nick, impassive and looming large, has played this role many times before, and always to good effect. He was better doing it in "Q&A", but that was TOO real, and a much too scary. Bruce Dern's overacting is almost reassuring and one of the few animated performances in the picture.
Melanie is subdued, being the window dressing, and they have her wearing shoulder pads, which wasn't a fifties thing, but she gives a good performance without any of the lip-licking she usually resorts to. The photography is good, the desert ominous, and watching evil Treat Williams get thrown out of the plane most entertaining.
It's not Chekov, it's not anything wonderful at all, but it reeks of ambience. I'd recommend it as an evening's entertanment. Much better, certainly, than the stuff that passes as entertainment on the big screen most of the time.
Sure wish they'd given Michael Madsen more screen time - what if they'd pushed Chaz Palmintieri out of the plane early on and beefed Mike's role? Whadya say?
The plot is not a new one, but the violence has (at least) the merit of being real person-to-person violence (as differentiated from being acted in front of a blue screen and digitally augmented). There are too many "name" actors here, and (I'll grant) not much character development, but it's a chance to watch Nick Nolte and Bruce Dern do their signature performances - Nick, impassive and looming large, has played this role many times before, and always to good effect. He was better doing it in "Q&A", but that was TOO real, and a much too scary. Bruce Dern's overacting is almost reassuring and one of the few animated performances in the picture.
Melanie is subdued, being the window dressing, and they have her wearing shoulder pads, which wasn't a fifties thing, but she gives a good performance without any of the lip-licking she usually resorts to. The photography is good, the desert ominous, and watching evil Treat Williams get thrown out of the plane most entertaining.
It's not Chekov, it's not anything wonderful at all, but it reeks of ambience. I'd recommend it as an evening's entertanment. Much better, certainly, than the stuff that passes as entertainment on the big screen most of the time.
Sure wish they'd given Michael Madsen more screen time - what if they'd pushed Chaz Palmintieri out of the plane early on and beefed Mike's role? Whadya say?
Looking at the four stern faces of the suited men on the cover, you'd think this was yet another movie about gangsters. But it isn't. Fans of another fantastic period cop drama, L.A. Confidential, should enjoy this film, as they are quite similar in theme. Like Russle Crowe's hard-edged cop character in L.A. Confidential, the four cops in this movie, do what they must to dispense justice. Despite their violent methods, they are nonetheless vigilante about justice.
Unorthodox and often unethical Los Angeles cops, Max Hoover (Nick Notle), Elleroy Coolige (Chaz Palminteri), Eddie Hall (Mike Madsen), and Arthur Relyea (Chris Penn), do what they can from keeping the trash from moving into the city. Tossing gangsters down Mullholland Falls, the symbolic dumping site for the exiled criminals, and tearing up coke dealers and pimps with a handy black jack, these cops don't take crap. (It should be interesting enough at this point to see both Penn and Madsen not playing their usual roles as sadistic gangsters).
The four cops are preoccupied with a new investigation after Max's former lover, Allison Pond (Jennifer Connelly), is discovered dead in a development yard. The case tests Max's limits on the ability to sift out the suspects and overcome whatever obstacles stand in his way of justice. At first, it seems as though this is just another story in which the villain turns out to be zealous leaders of the mafia who go to all ends to get what they wants (usually a profit venture). But that is not the case here. Max and the gang find themselves going up against the government and military, implicating Atomic Energy Commissioner (John Malkovich) and an eager Colonel (Treat Williams), to find out what is what that Allison was involved with that lead to her death. The movie takes place during the 1940s around New Mexico's White Plains nuclear testing site, and makes some challenges to the ethics of nuclear testing.
This movie has a tremendous cast, even in minor roles. Nick Nolte does a fantastic job, as does John Malckovich in the role of the dreamy, dying Atomic Energy Commissioner.
