Abuso di potere

"Unlawful Entry" kept me on the edge of my seat, or should I say the edge of my bed. Ray Liotta proved with this performance that few actors can play the apparently shy guy with evil tendencies better than him. The movie also presents some good "What if" questions. In the pivotal scene, Liotta grabs the burglar who ran into Kurt Russell's house and put a knife to his wife's throat. In an earlier scene, he explains how he'd beat the living crap out of that burglar if he had the chance. Well, one night Liotta gives Russell the permission (him being a cop) to "beat the living crap out of him" and Russell totally panics and refuses. Meanwhile, I'm thinking to myself, "If Madeline Stowe were my wife and that moron put a knife to her throat, I would've taken that nightstick and beat him to death." But then again, I'm saying that while sitting comfortably on my bed, watching the movie. I'm not in his shoes. I'm sure many people would panic in that situation.

Though the movie kept my eyes glued to the screen, I could've done without certain plot conventions towards the end. I don't have to spoil it for you. You've seen thrillers in the past, you know what I'm talking about. And the writer could've trimmed the use of lines like "Get the f**k out of here," "Stay the f**k out of my house" and "Stay the f**k away from my wife" or "If you touch her, I'll kill you." I think those lines have popped up in every movie thriller I've seen. But the best reason to see this movie is Liotta's flawless performance. On those grounds alone, this movie is well worth seeing.

My score: 8 (out of 10)

Unlawful Entry is a tense, uncomfortable home invasion thriller where the intruder is the one person who should protect you from that sort of thing: a police officer. It's a perfect concept for a thriller and here its executed to spine tingling effect, through great performances and an intimately hair raising atmosphere. Kurt Russell and Madeleine Stowe play a well to do yuppie couple whose house is broken into by a petty thief one night. The officer who answers their call the next day (Ray Liotta) is friendly, helpful and goes out of his way to ensure that a security system is installed and that they feel safe. His kindness takes a creepy turn though, when he sets his sights on beautiful Stowe, Russell's wife. He gets scarier and scarier, eventually becoming totally unhinged and zoning right in on her with volatile lust and unhealthy sociopathic obsession that tears all three lives apart. Liotta is scary good, and his eerie transformation from likable upstanding guy to violent stalker madman is something from a nightmare. Some scenes are downright nasty to keep your eyes on, and you really feel sick watching Stowe get exposed to this cruelty. She's darkly radiant as always though, and Russell shows fear and fury in an awesome role that isn't an easy one to play. Domestic thrillers are a dime a dozen, and often can descend into seedy melodrama, but this one takes the high road and uses genuine skill and well orchestrated tension to glue us in our seats.

I remember seeing this film in theaters in 1992 at the tender age of 12, and I can recall now how frightened I was. That just goes to show the professionalism involved in this first-rate thriller. When a cop is on your back, what are you gonna do? Call the cops? Hmmmm....Kurt Russell and Madeleine Stowe struggle to find that answer here. Ray Liotta has never been creepier. Kurt Russell shines yet again in a role balancing the everyman we can relate to and the hero we cheer for in the end. One of the best thrillers of the 1990s.

I consider myself a big film buff, but before I'd seen it recently, I'd never even heard of Unlawful Entry. The story is pretty simple: a couple in love (Kurt Russell and Madeline Stowe) make friends with a cop (Ray Liotta) who turns out to be possessive and to make their lives a living hell (see also: The Cable Guy, which follows the same lines). But, with a simple story, this low-key film deserves recognition for being a clever and original thriller. Throughout the film, you feel all the emotions that Kurt Russell is feeling as his life is slowly taken away from him by the ever-menacing Ray Liotta. In brief, this is a fabulous film, which was under-appreciated and a missed hit.

A couple are befriended by a police officer who answers their burglary call, but his attentions increase to a point of obsession and he beings to make their lives uncomfortably difficult pushing them both to breaking point.

Released the same year as spate of 1992 thrillers including Single White Female, Basic Instinct, Traces of Red, Consenting Adults and Final Analysis name a few Unlawful Entry is a tighter than the aforementioned. It's easy to knock a film in retrospect, as it's been done so many times since but at the time while not totally original it encompassed the best of the genre. Jonathan Kaplan delivers a very entertaining obsession flick and while borrowing elements from Pacific Heights (1990),Cape Fear (1991) & (1962) Lewis Colick's screenplay plays out interesting character developments and arcs especially as Kurt Russell's Michael Carr unravels and Ray Liotta's Pete Davis unveils.

Liotta is perfect as Davis an unbalanced police officer and Russell hams it up, debatably a little too much, as the aggravated husband. There's an overlooked supporting cast, including Ken Lerner and Madeleine Stowe in her heyday. James Horner's score is strong and of its time and it all adds up to an engaging thriller that would later be emulated in Lakeview Terrace (2008) and The Fan (1996).

Worth viewing if only for the underrated Liotta in one of his better roles.