I also compare this film to L.A. Confidential because it seemed like some of the settings (and even the arrangement of scenes) are very similar to those used in the former. For example, Max Hoover's house (especially the living room and bedroom) looked almost identical to the one where Kevin Spacey and Danny DeVito break into the house in the beginning to bust up a minor "pot party." The bedroom looked much like that one for Kim Basinger's house as well. I wouldn't be surprised if some of the same people involved in Mullholland Falls likewise worked on L.A. Confidential.
It isn't your traditional cop drama/political thriller because of the nature of the main characters. They don't always play by the rules, but in the end, they are the good guys. And, it's got a good finale.
Unorthodox and often unethical Los Angeles cops, Max Hoover (Nick Notle), Elleroy Coolige (Chaz Palminteri), Eddie Hall (Mike Madsen), and Arthur Relyea (Chris Penn), do what they can from keeping the trash from moving into the city. Tossing gangsters down Mullholland Falls, the symbolic dumping site for the exiled criminals, and tearing up coke dealers and pimps with a handy black jack, these cops don't take crap. (It should be interesting enough at this point to see both Penn and Madsen not playing their usual roles as sadistic gangsters).
The four cops are preoccupied with a new investigation after Max's former lover, Allison Pond (Jennifer Connelly), is discovered dead in a development yard. The case tests Max's limits on the ability to sift out the suspects and overcome whatever obstacles stand in his way of justice. At first, it seems as though this is just another story in which the villain turns out to be zealous leaders of the mafia who go to all ends to get what they wants (usually a profit venture). But that is not the case here. Max and the gang find themselves going up against the government and military, implicating Atomic Energy Commissioner (John Malkovich) and an eager Colonel (Treat Williams), to find out what is what that Allison was involved with that lead to her death. The movie takes place during the 1940s around New Mexico's White Plains nuclear testing site, and makes some challenges to the ethics of nuclear testing.
This movie has a tremendous cast, even in minor roles. Nick Nolte does a fantastic job, as does John Malckovich in the role of the dreamy, dying Atomic Energy Commissioner.
I also compare this film to L.A. Confidential because it seemed like some of the settings (and even the arrangement of scenes) are very similar to those used in the former. For example, Max Hoover's house (especially the living room and bedroom) looked almost identical to the one where Kevin Spacey and Danny DeVito break into the house in the beginning to bust up a minor "pot party." The bedroom looked much like that one for Kim Basinger's house as well. I wouldn't be surprised if some of the same people involved in Mullholland Falls likewise worked on L.A. Confidential.
It isn't your traditional cop drama/political thriller because of the nature of the main characters. They don't always play by the rules, but in the end, they are the good guys. And, it's got a good finale.
This film has an excellent eye appeal due mostly to the efforts of Haskell Wexler (cinematographer). See more of his work in "Matewan","Bound For Glory" and "The Secret of Roan Inish".
Nick Nolte, one of America's best actors, gives us one of Film's best visual performances. Watch closely the scene in the cemetary with Melanie Griffith as Nolte,without words,displays a man who has lost the one thing that makes him love.
Nick Nolte, one of America's best actors, gives us one of Film's best visual performances. Watch closely the scene in the cemetary with Melanie Griffith as Nolte,without words,displays a man who has lost the one thing that makes him love.
Nick Nolte heads the cast of Mulholland Falls which came out a year earlier than L.A. Confidential and covered the same time period with similar themes. L.A. Confidential is a much better film, but Mulholland Falls does have its supporters.
The title refers to no waterfall because as a bad guy in the film so aptly put it, there aren't any waterfalls in Los Angeles. What it is, is a cliff off Mulholland Drive in which Nolte and his elite squad make a habit of throwing wise guys off. If they survive they have the option of a further trip or go back where they came from.
This was in the days of Chief William F. Parker of Los Angeles who took over one of the most corrupt police forces in the country. He dealt with systemic corruption in much the same manner J. Edgar Hoover did in taking over the corrupt Federal Bureau of Investigation after the Teapot Dome Scandal. Both men were authoritarian in the methods and their temperament. And both men have their supporters and detractors to this day.
But the main body of the film concerns a homicide of party girl Jennifer Connelly who as it turns out was not only involved with Nick Nolte, but with U.S. Army General John Malkovich who was just appointed to the Atomic Energy Commission.
Malkovich has an aide in Colonel Treat Williams who is every bit as extra legal as Nolte and his squad are. In this case the rule book is out on both sides.
In addition to those mentioned some nice performances are given by Melanie Griffith as Nolte's wife, Andrew McCarthy as the photographer and friend of Connelly who taped her sexual sessions. And stealing every scene he's in is Chazz Palmenteri as Nolte's partner, undergoing psychological therapy.
Though L.A. Confidential is definitely the superior film, if you liked that film, you'll no doubt like Mulholland Falls.
The title refers to no waterfall because as a bad guy in the film so aptly put it, there aren't any waterfalls in Los Angeles. What it is, is a cliff off Mulholland Drive in which Nolte and his elite squad make a habit of throwing wise guys off. If they survive they have the option of a further trip or go back where they came from.
This was in the days of Chief William F. Parker of Los Angeles who took over one of the most corrupt police forces in the country. He dealt with systemic corruption in much the same manner J. Edgar Hoover did in taking over the corrupt Federal Bureau of Investigation after the Teapot Dome Scandal. Both men were authoritarian in the methods and their temperament. And both men have their supporters and detractors to this day.
But the main body of the film concerns a homicide of party girl Jennifer Connelly who as it turns out was not only involved with Nick Nolte, but with U.S. Army General John Malkovich who was just appointed to the Atomic Energy Commission.
Malkovich has an aide in Colonel Treat Williams who is every bit as extra legal as Nolte and his squad are. In this case the rule book is out on both sides.
In addition to those mentioned some nice performances are given by Melanie Griffith as Nolte's wife, Andrew McCarthy as the photographer and friend of Connelly who taped her sexual sessions. And stealing every scene he's in is Chazz Palmenteri as Nolte's partner, undergoing psychological therapy.
Though L.A. Confidential is definitely the superior film, if you liked that film, you'll no doubt like Mulholland Falls.
Lo sapevi?
- QuizThe story based the film's four detectives on the real life LAPD foursome known as the Hat Squad. As portrayed in the film, the LAPD leadership empowered them and the larger "Gangster Squad", subsequently renamed the "Intelligence Division", to specifically interdict the movement of East Coast organized crime into Los Angeles. The actual LAPD units allegedly used tactics commensurate with the level necessary to counter and repulse organized crime groups.
- BlooperWhen Hoover and his men are caught trespassing by Colonel Fitzgerald and the MP's, there is an offstage ADR line heard as one of the men speak on the radio, "Sierra, Tango, Zero, One." "Sierra, Tango" is the phonetic alphabet representing the letters "S" and "T". However, this is the current phonetic alphabet which became effective in 1957. The ADR line should have read, "Sugar, Tare, Zero, One" to be authentic to the period.
- Citazioni
Lieutenant Max Hoover: See, that's federal property. This isn't. This is L.A. This is my town. Out here you're a trespasser. Out here I can pick you up, burn your house, fuck your wife, and kill your dog. And the only thing that'll protect you is if I can't find you. And I already found you.
- Colonne sonoreHarbour Lights
Written by Jimmy Kennedy and Will Grosz (as Hugh Williams)
Arranged by Jimmie Haskell
Performed by Aaron Neville
Aaron Neville appears courtesy of A&M Records
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Abuso de poder
- Luoghi delle riprese
- Perino's Restaurant - 4101 Wilshire Boulevard, Los Angeles, California, Stati Uniti(where the boys pick up Jack Flynn, demolished)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 29.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 11.526.099 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.306.221 USD
- 28 apr 1996
- Lordo in tutto il mondo
- 11.526.099 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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